Press Release

Out February 23: Solomiya Ivakhiv's "Ukrainian Masters"

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Violinist Solomiya Ivakhiv releases “Ukrainian Masters: Sonatas for Violin and Piano by Bortkiewicz, Kosenko and Skoryk”

Album features sonatas spanning the 20th century with pianist Steven Beck

Featuring a world premiere recording; released February 23 on Naxos

“a fabulous tone and virtuoso panache that feels just right.” — Gapplegate Classical

The Ukrainian-American violinist Solomiya Ivakhiv has made it her mission to share the music of her home country. Her latest release, “Ukrainian Masters” (Naxos 8.579146, rel. February 23, 2024) includes violin sonatas spanning 1922 to 1991 by three seminal Ukrainian composers, including a world premiere recording of Viktor Kosenko's Sonata in A minor, Op. 18. Ivakhiv is joined by the renowned pianist Steven Beck who frequently performs with the New York Philharmonic.

Each of the three composers on the new album are major figures in Ukrainian classical music and in Ivakhiv's own musical life. "I knew Kosenko's piano music growing up, but it was not popular to play Ukrainian music, as the Soviet government only promoted Russian composers. Therefore his music was not professionally recorded. I discovered the sonata after I moved to the U.S. when I was studying at Curtis and planning my recitals."

Bortkiewicz's music on the other hand was completely banned in the Soviet Union as he was a refugee and fled Ukraine via Istanbul, Belgrade, Sofia, Serbia and Vienna when Russians occupied Eastern Ukraine. "He was declared an enemy of the people as a result, and I only discovered his music with the war in Ukraine," continues the violinist. "Skoryk I did know personally, and had the opportunity to play his music for him before he passed away in 2020."

In addition to Ukrainian Masters, Ivakhiv has highlighted works from Ukrainian composers on her recordings Poems and Rhapsodies with the National Symphony of Ukraine (Centaur, 2022) and Ukraine - Journey to Freedom (NAXOS, 2016). Other album releases include Haydn + Hummel Concertos (Centaur, 2020) and Mendelssohn Concertos (Brilliant Classics, 2019).

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of Ukrainian Masters.


February 9: Album release performance and panel discussion in NYC

To celebrate the release of Ukrainian Masters, Ivakhiv and Beck will perform selections from the album at the Ukrainian Institute of America in NYC on February 9 at 7 pm. The evening will feature a conversation on "Ukrainian Composers and their Words" with Maria Sonevytsky, Professor of Music, Bard College and Peter Schmelz, Professor of Music, Johns Hopkins University. Admission includes a copy of the CD. Ticket information coming soon.

"There is absolutely no stuffiness about this playing, just a constant outpouring of joy.”
Classical Candor

Ukrainian Masters: Sonatas for Violin and Piano by Bortkiewicz, Kosenko and Skoryk

Solomiya Ivakhiv, violin
Steven Beck
, piano

Naxos 8.579146

Release date: February 23, 2024

TRACKS

Viktor Kosenko: Violin Sonata in A minor, Op. 18 (1927)* 17:42
[01] I. Allegro 9:24
[02] II. Andantino semplice 8:06

Myroslav Skoryk: Violin Sonata No. 2 (1991) 14:58
[03] I. The Word: Moderato con moto 5:15
[04] II. Aria: Andante con moto 5:56
[05] III. Burlesque: Vivo 3:40

Sergei Bortkiewicz: Violin Sonata in G minor, Op. 26 (1922) 25:21
[06] I. Sostenuto – Allegro drammatico 10:22
[07] II. Andante 7:24
[08] III. Allegro vivace e con brio 7:30

*world premiere recording


Ukrainian born violinist Solomiya Ivakhiv is a highly celebrated soloist, chamber musician and educator. She has made solo appearances with the Istanbul State Symphony Orchestra, National Symphony Orchestra of Ukraine, Lviv National Philharmonic of Ukraine, Charleston Symphony in the United States and Hunan Symphony Orchestra in China, and has performed at chamber music festivals worