Press Release

Violist Wenting Kang's "Mosaic"

Award-winning violist Wenting Kang releases "Mosaic" on Blue Griffin Records with pianist Sergei Kvitko

New album of works by Debussy, Fauré, Albéniz, de Falla, and more

Album highlights era of cultural exchange between Spanish & French composers

"What makes Mosaic so deserving of recommendation? ... Pacing, pitch, dynamics, intonation, vibrato—all are handled with extreme sensitivity and circumspection, the result a riveting treatment custom-designed to invite repeat visits." — Textura

Violist Wenting Kang, winner of the First Prize of the Tokyo International Viola Competition, has been praised as an "excellent violist" who “possesses a dark glowing sound” (New York Times). Her debut album Mosaic, on Blue Griffin Records (BGR609), is a collection of diverse and colorful pieces from France and Spain.

Featuring works by Albéniz, Casals, de Falla, Fauré, Akira Nishimura, Ravel, and Francisco Tárrega, the collection celebrates an era of a century ago in which Spanish and French composers frequently collaborated.

"These composers not only had a strong impact on each other´s work, but they were also very connected in their personal lives," Ms. Kang says. "Some of them were professor and student, such as Fauré and Ravel. Others were close friends and colleagues, such as Fauré and Albéniz, Ravel and Falla, Tárrega and Casals and de Falla, and on and on."

When choosing repertoire for the album, Ms. Kang considered scores that had been arranged for violin or cello, which also worked very well on viola, including Pablo Casals' arrangement of "Après un rêve" by Fauré, and Jascha Heifetz´s transcription of the Debussy’s song “Beau Soir." Nearly all of the music on Mosaic was adapted by Kang for viola.

Ms. Kang’s partner on this recording is Sergei Kvitko, critically acclaimed pianist and internationally sought-after producer and sound engineer, who wears all of these hats on this production. The CD was recorded in 2021 at the state-of-the art Estudio Uno in Madrid, Spain.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

"a mosaic of musical jewels" — Melómano Magazine (Gold Medal review)

Mosaic

Wenting Kang, viola
Sergei Kvitko, piano

Blue Griffin Records (BGR609)

Track List

Claude Debussy
[01] Beau Soir (Transcr. J. Heifetz)
[02] Première Rhapsodie

Francisco Tárrega
[03] Recuerdo de la Alhambra (Transcr. R. Ricci)

Maurice Ravel
[04] Pavane pour une infante défunte (Transcr. V. Borisovsky)
[05] Vocalise-étude en forme de Habanera

Gabriel Fauré
[06] Élégie in C minor, Op. 24
[07] Papillon, Op. 77
[08] Berceuse, Op. 16 (Transcr. T. Butorac)
[09] Après un rêve, Op. 7, No. 1 (Transcr. P. Casals)

Isaac Albéniz
[10] Tango in D Major, Op. 165 No. 2 (Transcr. M. Rummel)

Akira Nishimura
[11] Fantasia on Song of the Birds

Pablo Casals
[12] El Cant dels Ocells-Song of the Birds

Manuel de Falla
Siete canciones populares españolas (Transcr. E. Colon)
[13] El Paño Moruno
[14] Seguidilla Murciana
[15] Asturiana
[16] Jota
[17] Nana
[18] Canción
[19] Polo

Total time = 70:52

Biographies

Chinese-born violist Wenting Kang is praised for her “dark glowing sound” by The New York Times. She is an active performer with orchestras and in recital halls across Europe and in the US, China and Japan. She is the principal violist of Orquesta Sinfonica de Madrid at the Royal Theatre of Spain and founding member and principal violist of Madrid Soloists Chamber Orchestra. A sought-after chamber musician, she has been a member of Dalia String Quartet and Imai Viola Quartet.

Kang won the top prize in the Tokyo International Viola Competition, and earned awards at the Johannes Brahms International Competition and the Primrose International Viola Competition. She studied at Central Conservatory in Beijing, the New England Conservatory in Boston, and at the Kronberg Academy in Germany, under the guidance of Nobuko Imai, Kim Kashkashian, Garth Knox, Donald Weilerstein, Miriam Fried, and Changhai Wang.


Sergei Kvitko’s career follows simultaneous paths as pianist, composer/arranger, and recording engineer, producer and owner of the Blue Griffin Recording label. As a pianist, he has earned critical acclaim for his "natural, appealing musicality and sensual understanding of piano tone” (The Chronicle-Herald). Active as a recitalist and soloist, Mr. Kvitko continues to perform across the United States, Europe and Asia.

Kvitko’s decades-long reputation as an internationally sought-after classical recording engineer and producer was recognized with a Latin Grammy nomination for Best Classical Album. Sergei Kvitko was born in Russia and began studying music at the age of six. His formal studies culminated with a Doctor of Musical Arts degree at Michigan State University, where he studied with Ralph Votapek.

Have you heard the 2022 Pulitzer Prize-winning composition?

Pulitzer Prize-winning composition "Voiceless Mass" by Raven Chacon commissioned by Present Music

Wisconsin-based contemporary ensemble celebrates with release of the video of the world premiere performance

"a mesmerizing, original work for organ and ensemble that evokes the weight of history in a church setting, a concentrated and powerful musical expression with a haunting visceral impact." Citation from Pulitzer Prize Committee

Present Music, a contemporary music ensemble in Milwaukee, Wisconsin, congratulates the composer Raven Chacon on winning the 2022 Pulitzer Prize for Music. Present Music, along with the Wisconsin Conference of the United Church of Christ and Plymouth Church UCC, commissioned the winning work in 2021 for their long-running concert series, now in its 40th season. "Voiceless Mass" was written specifically for the Nichols & Simpson organ and its space at The Cathedral of St. John the Evangelist in Milwaukee. Present Music performed the world premiere on their annual Thanksgiving Concert; a video of that performance is below.

“Voiceless Mass” is scored for organ, flute, clarinet, bass clarinet, two percussionists, strings and sine tones. Raven Chacon writes:

This work considers the spaces in which we gather, the history of access of these spaces, and the land upon which these buildings sit. Though ‘mass’ is referenced in the title, the piece contains no audible singing voices, instead using the openness of the large space to intone the constricted intervals of the wind and string instruments. In exploiting the architecture of the cathedral, Voiceless Mass considers the futility of giving voice to the voiceless, when ceding space is never an option for those in power.

About Present Music

Since its founding in Milwaukee in 1982, Present Music’s mission has been to commission and perform new concert music, bringing over 80 new works to life. Audiences “can almost always expect Present Music to bring on the unexpected” (The Shepherd Express) with programming that introduces innovative concert formats, embraces a broad diversity of repertoire, and makes the music of our time accessible to audiences with deep expression and serious fun.

The Present Music ensemble ranges from a core group of seven musicians to an ensemble of twenty or more. The group has worked closely with many of the nation's top composers, including John Adams, Henry Brant, David Lang, Caroline Shaw, Ingram Marshall, Missy Mazzoli, Bright Sheng, Roberto Sierra, and Michael Torke; and has a long and impressive track record for identifying outstanding talent early in the artists’ careers. Present Music is the winner of an impressive six ASCAP/Chamber Music America’s Adventurous Programming Award. Their discography includes world premiere recordings on the Argo, Albany, Aoede, Northeastern, Naxos, and Innova labels.

The group is led by Co-Artistic Directors violinist/composer Eric Segnitz and conductor David Bloom. Present Music was founded by conductor Kevin Stalheim, who was Artistic Director for the first 37 years of the ensemble’s existence until 2019.

About Raven Chacon

Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at Whitney Biennial, documenta 14, REDCAT, Haus der Kulturen der Welt, Borealis Festival, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy’s Berlin Prize for Music Composition, and the Pew Fellowship. He lives in Albuquerque, NM.

July in NYC and Newport: Pianist Inna Faliks in recital

Ukrainian-American Pianist Inna Faliks in recital at Brooklyn's Bargemusic July 3 & Newport Classical Music Festival July 7

Programs feature works by Clara Schumann, Ravel, and more

This July, the Ukrainian-American Pianist Inna Faliks brings the high romance of Clara Schumann's Piano Sonata in G minor and the colorful impressionism of Ravel's Gaspard de la Nuit to two recital programs on the East Coast.

The pianist returns to Brooklyn's floating concert hall for Bargemusic (Brooklyn, NY) on July 3, 2022 at 4 pm. Pairing the Schumann with Ravel, the program marks Ms. Faliks' only NYC appearance this Summer.

This season, Ms. Faliks has performed the works works in recitals across the country. In her only New York appearance this summer, she brings the two pianistic masterpieces together on this compelling program.

On July 7 at 7:30 pm she performs the same repertoire at Newport Classical Music Festival, adding music by Timo Andres, Paola Prestini, and Billy Childs that she commissioned and recorded on her highly acclaimed album "Reimagine: Beethoven and Ravel".

Ms. Faliks recorded Ravel's Gaspard de la Nuit on her debut album "Sound of Verse" (2009), and her performance of Clara Schumann's G minor Sonata is on her 2021 album "The Schumann Project, Vol. 1".

Calendar Listing

Masterworks Series: Clara Schumann & Ravel

July 3, 2022 at 4 pm

Bargemusic
1 Water St.
Brooklyn, NY

Tickets and details available here

PROGRAM

Clara Schumann: Piano Sonata in G minor
Maurice Ravel: Gaspard de la nuit


Newport Classical Music Festival
July 7, 2022 at 7:30 pm

Castle Hill Inn
590 Ocean Ave.
Newport, RI

Tickets and details available here

PROGRAM

Clara Schumann: Piano Sonata in G minor
Maurice Ravel: Gaspard de la nuit
Paola Prestini: Variations on a Spell
Timo Andres: Old Ground
Billy Childs: Pursuit


“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Besides Reimagine, her discography includes all-Beethoven and Rachmaninoff/Ravel/Pasternak discs for MSR Classics, and the Master and Margarita project, featuring three world premieres on Sono Luminus.

In addition to her other impressive accomplishments, Faliks is a respected educator and is head of Piano Studies at UCLA. She is also a published writer, with articles and essays appearing in Los Angeles Times and The Washington Post, among other media outlets. Her musical memoir, “Weight in the Fingertips,” will be out in 2023, published by Globe Pequot. Inna Faliks is a Yamaha Artist.

June 22: Pianist Inna Faliks at The Wallis and beyond

June 22: Ukrainian-American Pianist Inna Faliks performs works by Billy Childs, Timo Andres, Paola Prestini and more at The Wallis

Program features first live performance of critically acclaimed album Reimagine: Beethoven and Ravel in its entirety

Plus, July 3 recital in Brooklyn and performances in Flagstaff and Madison

A long-awaited recital, the Ukrainian-American pianist Inna Faliks comes to the Wallis Annenberg Center for the Performing Arts on June 22, 2022 at 7:30 pm to perform her internationally acclaimed album Reimagine: Beethoven and Ravel in full for the first time.

The program features the live premieres of nine imaginative and rich new works for the piano commissioned by Ms. Faliks, alongside masterpieces by Beethoven and Ravel. Nine contemporary composers, including Paola Prestini, Billy Childs, Timo Andres, and six on UCLA's faculty - Richard Danielpour, Peter Golub, Ian Krouse, David Lefkowitz, Mark Carlson and Tamir Hendelman - were commissioned to craft responses to Ludwig van Beethoven’s Bagatelles, op. 126 and Maurice Ravel’s Gaspard de la Nuit.

When Ms. Faliks asked Billy Childs to reimagine Ravel’s “Scarbo” (from Gaspard de la Nuit), he latched on to the image of Scarbo as an evil goblin. “It turned into - in my mind - a sadly familiar American storyline, in which a Black man is being pursued,” said Childs. His composition “Pursuit” brings out the urgency of the moment, simultaneously crafting a new work as fiendishly difficult to play as Ravel’s notorious finger-buster.

In this homage to Beethoven and Ravel, the Ukrainian-born American pianist ties together three centuries of music and a range of social commentary and interpretations with her acclaimed artistry and impressive technique. The entire program is featured on her widely critically acclaimed album Reimagine: Beethoven and Ravel (Navona NV6352; release date June 11, 2021), which features the world premiere recordings of the commissioned works.

Tickets for the June 22 concert at The Wallis Annenberg Performing Arts Center (9390 N. Santa Monica Blvd.) in Beverly Hills, CA are available at TheWallis.org.

In addition to the June 22 recital at The Wallis, Pianist Inna Faliks can be found across the country this Summer:

  • June 11 & 12 at Bach Dancing and Dynamite Festival (Madison, WI): Inna Faliks performs chamber music by Roberto Pena, Brahms, Mozart, and Beethoven alongside solo selections from her album Reimagine: Beethoven and Ravel.

  • June 19 at Flagstaff Piano Festival (Flagstaff, AZ): Ms. Faliks performs a solo piano recital.

  • July 3 at Barge Music (Brooklyn, NY): Ms. Faliks returns to Brooklyn's floating music hall to perform Clara Schumann's passionate and rarely heard G minor Piano Sonata and Ravel's Gaspard de la Nuit.

Calendar Listing

Pianist Inna Faliks
Reimagine: Beethoven and Ravel
June 22, 2022 at 7:30 pm

The Wallis Annenberg Center for Performing Arts
9390 N. Santa Monica Blvd.
Beverly Hills, CA
Tickets available here

PROGRAM

Peter Golub: Bagatelle
Ludwig van Beethoven: Bagatelles opus 126: Andante con moto, Cantabile e compiacevole
Tamir Hendelman: Bagatelle
Beethoven: Bagatelle # 2, Allegro
Richard Danielpour: Bagatelle
Beethoven: Bagatelle # 3. Andante, Cantabile e grazioso
Ian Krouse: Etude 2a - ‘ad fugam’
Beethoven: Bagatelle # 4, Presto
Mark Carlson: Sweet Nothings
Beethoven: Bagatelle # 5. Quasi allegretto
David Lefkowitz: Bagatelle
Beethoven: Bagatelle # 6. Presto, cut time then Andante amabile e con moto

Pause

Paola Prestini: Variations on a Spell (response to Ondine by Ravel)
Timo Andres: Old Ground (response to Le Gibet by Ravel)
Billy Childs: Pursuit (response to Scarbo by Ravel)
Ravel: Gaspard de la nuit Maurice Ravel

“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Besides Reimagine, her discography includes all-Beethoven and Rachmaninoff/Ravel/Pasternak discs for MSR Classics, and the Master and Margarita project, featuring three world premieres on Sono Luminus.

In addition to her other impressive accomplishments, Faliks is a respected educator and is head of Piano Studies at UCLA. She is also a published writer, with articles and essays appearing in Los Angeles Times and The Washington Post, among other media outlets. Inna Faliks is a Yamaha Artist.

June: A "herculean feat" by Momenta Quartet

Momenta Quartet presents:

Momenta Festival VII

June 14, 15, 16, & 17, 2022

Four concerts each curated by a different quartet member

"[the Momenta Festival] has become one of the most amazingly eclectic, never mind herculean feats attempted by any chamber ensemble in this city..." - New York Music Daily

Momenta Quartet presents its annual Momenta Festival June 14-17, 2022. All four concerts will be at the Broadway Presbyterian Church (601 W 114th St. New York, NY), and admission is free.

The seventh edition of the festival features four diverse chamber music programs each curated by a different member of the quartet. With programs that blend the old and new, the "intriguing programming" (The New York Times) and "striking originality" (I Care If You Listen) of the Momenta Festival have been acclaimed by critics and fans alike.

The festival opens with the world premiere of David Glaser’s String Quartet No. 5, written for Momenta in memory of Mario Davidovsky, alongside Beethoven’s groundbreaking “Serioso” quartet. Guest artists David Byrd-Marrow, horn and Nana Shi, piano join the quartet on June 15 for a whimsical work, In Memory of Perky Pat, and Brahms' monumental horn trio. A string quartet by the Ukrainian composer Valentin Silvestrov is featured on June 16, paired with works by Americans Elizabeth Brown and Shawn Jaeger. A world premiere by Hilliard Greene highlights the final evening of the festival, celebrating Juneteenth and the release of Momenta Quartet's album of works by Alvin Singleton.

"We founded this festival in 2015 as an artistic outlet for each of our individual musical interests," says Momenta violist Stephanie Griffin. "I continue to be surprised to discover new pieces and composers that my Momenta colleagues introduce me to through this festival."

Admission to all concerts is free. Programs are subject to change.


Momenta Quartet's 2022 Momenta Festival

All concerts start at 7:30 pm (doors at 7 pm)
at the Broadway Presbyterian Church (601 W 114th St.) in Manhattan

Free admission, no tickets/reservations needed


JUNE 14: Visionary Sounds - curated by Emilie-Anne Gendron, violin

Momenta presents the world premiere of David Glaser’s String Quartet No. 5 (2022), written for Momenta in memory of Mario Davidovsky, alongside Davidovsky’s intricate Synchronisms No. 9 (1988) for violin and recorded electronic sounds. This exploratory evening also includes the late great Ursula Mamlok’s elegant “Two Bagatelles” (1961), rediscovered toward the end of the composer’s life in a hidden sketchbook; Mexican microtonal trailblazer Julián Carrillo’s final String Quartet No. 13 (1964); and Beethoven’s groundbreaking “Serioso” quartet.

Program:

Ursula Mamlok: Two Bagatelles (1961) for string quartet

Mario Davidovsky: Synchronisms No. 9 (1988) for violin and recorded electronic sounds

David Glaser: String Quartet No. 5, in memoriam Mario Davidovsky (2022)*

Julián Carrillo: String Quartet No. 13 (1964)

Ludwig van Beethoven: String Quartet No. 11 in f minor, Op. 95 “Serioso” (1810)

*world premiere, written for Momenta


JUNE 15: Horn Fifths - curated by Alex Shiozaki, violin

Guest artists: David Byrd-Marrow, horn and Nana Shi, piano

David Byrd-Marrow and Nana Shi join Momenta on this program exploring the horn and its harmonies. Having premiered Hirofumi Mogi’s In Memory of Perky Pat (2021) earlier this year, Momenta is reprising that whimsical piece for string quartet and french horn. With his Horn Trio, Johannes Brahms creates a sound world filled with overtones and consonance, and Grażyna Bacewicz turns that world upside down with quintal harmonies in the angular Piano Quintet No. 2 (1965).

Program:

Hirofumi Mogi: In Memory of Perky Pat (2021) for string quartet and horn

Johannes Brahms: Trio for Violin, Horn, and Piano in E-flat Major, Op. 40 (1865)

Grażyna Bacewicz: Piano Quintet No. 2 (1965)


JUNE 16: Distant Songs - curated by Michael Haas, cello

In the words of Ukrainian composer Valentin Silvestrov, “Music is, above all, a chant, a song the world sings about itself.” Momenta explores the influence of song and the human voice on this program featuring recent works by Silvestrov and American composers Elizabeth Brown and Shawn Jaeger.

Program:

Elizabeth Brown: Just Visible in the Distance (2013)

Valentin Silvestrov: String Quartet no. 3 (2011)

Shawn Jaeger: Thy Wondering Eyes (2010)


JUNE 17: A Juneteenth Celebration! - curated by Stephanie Griffin, viola

Guest artist: bassist/composer Hilliard Green

Momenta celebrates the release of its CD “Alvin Singleton: Four String Quartets” on New World Records with a performance of his String Quartet no. 1 (1967) and Be Natural (1974), alongside Yusef Lateef’s String Quartet no. 3 and a world premiere for bass and string quartet by jazz bassist Hilliard Greene

Program:

Yusef Lateef: String Quartet no. 3

Alvin Singleton: Be Natural

Hilliard Greene: New work for bass and string quartet*

Alvin Singleton: String Quartet no. 1

*world premiere, written for Momenta

Momenta Quartet

Emilie-Anne Gendron, violin
Alex Shiozaki, violin
Stephanie Griffin, viola
Michael Haas, cello

Momenta: the plural of momentum – four individuals in motion towards a common goal. This is the idea behind the Momenta Quartet, whose eclectic vision encompasses contemporary music of all aesthetic backgrounds alongside great music from the recent and distant past. The New York City-based quartet has premiered over 150 works, collaborated with over 200 living composers and was praised by The New York Times for its “diligence, curiosity and excellence.” In the words of The New Yorker’s Alex Ross, “few American players assume Haydn’s idiom with such ease.”

Momenta has appeared at such prestigious venues as the Library of Congress, National Gallery of Art, the Smithsonian's Freer Gallery, Rubin Museum, Miller Theatre at Columbia University, the Princeton Institute for Advanced Study, Philadelphia Chamber Music Society, Washington University in St. Louis, Ostrava Days in the Czech Republic, and at the internationally renowned Cervantino Festival in Mexico. Momenta has recorded for Centaur Records, Furious Artisans, PARMA, New World Records, and Albany Records; and has been broadcast on WQXR, Q2 Music, Austria's Oe1, and Vermont Public Radio.

The Momenta Quartet’s 2021-2022 season is made possible through the generous support of the Aaron Copland Fund for Music, the Amphion Foundation, the Alice M. Ditson Fund, New Music USA, Chamber Music America, the Sparkplug Foundation, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. The 2022 Momenta Festival is supported by The Adele and John Gray Endowment Fund and through the generosity of many individual donors.

June 3: Florence Price piano works from Josh Tatsuo Cullen

New! Pianist Josh Tatsuo Cullen performs music by Florence Price 

“Scenes in Tin Can Alley” released
June 3, 2022 on Blue Griffin Records

“Cullen performed with an astounding mixture of coolness and intensity… with an unfailing sense of rhythm and drive” — Stuttgarter Zeitung

The music of Florence Price (1887 – 1953) is enjoying a renaissance. The 2009 discovery of a trove of manuscripts in the African-American composer’s abandoned summer home generated a lot of excitement and renewed interest in her life and work. The pianist Josh Tatsuo Cullen has recorded an entire album of her evocatively-titled music for solo piano, all specifically from that 2009 discovery. "Scenes in Tin Can Alley: Piano Music of Florence Price" (Blue Griffin BGR615) is released on June 3, 2022. The album includes the first commercial recording of several of these compositions, including Scenes in Tin Can Alley, Thumbnail Sketches of a Day in the Life of a Washerwoman, Village Scenes, and Cotton Dance.

In the liner notes, Cullen writes: 

I chose these works not only because they deserve to be heard, but because they spoke to me as an artist. As a person of mixed Japanese and European descent, I feel a strong connection to Price’s desire to honor and elevate the marginalized people of her own mixed-race heritage personified in Scenes in Tin Can Alley, Thumbnail Sketches of a Day in the Life of a Washerwoman, and Three Miniature Portraits of Uncle Ned.

The composer Florence Price (1887–1953) is the first African-American woman to have an orchestral piece played by a major American orchestra: the Chicago Symphony Orchestra performed her Symphony in E Minor in 1933. Born in Little Rock, Ark., and educated at the New England Conservatory, her career blossomed after she moved to Chicago in 1927. Her music received widespread recognition beginning in the 1930s. Price wrote over 300 works, and her arrangements of spirituals were often performed by Marian Anderson, Leontyne Price and other singers.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

Scenes in Tin Can Alley

Piano Music of Florence Price

Blue Griffin Records (BGR615)
Release Date: June 3, 2022

Tracks

Scenes in a Tin Can Alley (1928)
[01] The Huckster   1:44
[02] Children at Play   3:06
[03] Night   6:23

Thumbnail Sketches of a Day in the Life of a Washerwoman (1938-1942)
[04] Morning   1:24
[05] Dreaming at the Washtub   1:52
[06] A Gay Moment   0:37
[07] Evening Shadows   2:21

[08] Clouds (circa 1940’s) 5:47

 Village Scenes (1942)
[09] Church Spires in Moonlight  5:34
[10] A Shaded Lane  2:14
[11] The Park  1:47 

Preludes (1926-1932)
[12] No. 1 Allegro moderato  1:49
[13] No. 2 Andantino cantabile 2:33
[14] No. 3 Allegro molto   1:08
[15] No. 4 Wistful. Allegretto con tenerezza 2:58
[16] No. 5 Allegro 1:40         

Cotton Dance (circa 1940’s)
[17] Presto 3:16

Three Miniature Portraits of Uncle Ned (1932-1941)
[18] At Age 17   1:03
[19] At Age 27   1:16
[20] At Age 70   1:51 

Total time: 50:35

About the Artist

The pianist Josh Tatsuo Cullen is acclaimed for his “astounding mixture of coolness and intensity” (Stuttgarter Zeitung) and has been praised for his “delicious” collaboration by The New York Times. He has performed as solo and collaborative pianist at venues throughout the world.

His recordings include Beethoven’s Piano Concertos Nos. 1, 2 and 3, and Mozart’s Concerto for Two Pianos in E-flat major with his mentor, Paul Badura-Skoda, all with the Czech National Symphony Orchestra led by Paul Freeman. At age nine he performed Mozart’s Piano Concerto in A major, K. 488 with the Moscow Philharmonic at Tchaikovsky Hall in Moscow, recording the work in studio the same week.

Cullen holds a master’s degree in piano from The Juilliard School, and a master’s degree in collaborative piano from New York University. He earned his bachelor’s degree from the University of Michigan at age 16.

Born in Hawaii and raised outside of Detroit, Josh Cullen proudly served in the United States Army for over a decade as an interpreter and interrogator.

Violinist Sarah Plum in concert and live-streamed, May 29

Violinist Sarah Plum performs at Constellation in Chicago

May 29 concert will be live-streamed worldwide

"I can't think of a better flag bearer than Sarah Plum who is quite brilliant" — The Whole Note

The ever-adventurous violinist Sarah Plum has long been a champion of contemporary music. Her May 29 recital at Constellation in Chicago celebrates the forthcoming release of her new recording, Personal Noise (Blue Griffin Records, released June 2022).

The concert is streamed worldwide on Youtube and Facebook at 9:30 pm EDT (8:30 pm CDT), for a suggested admission of $5. Tickets to view the live-stream, or to attend in person, are available here.

The program focuses on music for violin and electronics, most of which was written especially for Ms. Plum, including works by Kyong Mee Choi, Osnat Netzer, Mari Kimura, Mari Takano, Charles Nichols, and Jeff Herriott. The highlight of the program is the world premiere of the deeds by the multi-media sound artist Laurie Schwartz. The work is for video (taken from Suffragette), spoken word sound files and improvised processed violin. Violinist Charlene Kluegel joins Ms. Plum for Mari Kimura's Sarahal.

Calendar Listing

May 29, 2022
at 8:30 pm CDT (9:30 pm EDT)

Sarah Plum, violin and viola
with Charlene Kluegel, violin and Laurie Schwartz, electronics

Constellation
3111 N Western Ave
Chicago, IL

PROGRAM

Osnat Netzer (arr. Sarah Plum): Olive Cotton for solo viola
Charles Nichols: Il Prete Rosso for violin, live electronics, and motion sensor
Jeff Herriott: after time, a resolution for violin and live electronics
Mari Takano: Full Moon
Laurie Schwartz: the deeds
Kyong Mee Choi: Flowering Dandelion
Mari Kimura: Sarahal

$15 (and $5 live-stream) tickets available here

Biography

The "adventurous indie violinist" (New York Music Daily) Sarah Plum’s career centers around championing new music, commissioning composers and bringing contemporary music to a wider audience. Her "consistently stunning” playing (Third Coast Digest) has been featured at festivals and venues worldwide, from Ankunft:Neue Musik Festival at the Berlin Hauptbahnhof to the Cube at Virginia Tech’s Institute for Creativity, and many in between.

Plum’s discography includes her 2022 release, Personal Noise, an album of works for violin and electronics written for her by Kyong Mee Choi, Eric Lyon, Jeff Herriot, Charles Nichols, Mari Takano, Eric Moe and Mari Kimura. Album releases in 2011 and 2015 feature music by Bartok, Sidney Corbett and Christopher Adler.

Sarah Plum is on the faculty at both the Music Institute of Chicago and their elite Academy program and teaches at the Zodiac Music Academy and Festival and University of Oklahoma Summer String Academy. She was Professor of Violin and Viola at Drake University from 2007-2018. Plum earned a DMA at SUNY Stony Brook, after graduate and undergraduate studies at Juilliard.

Cutting Edge Concerts: June 12 - "Japan Songs"

Cutting Edge Concerts 25th anniversary season continues with “Japan Songs” on Sunday, June 12 at Tenri Cultural Institute

Program features chamber music with shakuhachi, including a world premiere by Victoria Bond

Presented by Kyo-Shin-An Arts in collaboration with Arts at Tenri

The world premiere of Victoria Bond’s new work Winds of ACDEGA is front and center in a program dedicated to chamber music with shakuhachi (a type of Japanese flute). Scored for shakuhachi, violin, and cello, Bond's work is inspired by the varying, diverse, and random sounds of wind chimes. "As I stood very close to the chimes, I was captivated by the unusual sounds caused by the wind’s movement," said the composer. "The randomness of which pitch sounds when, and the overtones produced, are endlessly fascinating.” The work is presented by Cutting Edge Concerts in collaboration with Kyo-Shin-An Arts and Arts at Tenri in a program calledJapan Songs” on Sunday, June 12, 2022 at 4 pm at the Tenri Cultural Institute in New York City.

Another highlight on June 12's concert is Bond’s Autumn Mountains for soprano, shakuhachi, violin, cello, piano. This setting of an evocative poem by Princess Nukata from an 8th century collection of classical Japanese poetry brought to Bond's mind the atmosphere of fall colors and fog. Commissioned by Kyo-Shin-An Arts the work is part of an eclectic collection of songs by Paul Moravec, James Matheson, Aleksandra Vrebalov, Jay Reise, and Douglas J. Cuomo, all based on ancient Japanese poetry. Minoru Miki’s Autumn Fantasy for shakuhachi and piano completes the program.

Shakuhachi Grand Master James Nyoraku Schlefer is joined by soprano Deborah Lifton; violinist Sami Merdinian; cellist Laura Metcalf; and pianist Kathleen Supové. Tickets are $20, available online at MUSAE.me and at the door. Tenri Cultural Institute is at 43A W 13th St. In New York City. Proof of full vaccination will be required, and ticket holders must wear masks at the performance.

Cutting Edge Concerts New Music Festival concludes the 2022 season on October 22 with a program of vocal music, including Victoria Bond's song cycle From an Antique Land, presented in collaboration with All Keyed Up. cuttingedgeconcerts.org

CALENDAR LISTING

Kyo-Shin-An Arts in collaboration with Arts at Tenri presents

Cutting Edge Concerts New Music Festival
Victoria Bond, founder and artistic director

Japan Songs

Deborah Lifton, soprano; James Nyoraku Schefer, shakuhachi; Sami Merdinian, violin; Laura Metcalf, cello; Kathleen Supové, piano

June 12, 2022 at 4:00 pm

Tenri Cultural Institute
43A West 13th St.
New York, NY 10011

Tickets and details

PROGRAM

JAPAN SONGS – PART 1 (2020)
Autumn Mountains by Victoria Bond
Eight Thousand Spears by Paul Moravec
Not a Trace by James Matheson

The Winds of ACDEGA (2022) by Victoria Bond – World Premiere
Trio for shakuhachi, violin, cello

Autumn Fantasy (1980) by Minoru Miki
Duo for shakuhachi and piano

JAPAN SONGS – PART 2 (2020)
KEI’UN SONG praying for love by Aleksandra Vrebalov
In the blink of an eye… by Jay Reise
Tree of Pearls by Douglas J. Cuomo

All ticket holders must be fully vaccinated and wear masks at the performance. Proof of vaccination will be required. Unvaccinated audience will not be admitted. Tickets will be refunded in the event of illness or quarantine due to Covid-19.

Cutting Edge Concerts New Music Festival

Inspired by Pierre Boulez's series, "Perspective Encounters", the composer and conductor Victoria Bond founded Cutting Edge Concerts in 1998. With 25 years of concerts, Cutting Edge Concerts has presented over 300 new works by more than 200 composers. Each program highlights the music of living composers, all of whom attend the concert. Along with performances by world-class ensembles and soloists, each program features on-stage discussions between host Victoria Bond and the composers.

Victoria Bond, artistic director

A major force in 21st century music, composer Victoria Bond is known for her melodic gift and dramatic flair. Her works for orchestra, chamber ensemble and opera have been lauded by The New York Times as "powerful, stylistically varied and technically demanding." Her compositions have been performed by the New York City Opera, Shanghai, Dallas and Houston Symphonies, members of the Chicago Symphony and New York Philharmonic, American Ballet Theater and the Cassatt and Audubon Quartets. Ms. Bond is also an acclaimed conductor, and is the principal guest conductor of Chamber Opera Chicago, and has held conducting positions with Pittsburgh Symphony, New York City Opera, Roanoke Symphony, and Bel Canto and Harrisburg Operas.

Kyo-Shin-An Arts and Arts at Tenri

Kyo-Shin-An Arts is a contemporary music organization with a mission to commission music and present concerts that bring Japanese instruments – specifically koto, shakuhachi and shamisen – to Western classical music. The excellent acoustics and intimate gallery setting of the Tenri Cultural Institute create a superb setting for chamber music concerts that offer audiences the rare opportunity to experience contemporary, classic and traditional music from two cultures.

Kyo-Shin-An Arts is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Cheswatyr Foundation; Arts at TCI, and our generous individual donors.

Arts at Tenri Cultural Institute is made possible in part with public funds from Lower Manhattan Cultural Council Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC.

Variant 6: "New Suns"

Variant 6, vocal sextet, releases New Suns on Open G Records on May 20

Debut full-length album features commissions by Joanne Metcalf, Jeremy Gill, and Benjamin C.S. Boyle, plus works by Gabriel Jackson and Bruno Bettinelli

Philadelphia-based group celebrates 21st century a cappella vocal music

On May 20, 2022 the Philadelphia-based vocal sextet Variant 6 releases their debut full-length album New Suns on Open G Records. The album celebrates a widely diverse range of styles and sounds of 21st century vocal music, with works by Joanne Metcalf, Jeremy Gill, Bruno Bettinelli, Benjamin C.S. Boyle, and Gabriel Jackson.

In celebration of the album’s release, Variant 6 performs on Chris Grymes’ Open G Series at National Sawdust in New York City on May 20; and in their hometown of Philadelphia at University Lutheran Church on May 21.

The virtuosic artists of Variant 6 perform with award-winning ensembles around the country, including The Crossing, Room Full of Teeth, Ekmeles, Seraphic Fire and others. On the release of their debut full-length album, they write “The music we offer here celebrates the virtuosic potential of voices singing together. It represents a collection of some of our favorite repertoire from our first half-decade as an ensemble.”

Highlights include works commissioned by the group from Joanne Metcalf and Jeremy Gill. Metcalf’s The Sea’s Wash in the Hollow of the Heart (written in 2020) looks to the past with overt influences from medieval music, while feeling wholly contemporary. The work is set to a poem by Denise Levertov that inspired the album’s title: “Let in new suns that beat and echo in the mind like sounds.”

Gill’s Six Pensées de Pascal (2017) is made up of a symmetrical pitch construction (two scales moving in opposite directions and meeting in the middle). Finding common ground between the poet Blaise Pascal’s Pensées that defend Christianity through a collection of logical 'proofs’, and the composer’s own Atheism, Gill says “Essentially, I allowed myself complete freedom of thought and invention within a highly—and, it must be acknowledged, arbitrarily—restricted world.”

To celebrate the album's release, the sextet performs all of the repertoire on New Suns live in concert in New York City and in their hometown of Philadelphia:

  • May 20, 7:30 pm in Brooklyn: Chris Grymes’ Open G Series at National Sawdust. Tickets are $25 and available at NationalSawdust.org.

  • May 21, 8 pm in Philadelphia: University Lutheran Church. Tickets are $25 ($15 students) and available here.

New Suns

Variant 6, vocal sextet
Jessica Beebe & Rebecca Myers, sopranos; Elisa Sutherland, mezzo-soprano; Steven Bradshaw & James Reese, tenors; Daniel Schwartz, bass-baritone

Open G Records
UPC: 195269 164461
Release date: May 20, 2022

Track List

Benjamin C.S. Boyle - Supplice (2019)* -
[1] Tous ce qui ce chauffaient (2:42)
[2] Et que le feu me brûle! (3:48)
[3] Couchons-nous, mon vieux, il est tard (4:42)

[4] Gabriel Jackson - Zero Point Reflection (2014) (11:57)

Bruno Bettinelli - Excerpts from Madrigali a cinque voci miste (1993)
[5] Libere e lievi (2:04)
[6] Sia calmo il mio respiro (3:45)
[7] Quando tutto all’intorno (3:15)

Jeremy Gill - Six Pensées de Pascal (2017)* -
[8] L’éloquence continue (2:43)
[9] Il faut se tenir en silence (2:31)
[10] Les hommes sont si nécessairement fous (0:54)
[11] Le silence éternel (2:46)
[12] La puissance des mouches (2:51)
[13] L’an de grâce (2:50)

[14] Gabriel Jackson - Spring (2005) - (5:07)

[15] Joanne Metcalf - The Sea’s Wash in the Hollow of the Heart (2020)* - (4:15)

*composed or arranged for Variant 6

Variant 6 Biography

Variant 6 is a virtuosic vocal sextet that explores and advances the art of chamber music in the twenty-first century. The ensemble’s work includes radically reimagining concert experiences, commissioning substantial new works, collaborating closely with other ensembles, and educating a new generation of singers.

All of Variant 6’s virtuosic artists regularly sing with the Grammy-award winning choir, The Crossing, and have performed with the Philadelphia Orchestra, Opera Philadelphia, Los Angeles Philharmonic, Roomful of Teeth, Bang on a Can and more.

Maya Magub "Consolations" single released today

Violinist Maya Magub releases “Consolations” on CRD Records June 3

New album includes world premiere recordings of Magub’s own arrangements of Lizst's "Consolations" for violin and piano, with the pianist Hsin-I Huang

Singles released April 22 and May 13

... polished, stylish performances — The Strad

During the global pandemic, the British-American violinist Maya Magub – like so many others – turned to music for solace. Her recording of Six Consolations by Franz Liszt (five of which were arranged by her, and recorded here for the first time), with the pianist Hsin-I Huang is on a new album, “Consolations” (CRD 3540, release date June 3, 2022). In anticipation of the June 3 album release, singles will be released on April 22 (Consolation No. 5) and May 13 (Consolation No. 3).

Ms. Magub writes: "The global pandemic gave the world reason to look for consolations. The true power of art has been drawn upon by so many. And what greater consolation than music, an art form which expresses that which cannot be expressed in words."

After recording the Liszt, the rest of the album fell into place. Ms. Magub continued to seek out music for comfort, and found some gems in her father’s collection of old sheet music. Combined, the emotional weight of the pieces - including the Meditation from Thaïs by Massenet, Handel's Largo from Xerxes, and Gonoud's Ave Maria - is even greater. They console both performer and audience through nostalgia, the violinist says.

The album was recorded separately by Magub and Huang during the pandemic lockdown. Despite this, they evolved a new process of collaboration and musical dialogue, discovering some unforeseen benefits. The close microphone placement creates the immediacy of a small, intimate concert, and through discussion and experimentation from their home studios, a true collaboration emerged. "Somehow, to our delight, we found this to be an incredibly democratic and creative process, and one with huge and often surprising rewards. This process enabled a whole new type of creative dialogue with the benefit of experimentation over time," said Ms. Magub.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

With Magub's endless inventiveness driving each movement, [Telemann's Fantasies] shine here for what they really are: free-standing, varied concentrations of beautiful melody and sonority — BBC Music Magazine

Consolations

Maya Magub, violin
Hsin-I Huang, piano

CRD Records (3540)
Album Release Date: June 3, 2022*

*Singles released April 22 and May 13


Track List

[1] Robert Schumann
Abendlied (Op. 85, No. 12) 2:56

[02] Jules Massenet
Meditation from Thaïs 5:33

[03] Sergei Rachmaniov
Vocalise (Op. 34, No. 14) 6:06

[04-09] Franz Liszt Consolations S.172/R12
No. 1 Andante con moto † 1:56
No. 2 Un poco piu mosso † 3:34
No. 3 Lento placido* 4:11
No. 4 Quasi Adagio † 3:41
No. 5 Andantino † 2:09
No. 6 Allegro sempre cantabile † 2:46

[10] Bach/Gounod Ave Maria †† 4:01

[11] Fritz Kreisler Liebesleid 4:03

[12] Kreisler/Rimsky-Korsakov Chant Hindou from Sadko 3:43

[13] Dushkin/Paradis Sicilienne 3:49

[14] George Frederic Handel Largo from Xerxes †† 3:41

[15] Felix Mendelssohn On wings of Song (Op. 34, No. 2) †† 2:42

[16] Felix Mendelssohn Songs without Words (Op. 19, No. 1) 3:54

[17] Robert Schumann Träumerei (Op. 15, No. 7) 3:22

[18] Frederic Chopin 'Raindrop' Prelude 3:08

Total Time = 65:12

*transcription, Nathan Milstein

transcription, Maya Magub

†† revised transcription, Maya Magub

Maya Magub (pronounced MY-ah mah-GUB) is a British violinist based in Los Angeles. Her performance career has brought her to some of the world’s greatest concert halls as well as soundstages for multi-million dollar film productions.

As a solo artist Magub has performed concertos in London’s St-Martin-in-the-Fields, and Dvořák’s Romance in the Royal Albert Hall. She has given command performances for the Queen of England, the Prince of Wales, and Professor Stephen Hawking, and has played with numerous pop icons including Adele, Bono, Paul McCartney and Sting.

Ms. Magub was awarded scholarships at the Purcell School and the Royal Academy of Music in London, graduating with a 1st class degree in music from Cambridge University. She continued her studies at the Vienna Hochschule and as an ESU scholar at Aspen. Pursuing her passion for chamber music, she was a founding member of the Mainardi Trio, performing and broadcasting internationally for a decade, and she has played in chamber music festivals across the globe.


Pianist Hsin-I Huang (pronounced SHIN-ee Hwong) has performed with Chee-Yun Kim, Simone Porter, The Calidore String Quartet, and members of the LA Philharmonic. She has recorded scores for major films with music by Marco Beltrami and Ramin Djawadi.

Ms. Huang's album with violinist Blake Pouliot (Analekta Records) was nominated for “Classical Album Of The Year” at the 2019 JUNO awards and received 5 stars from BBC Music Magazine. She has appeared at the Hollywood Bowl, LA Philharmonic Chamber Music Series, Aspen Music Festival, Ravinia Festival, Grand Teton Winter Music Festival, La Virée Classique OSM, Fête de la Musique Mont Tremblant, Performance Today on public radio, Sundays Live at LACMA, South Bay Chamber Music Society, and the Innsbrook Institute.

May 13, in New York – A journey of the imagination!

CUTTING EDGE CONCERTS New Music Festival
Victoria Bond, Artistic Director

Puppet operetta How Gulliver Returned Home in a Manner that was Very Not Direct by Victoria Bond

On the program Kings, Giants & Robots: Vocal Music by Victoria Bond, Robert Paterson, and Herschel Garfein

May 13 at 8 pm at the Sheen Center

"...a gift to New Yorkers thirsty for new sounds" - Time Out New York

On May 13, Cutting Edge Concerts New Music Festival and Mostly Modern Projects co-present staged scenes from Victoria Bond's puppet operetta How Gulliver Returned Home in a Manner that was Very Not Direct. The production features puppets created by Doug Fitch, the renowned visual artist, designer and director, and libretto by Stephen Greco, prize-winning screen-writer and novelist, complementing the music by Victoria Bond. Fitch also directs the production.

The work is a journey of the imagination based on the classic 17th century satirical novel by Jonathan Swift, Gulliver’s Travels. Told through music and animated objects, the story follows the title character as he travels to a series of strange lands.

Ms. Bond said, "Doug Fitch’s puppet creations and stage direction brings the first scene of our puppet operetta to life. I am thrilled that both he and librettist Stephen Greco are part of the creative team.”

The opera was commissioned by American Opera Projects. How Gulliver Returned Home in a Way that was Very Not Direct was supported by a Production Grant from the Jim Henson Foundation.

Cutting Edge Concerts New Music Festival (Victoria Bond, founder and artistic director) partners with Mostly Modern Projects for this presentation. The performance features soprano Ariadne Greif, tenor Glenn Seven Allen, and baritone Jonathan Green as soloists with the American Modern Ensemble conducted by Victoria Bond. Also on the program are Herschel Garfein's King of the River and Robert Paterson's The Companion.

The performance takes place at the Sheen Center for Thought & Culture (18 Bleecker St, New York, NY) on May 13, 2022 at 8:00 pm. Tickets available here.

The next Cutting Edge Concerts performance is June 12, a co-presentation with Kyo-Shin-An Arts at Tenri Center in New York. Details at CuttingEdgeConcerts.org

CALENDAR LISTING

Cutting Edge Concerts New Music Festival (Victoria Bond, founder and artistic director) and Mostly Modern Projects present

Kings, Giants & Robots

May 13, 2022, 8:00 pm

Sheen Center
18 Bleecker St
New York, NY 10012
Tickets and details

PROGRAM

VICTORIA BOND—How Gulliver Returned Home in a Manner that was Very Not Direct (puppet operetta)

HERSCHEL GARFEIN—King of the River, text by STANLEY KUNITZ

ROBERT PATERSON—The Companion (one-act opera from Three Way),
libretto by DAVID COTE

with American Modern Ensemble
Geoffrey Andrew McDonald (Garfein and Paterson) & Victoria Bond (Bond), Conductors
Doug Fitch (Bond) & John de los Santos (Paterson), Directors

CAST

Ariadne Greif, Soprano
Glen Seven Allen, Tenor
Phillip Bullock, Baritone
Keith Phares, Baritone
Jonathan Green, Baritone

Presented by Mostly Modern Projects & Cutting Edge Concerts New Music Festival

This program is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.

Victoria Bond, artistic director

A major force in 21st century music, composer Victoria Bond is known for her melodic gift and dramatic flair. Her works for orchestra, chamber ensemble and opera have been lauded by The New York Times as "powerful, stylistically varied and technically demanding." Her compositions have been performed by the New York City Opera, Shanghai, Dallas and Houston Symphonies, members of the Chicago Symphony and New York Philharmonic, American Ballet Theater and the Cassatt and Audubon Quartets. Ms. Bond is also an acclaimed conductor, and is the principal guest conductor of Chamber Opera Chicago, and has held conducting positions with Pittsburgh Symphony, New York City Opera, Roanoke Symphony, and Bel Canto and Harrisburg Operas.

May 20: Variant 6 at National Sawdust

May 20: Variant 6

vocal sextet presented by Chris Grymes’ Open G Series at National Sawdust performing music from their debut album New Suns

A celebration of 21st century vocal music by Joanne Metcalf, Jeremy Gill, Bruno Bettinelli, Benjamin C.S. Boyle and Gabriel Jackson

"luminous....perfectly calibrated and adventurous" - Broad Street Review

On May 20, 2022 at 7:30 pm the vocal sextet Variant 6 performs their debut full-length album New Suns (Open G Records) with a concert on the day of the album's release at National Sawdust presented by Chris Grymes’ Open G Series. The ensemble performs the same program again in their hometown of Philadelphia on May 21.

Variant 6’s virtuosic artists regularly sing with the Grammy-award winning ensemble The Crossing, and have performed with Roomful of Teeth, Philadelphia Orchestra, Opera Philadelphia, Los Angeles Philharmonic and other internationally recognized ensembles.

Variant 6 performs Six Pensées de Pascal by Jeremy Gill at National Sawdust (2019)

The program represents a widely diverse range of styles and sounds of 21st century vocal music, with works by Benjamin C.S. Boyle, Bruno Bettinelli, Jeremy Gill, Gabriel Jackson, and Joanne Metcalf. Variant 6's recordings of these works are collected on their new album, New Suns (Open-G Records), which is also released on May 20.

“The music we offer here celebrates the virtuosic potential of voices singing together," wrote the members of Variant 6. "It represents a collection of some of our favorite repertoire from our first half-decade as an ensemble.”

Highlights include works commissioned by the group by Jeremy Gill and Joanne Metcalf. Jeremy Gill’s Six Pensées de Pascal (2017) finds common ground between the poet Blaise Pascal’s Pensées that defend Christianity through a collection of logical 'proofs’, and the composer’s own Atheism. “Essentially, I allowed myself complete freedom of thought and invention within a highly—and, it must be acknowledged, arbitrarily—restricted world," said Gill. Metcalf’s The Sea’s Wash in the Hollow of the Heart (2020) looks to the past with overt influences from medieval music, while feeling wholly contemporary. The work is set to a poem by Denise Levertov.

Tickets for Variant 6 at National Sawdust on May 20 at 7:30 pm (doors at 6:30 pm) are $25 for general admission and are available at nationalsawdust.org or (646) 779-8455. National Sawdust is located at 80 North 6th Street in Brooklyn.

CALENDAR LISTING

Chris Grymes' Open G Series at National Sawdust:

Variant 6 performing their debut album New Suns

May 20, 2022 at 7:30 pm (doors at 6:30)

National Sawdust
80 North 6th St
Brooklyn, NY

Program

Benjamin C.S. Boyle: Supplice (2019)*
Gabriel Jackson: Zero Point Reflection (2014)
Bruno Bettinelli: Excerpts from Madrigali a cinque voci miste (1993)
Jeremy Gill: Six Pensées de Pascal (2017)*
Gabriel Jackson: Spring (2005)
Joanne Metcalf: The Sea’s Wash in the Hollow of the Heart (2020)*

*composed or arranged for Variant 6

Variant 6

Jessica Beebe, soprano; Rebecca Myers, soprano; Elisa Sutherland, mezzo-soprano; Steven Bradshaw, tenor; James Reese, tenor; Daniel Schwartz, bass-baritone

Tickets are $25 for general admission, and are available at nationalsawdust.org or (646) 779-8455

National Sawdust's Covid protocols are at this link.

Variant 6 Biography

Variant 6 is a virtuosic vocal sextet that explores and advances the art of chamber music in the twenty-first century. The ensemble’s work includes radically reimagining concert experiences, commissioning substantial new works, collaborating closely with other ensembles, and educating a new generation of singers.

All of Variant 6’s virtuosic artists regularly sing with the Grammy-award winning choir, The Crossing, and have performed with the Philadelphia Orchestra, Opera Philadelphia, Los Angeles Philharmonic, Roomful of Teeth, Bang on a Can and more.

Chris Grymes' Open G Series

April 28 | Nia Imani Franklin

May 20 | Variant 6

June 11 | Music in The Constellation: An In-Person Immersive Audio Experience

Chris Grymes founded Open G Records with a philosophy to produce music that is rooted in the classical tradition, but delivered in a way that will resonate with current and future generations of music fans. Having released a half dozen recordings, Open G has expanded to include a concert series hosted at National Sawdust in Brooklyn.

About National Sawdust

National Sawdust believes that artistic expression empowers us all to create a more joyful and just world. They curate and produce music and artistic works rooted in curiosity, experimentation, innovation, and inclusivity. They present their work by engaging communities of artists and audiences at their state-of-the-art Williamsburg home and on their digital stage.

New from guitarist/composer Frederic Hand

Across Time: new album by guitarist and composer Frederic Hand

Compositions and performances span 40 years of Hand’s career

Released on ReEntrant, an imprint of New Focus Recordings, April 22, 2022

The guitarist and composer Frederic Hand was a student of the legendary classical guitarist Julian Bream, and has been the guitarist and lutenist at the Metropolitan Opera for nearly 40 years. Across Time” (ReEntrant/New Focus, release date April 22, 2022), an album of original compositions, showcases four decades of Hand’s music. The selections demonstrate his inspirations from diverse traditions and his range of musical language.

His arrangement of Simple Gifts, the Shaker melody made famous by Aaron Copland’s masterpiece Appalachian Spring, reflects his emotional reaction upon hearing Copland’s setting for the first time.

Trilogy and Late One Night (1977) are the earliest works on this collection. They show off Hand’s compositional style, incorporating jazz rhythms and harmonies into classical forms. These tracks, originally on his album “Trilogy,” were recorded and released in 1982, and have been digitally remastered with 21st century technology.

On the other end of the timeline, Hand composed Renewal, Ballade for Astor Piazzolla and The Passionate Pilgrim in 2021. Three songs: A Poet’s Eye, I Am and There Is a Splendor, feature vocals by Lesley Hand, with texts by William Shakespeare and the Italian philosopher Marsilio Ficino. Cooper Lake was inspired by one of Hand’s favorite places to soak up the great natural beauty of the Catskills.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

Across Time

Guitar solos and songs by Frederic Hand

ReEntrant/New Focus (REN02)
Release date: April 22, 2022

TRACKS

[01] Renewal 6:48

[02] Ballade for Astor Piazzolla 4:12

[03] The Passionate Pilgrim 2:46

[04] The Poet’s Eye 2:17

[05] I Am 2:55

[06] Romantic Etude 3:21

[07] A Waltz for Maurice 4:32

[08] Simple Gifts 2:34

[09] There is a Splendor 3:28

[10-12] Trilogy
1. Moderato 4:31
2. Gently 3:17
3. Allegro 4:05

[13] Late One Night 3:56

[14] Cooper Lake 3:07

Total=51:54

Frederic Hand, guitar
Lesley Hand, vocalist
(tracks 4, 5 & 9]

Recommended tracks for Classical radio: [02] Ballade for Astor Piazzolla, [06] Romantic Etude, [07] A Waltz for Maurice, [08] Simple Gifts, [12] Trilogy: Allegro, and [14] Cooper Lake

Victoria Bond: celebrating RBG in Stockton, "Gulliver" in NYC

Composer Victoria Bond

April 2-3 in California: Stockton Symphony premieres "Ruth Bader Ginsburg: In Tune with Justice"

May 13 in NYC: Mostly Modern Ensemble performs staged scenes from Bond's puppet operetta based on Gulliver's Travels, directed by Doug Fitch


Ruth Bader Ginsburg: In Tune with Justice
Stockton, CA

On April 2 and 3, Stockton Symphony in California presents the world premiere of a new work by Ms. Bond, drawn by the life and legacy of the late Supreme Court Justice Ruth Bader Ginsburg.

Ruth Bader Ginsburg: In Tune with Justice was commissioned by Stockton Symphony. It features narrative text by Jane Vial Jaffe, drawn from biographies of Ginsburg and from Ginsburg's interviews, speeches, and court cases. Victoria Bond says, "The late Justice Ginsberg was an inspiration to me, and I wanted to write a work that added music to her forceful words."

Justice Ginsburg was a passionate music lover. “If I could choose the talent I would most like to have, it would be a glorious voice,” she was known to say. “I grew up with a passion for opera...My all-time favorite is The Marriage of Figaro.”

With this tidbit of knowledge, Victoria Bond chose the overture to The Marriage of Figaro as the jumping off point for her composition. RBG's own boundless energy is mirrored by the energetic pulse of the music. Bond cleverly incorporates melodic fragments of America the Beautiful and The Star Spangled Banner, giving the composition a uniquely American flavor.

Stockton Symphony music director Peter Jaffe leads the ensemble, along with narrator Tama Brisbane, Inaugural Poet Laureate of the City of Stockton, in these world premiere performances on April 2 and 3. Tickets and details available at this link.


Puppet operetta in New York City

On May 13 in New York City, staged scenes from Victoria Bond's puppet operetta How Gulliver Returned Home in a Manner that was Very Not Direct will feature puppets created by Doug Fitch, the renowned visual artist, designer and director, and libretto by Stephen Greco. Fitch also directs the production.

The work is a journey of the imagination based on the classic 17th century satirical novel by Jonathan Swift, Gulliver’s Travels. Told through music and animated objects, the story follows the title character as he travels to a series of strange lands.

Ms. Bond said, "Doug Fitch’s puppet creations and stage direction brings the first scene of our puppet operetta to life. I am thrilled that both he and librettist Stephen Greco are part of the creative team.

Cutting Edge Concerts New Music Festival (Victoria Bond, founder and artistic director) partners with Mostly Modern Projects for this presentation. The performance features soprano Ariadne Greif, tenor Glen Seven Allen, and baritone Peter Van Derick as soloists with the American Modern Ensemble conducted by Geoffrey Andrew McDonald. Also on the program are Herschel Garfein's King of the River and Robert Paterson's The Companion.

The performance takes place at the Sheen Center for Thought & Culture (18 Bleecker St, New York, NY) on May 13, 2022 at 8:00 pm. Tickets available here.


Cutting Edge Concerts New Music Festival 25th Anniversary Season

April 6, 4:30 pm: Cutting Edge Concerts New Music Festival in partnership with Percussia presents the world premiere of Victoria Bond's From the Atlas of Imaginary Places. The work features music inspired by Danzibar, Circe's Island and Shangri-La – all fictional places.

The program also includes music by Alexis Lamb and Dennis Tobenski. St. Mark's Episcopal Church in Jackson Heights, New York. Admission is free.

Cutting Edge Concerts New Music Festival continues its 25th anniversary season with performances through October. Further details are on the festival's website.

  • June 12, the festival partners with Kyo-Shin An Arts in a performance at Tenri Cultural Center.

  • October 22, baritone Michael Kelly performs Victoria Bond's "From an Antique Land" alongside songs by Dalit Warshaw and David Del Tredici. Co-presentation with All Keyed Up.

In honor of International Women's Day, Theodore Presser Company and Carl Fischer Music Presser updated The Power of Women, their easy-to-browse catalog of repertoire featuring a multitude of works by a diverse group of women composers featuring Victoria Bond.


Victoria Bond's album Illumination was released in fall 2021 on Albany Records. It includes world premiere recordings of her works for solo piano and piano and orchestra. Pianist Paul Barnes, one of Bond's longtime collaborators, delivers stunning performances. Buy/listen here.


Biography

A major force in 21st century music, composer Victoria Bond is known for her melodic gift and dramatic flair. Her works for orchestra, chamber ensemble and opera have been lauded by The New York Times as "powerful, stylistically varied and technically demanding."

In addition to Illumination (2021), Victoria Bond's discography includes The Voices of Air (Albany, 2020), Soul of a Nation (Albany, 2018), Instruments of Revelation (Naxos, 2019), Peculiar Plants (Albany, 2010) and a recording of chamber and vocal music (Albany, 2022). Victoria Bond’s compositions have been performed by the New York City Opera, Shanghai, Dallas and Houston Symphonies, members of the Chicago Symphony and New York Philharmonic, American Ballet Theater and the Cassatt and Audubon Quartets.

The New York Times praised Victoria Bond's conducting as "full of energy and fervor." She is principal guest conductor of Chamber Opera Chicago, and has held conducting positions with Pittsburgh Symphony, New York City Opera, Roanoke Symphony, and Bel Canto and Harrisburg Operas. Ms. Bond is Artistic Director of Cutting Edge Concerts New Music Festival in New York, which she founded in 1998, and is a frequent lecturer at the Metropolitan Opera Guild.

New album of chamber and vocal music by Margaret Brouwer

New album of works by Margaret Brouwer released on April 8 on Naxos

World premiere recordings of 21st century chamber and vocal music by the award-winning composer

(Brouwer) has a talent for taking the simplest melody and through her expansive array of compositional techniques, develop it into a polished musical gem. — ClevelandClassical

Margaret Brouwer is a composer who wears her heart on her sleeve. Her new album, “Reactions - Songs and Chamber Music”, (Naxos 8.559904, rel. April 8, 2022) is a collection of chamber music and songs that explicitly express the composer’s emotions, moods and unique view of the state of affairs of the world.

The centerpiece of the album is Declaration, for mezzo-soprano, violin and piano. This set of four songs has texts ranging from Thomas Jefferson to Brouwer herself, which address the fundamental issues and effects of violence and war and the equality of all people.

In Rhapsodic Sonata, for viola and piano, Brouwer expresses a more personal, and no less deep, emotion: the joys and difficulties of love. The most recent work on the album is “I Cry – Summer 2020” for violin and piano. It’s the composer’s response to the pandemic, isolation, loss, and racial injustice that she, and much of the rest of the world, suffered in 2020. Brouwer effectively fits all of it into this compact four minute piece.

The collection concludes with comic release, persuasively performed by Mari Sato as both violinist and narrator. “All Lines Are Still Busy" dramatizes a “please hold” moment that we all can relate to.

Most of the selections on the album were recorded in Cleveland at the Cleveland Institute of Music, where Brouwer was head of the composition department from 1996 – 2008. The recordings were made in 2021, at the height the pandemic.

Brouwer is that rarity, a contemporary composer whose music is accessible and engaging for a wide range of audiences, but whose work doesn't sound like movie music. — St. Louis Post Dispatch

Reactions
Songs and Chamber Music by Margaret Brouwer

Rhapsodic Sonata · Declaration · The Lake
I Cry - Summer 2020 · All Lines are Still Busy

with Eliesha Nelson, viola; Shuai Wang, piano;
Sarah Beaty, mezzo-soprano; Mari Sato, violin; and Brian Skoog, tenor

Naxos (8.559904)
Release Date: April 8, 2022

Track List

[01-03] Rhapsodic Sonata
I. Cáritas 10:31
II. …fair as the moon, bright as the sun… 04:47
III. Blithesome Spirit 04:54
Eliesha Nelson, viola; Shuai Wang, piano

[04-07] Declaration
I. Thorn 04:29
II. Scattering in Fear 02:30
III. …all men and women are… 01:12
IV. Whom do you call angel now 05:30
Sarah Beaty, mezzo-soprano; Mari Sato, violin; Shuai Wang, piano

[08] I Cry - Summer 2020 03:57
Mari Sato, violin; Shuai Wang, piano

[09] The Lake 11:09
Brian Skoog, tenor; Shuai Wang, piano

[10] All Lines Are Still Busy 06:19
Mari Sato, violin and narrator

Total Time = 55:18

Recommended tracks for classical radio:

[2] Rhapsodic Sonata: …fair as the moon, bright as the sun…

[7] Declaration: Whom do you call angel now

[8] I Cry - Summer 2020

Visit Margaret Brouwer's website
Bios, photos and more on Brouwer's
Digital Press Kit

Request a copy of this CD


The composer Margaret Brouwer has been praised for her “gift for both lyricism and humor” (American Record Guide), with her music described as “utterly luminous in its beauty” (St. Louis Post Dispatch).

The 2022 recording of Brouwer’s music, “Reactions” (Naxos Classics) features performances by members of Blue Streak Ensemble, a chamber group that Brouwer founded in 2011. It is one of a dozen titles in her discography, which includes recordings of selections from her catalogue of over 200 orchestral, chamber, vocal and keyboard compositions.

Margaret Brouwer is in high demand for new works, as evidenced by the extensive list of orchestras, chamber ensembles and festivals who have commissioned and performed her music. Topping the list are the St. Louis, Seattle, Dallas and Royal Scottish symphonies and the City of Birmingham Orchestra. She was head of composition at the Cleveland Institute of Music (1996 – 2008), and her long list of awards include a Guggenheim Fellowship, American Academy of Arts and Letters and Cleveland Arts Prize.

Pianist Orli Shaham joins Juilliard piano faculty

Pianist Orli Shaham joins
Juilliard piano faculty

This week, the Juilliard School announced that Orli Shaham is joining the prestigious school's piano faculty in the 2022-23 academic year. Ms. Shaham is an alumna of the school (Pre-College '93; and the cross-registration program with Columbia University '97), and for the past two years has taught at Juilliard as an interim faculty member. Pianists Soyeon Kate Lee and Shai Wosner also join the faculty.

Ms. Shaham says "I am honored and humbled to join the stellar faculty at The Juilliard School. In my years as interim faculty, I've seen firsthand how brilliant and inspiring these students are, and I'm thrilled to continue to dig into it all with them! Congratulations too to my fellow new faculty members, pianists Shai Wosner and Soyeon Kate Lee, I can’t wait to work alongside you and the rest of the Juilliard faculty and staff."

In a statement, department chair Veda Kaplinsky says that Shaham, Lee, and Wosner each "embody the ideals that are so fundamental to our mission: a passion for teaching, a keen intellect, and superb artistry. We look forward to having them join our exceptional faculty and to working alongside them." Dean David Serkin Ludwig adds that they also each "possess the rare combination of great artistry and outstanding teaching ability that defines the Juilliard faculty."

Orli Shaham, who was born in Israel and grew up in New York, is the artistic director of both the Pacific Symphony’s chamber series Café Ludwig in Costa Mesa, California, and the interactive children’s concert series Orli Shaham’s Bach Yard, which she founded in 2010. Also a regular guest host on National Public Radio’s From the Top, she’s chair of the board of trustees at Kaufman Music Center in New York City.

This season, Shaham is releasing the second and third volumes of the complete Mozart Piano Sonatas. Her Mozart recording project also includes volume 1 of the Piano Sonatas and her album of Piano Concertos with St. Louis Symphony, all of which are part of her discography of a dozen titles on Canary Classics. After receiving her bachelor’s degree at Columbia University, where she participated in the Barnard-Columbia-Juilliard exchange, she pursued graduate studies in historical musicology at Columbia. She is a winner of the Gilmore Young Artist Award and the Avery Fisher Career Grant.

April: composer/singer Nia Imani Franklin @ National Sawdust

April 28: Chris Grymes' Open G Series at National Sawdust - Composer/Pianist/Vocalist Nia Imani Franklin

Music by Missy Mazzoli, Tomeka Reid, and Nia Franklin herself in a program that celebrates women composers

Performances by cellist Matt Haimovitz, pianist Rieko Tsuchida, violinist Lady Jess and more

Open G Series continues on May 20 with vocal ensemble Variant 6 and sound artist/electronic composer Greg Wilder on June 11

On April 28, Chris Grymes' Open G Series at National Sawdust presents Nia Imani Franklin in a program highlighting new music by American women. Nia Imani Franklin, named Miss America in 2019, is an enormously accomplished and versatile singer, pianist and composer.

Ms. Franklin curated the program, which includes music from her debut EP, Extended, as well as works by Missy Mazzoli, Jessie Montgomery, Tomeka Reid, and Sato Matsui. In addition to Ms. Franklin, performers include cellist Matt Haimovitz, violinist Lady Jess, vocalist Jerenae Raeford, and pianist Rieko Tsuchida.

With a mastery of styles ranging from R&B to Western classical, Ms. Franklin’s soulful and eclectic music is a true joy to hear. Her gospel singing background in church contributed to her love for music at a young age, having written her first song at the age of five. Ms. Franklin has a Bachelor of Music degree in theory and composition and a Master of Music degree in composition. Her works include opera and instrumental music.

Nia Imani Franklin

Matt Haimovitz

Lady Jess

Chris Grymes’ Open G Series at National Sawdust continues in Spring 2022 with performances by vocal ensemble Variant 6 on May 20 celebrating the release of their new album New Suns, featuring works by Jeremy Gill, Gabriel Jackson, Joanne Metcalf, Benjamin C.S. Boyle, and Bruno Bettinelli. On June 11 sound artist and electronic composer Greg Wilder presents a program that highlights the state of the art Meyer Sound SpaceMap sound system with 106 speakers, which was installed at National Sawdust this year.

Tickets for Nia Imani Franklin's performance on April 28 at 7:30 pm are $20 for general admission and are available at nationalsawdust.org or (646) 779-8455. National Sawdust is located at 80 North 6th Street in Brooklyn.

CALENDAR LISTING

Chris Grymes' Open G Series at National Sawdust:
Composer/Vocalist Nia Imani Franklin

with Matt Haimovitz, Lady Jess, Mozoot, Nia Imani Franklin, Jerenae Raeford, Victor Pablo, and Rieko Tsuchida

April 28, 2022 at 7:30 pm

National Sawdust
80 North 6th St
Brooklyn, NY

Program

Nia Imani Franklin: Afro-dite
Missy Mazzoli: Beyond the Order of Things
Tomeka Reid: Volplaning
Nia Imani Franklin: like air, rising high
Nia Imani Franklin: Burgundy in Autumn
Jessie Montgomery: Strum
Nia Imani Franklin: EndSun
Nia Imani Franklin: Manhattan Shower Thoughts
Nia Imani Franklin: Runnin' Band
Nia Imani Franklin: Ample Hills
Sato Matsui: L'Oiseau Solaire
Nia Imani Franklin: Chrysalis Extended

Tickets are $20 for general admission, and are available at nationalsawdust.org or (646) 779-8455

National Sawdust's Covid protocols are at this link.

Chris Grymes' Open G Series

April 28 | Nia Imani Franklin

May 20 | Variant 6 album release party

June 11 | Sound Artist/Electronic Composer Greg Wilder

Chris Grymes founded Open G Records with a philosophy to produce music that is rooted in the classical tradition, but delivered in a way that will resonate with current and future generations of music fans. Having released a half dozen recordings, Open G has expanded to include a concert series hosted at National Sawdust in Brooklyn.

About National Sawdust

National Sawdust believes that artistic expression empowers us all to create a more joyful and just world. They curate and produce music and artistic works rooted in curiosity, experimentation, innovation, and inclusivity. They present their work by engaging communities of artists and audiences at their state-of-the-art Williamsburg home and on their digital stage.

April 20 at Strathmore: 20 years of Defiant Requiem

"We were hungry, we were tired, we were sick. But we had something to live for."

Wednesday, April 20 in North Bethesda, MD
at The Music Center at Strathmore

Defiant Requiem: Verdi at Terezín
20th anniversary performance

Complete live performance of Verdi's Requiem, interspersed with historic film, testimony from survivors and narration tells the moving story of courageous performances by prisoners in a WWII concentration camp

Read about Defiant Requiem in The New York Times, LA Times, Chicago Tribune and more

Praised by The New York Times as "Poignant...a monument to the courage of one man to foster hope among prisoners with little other solace," Defiant Requiem: Verdi at Terezín celebrates its 20th anniversary with a performance at Strathmore in North Bethesda, MD on Wednesday, April 20, 2022 at 7:30 pm. Complete details below.

The "extraordinarily beautiful and moving" concert/drama commemorates the courageous Jewish prisoners in the Theresienstadt Concentration Camp during World War II who performed Verdi's Requiem 16 times, as an act of defiance and resistance to their Nazi captors. Defiant Requiem is a complete live performance of Verdi's Requiem interspersed with historic film, testimony from survivors and narration that tells this tale of audacious bravery.

Defiant Requiem: Verdi at Terezín was created by Murry Sidlin, who will conduct the performance. It features soprano Jennifer Check, mezzo-soprano Ann McMahon Quintero, tenor Cooper Nolan, bass-baritone Nathan Stark; the Orchestra of Terezín Remembrance. A chorus of regional ensembles includes the American University Chamber Singers, The Catholic University of America Verdi Choir, Longwood University Camerata & Chamber Singers, University of Virginia Chamber Singers, Virginia Commonwealth University Commonwealth Singers, and the Virginia State University Concert Choir.

Since the world premiere performance twenty years ago, Defiant Requiem has had a profound and lasting impact on the communities and audiences who have experienced this powerful story live. The April 20, 2022 performance at Strathmore commemorates this twenty year milestone. The concert benefits the Foundation’s continuing efforts to honor the brave Jewish prisoners in Theresienstadt, educate future generations about why the Holocaust must never be forgotten, and foster conversations about contemporary issues including rising Holocaust ignorance and denial, antisemitism, and racism.

Ticketing information and more for Defiant Requiem: Verdi at Terezín is available in the calendar listing below.

The Defiant Requiem Foundation also produced an Emmy-nominated documentary film narrated by Bebe Neuwirth that has been praised as a "gripping documentary" (Examiner.com), with "a very powerful message" (CNN). More information is at DefiantRequiem.org

CALENDAR LISTING

Defiant Requiem: Verdi at Terezín

Wednesday, April 20 at 7:30 pm

The Music Center at Strathmore
5301 Tuckerman Lane
North Bethesda, MD 20852

Tickets at strathmore.org

Murry Sidlin, creator & conductor

Jennifer Check, soprano
Ann McMahon Quintero, mezzo
Cooper Nolan, tenor
Nathan Stark, bass-baritone

Orchestra of Terezín Remembrance

with a chorus of regional ensembles:

American University Chamber Singers
Daniel Abraham, director

The Catholic University of America Verdi Choir
Murry Sidlin, interim conductor

Longwood University Camerata & Chamber Singers
Pamela McDermott, director

University of Virginia Chamber Singers
Michael Slon, director

Virginia Commonwealth University Commonwealth Singers
Erin Freeman, conductor

Virginia State University Concert Choir
Patrick D. McCoy, interim director

Presented by The Defiant Requiem Foundation with the generous support of Jeff Schoenfeld and our other sponsors. Proceeds to benefit the Foundation’s ongoing educational programs and initiatives.

Jeremy Gill – world premiere performed by Parker Quartet

Jeremy Gill’s new music for the Grammy award-winning Parker Quartet is inspired by a “kaleidoscope of postmodern fairy tales”

World premiere of “Motherwhere” on April 1 with Parker Quartet with New York Classical Players, Dongmin Kim, conducting

For his new work for the Grammy Award-winning Parker Quartet, Jeremy Gill drew inspiration from a book described as a “kaleidoscope of postmodern fairy tales”1. Motherwhere is a concerto grosso for the Parkers and New York Classical Players, who perform the world premiere on April 1, 2022.

This book, “Night School: A Reader for Grownups,” by the Hungarian author Zsófia Bán, is a volume of short stories which range from “a meditation on the Mathematics of Randomness, to a "blog opera" based on Fidelio, to a love story found in a bottle on a Borneo beach”2. Gill was so enraptured with it that, he says, “I wanted to evoke, musically, the experience of reading her book.” He converted this literary “bag-of-tales” into 21 connected musical “bagatelles,” in a compact 24-minute work that traces the emotional thread from Motherwhereʼs absence (the first story) through the unexpected “Miraculous Return of Laughter” of the final story.

“Motherwhere” continues Jeremy Gill’s ongoing collaboration with the award-winning Parker Quartet, and is his first work for New York Classical Players.

Performance is April 1 (W83 Auditorium in New York) at 7:30 pm. Free tickets available on New York Classical Players' website.

Calendar Listing

NYCP presents the world premiere
of Jeremy Gill's

Motherwhere
Bagatelles for Strings, after Bán

April 1, 2022 at 7:30 pm

W83 Auditorium
150 W 83rd St
New York, NY

New York Classical Players
Dongmin Kim, conductor
Parker Quartet
Madeline Fayette, cello

Program

TCHAIKOVSKY: Andante Cantabile for Cello and String Orchestra
JEREMY GILL: Motherwhere: Bagatelles for Strings, after Bán (premiere)
TCHAIKOVSKY: Serenade for Strings

Free tickets available on New York Classical Players' website

Out Feb. 11: Violinist Solomiya Ivakhiv's "Poems and Rhapsodies"

Violinist Solomiya Ivakhiv with National Symphony Orchestra of Ukraine: “Poems & Rhapsodies” on Centaur Records

February 11 release features “The Lark Ascending” by Vaughan Williams, works by Saint-Saëns and Chausson, and the American composer Kenneth Fuchs

Plus rarities by the Ukrainian composers Anatoly Kos-Anatolsky and Myroslav Skoryk

Hot on the heels of her highly acclaimed recent recordings of Mendelssohn Concertos and Haydn and Hummel Concertos, the violinist Solomiya Ivakhiv brings us a collection of programmatic works for violin and orchestra, “Poems and Rhapsodies” (Centaur CRC 3799, release date February 11, 2022).

Along with the evocative and ethereal sound of Ralph Vaughan Williams’ The Lark Ascending, the recording includes the American composer Kenneth Fuchs' American Rhapsody, and works by Camille Saint-Saëns and Ernest Chausson. Solomiya Ivakhiv also recorded rarely-heard music by her countrymen, the Ukrainian composers Myroslav Skoryk and Anatoly Kos-Anatolsky. The score for Kos-Anatolsky's Poem for Violin and Orchestra, written in 1962, was lost. In 2019, Solomiya Ivakhiv commissioned Bohdan Kryvopust to reconstruct the orchestration from an early recording.

The National Symphony of Ukraine, Volodymyr Sirenko conducting, joins Ms. Ivakhiv in the recording studio, as does the American cellist Sophie Shao, who is featured in Saint-Saëns’ La muse et le poète.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.


Poems and Rhapsodies

Solomiya Ivakhiv, violin

National Symphony Orchestra of Ukraine
Volodymyr Sirenko, conductor
with Sophie Shao, cello (on Saint-Saëns La muse et le poète)

Centaur (#CRC3799)
Release date: February 11, 2022

Read the liner notes

View Solomiya Ivakhiv's Digital Press Kit

Download cover art

Request a copy of this CD

TRACKS

Camille Saint-Saëns
[01] La muse et le poète, Op. 132 (17:24)
with Sophie Shao, cello

Ernest Chausson
[02] Poème, Op. 25 (16:43)

Ralph Vaughan Williams
[03] The Lark Ascending (16:37)

Anatoly Kos-Anatolsky
[04] Poem for Violin and Orchestra in D Minor (9:22)

Kenneth Fuchs
[05] American Rhapsody (Romance for Violin and Orchestra) (11:47)

Myroslav Skoryk
[06] Carpathian Rhapsody (6:40)

Total Time = 78:37


Ukrainian born, American Solomiya Ivakhiv, 2021 recipient of the Merited Artist of Ukraine, is an accomplished concert violinist, chamber musician, collaborator, educator, and champion of new music. Concertizing internationally, her wide range of repertoire includes the premiere of numerous new works for violin. Dr. Ivakhiv has performed solo and chamber music at Carnegie Hall, Merkin Concert Hall, CBC Glenn Gould Studio, Curtis Institute Field Concert Hall, Italian Academy in New York City, Pickman Hall in Cambridge (MA), San Jose Chamber Music Society, Old First Concerts in San Francisco, Astoria Music Festival (Portland), Tchaikovsky Hall in Kyiv, Concertgebouw Mirror Hall, and at UConn’s Jorgensen Center for the Performing Arts. A dedicated champion of new music, Dr. Ivakhiv has been privileged to premiere numerous new works for violin by composers Eli Marshall, David Ludwig, John B. Hedges, Bohdan Kryvopust, Yevhen Stankovych, Bruce Adolphe, David Dzubay, Leonid Hrabovsky, and Oleksandr Shchetynsky.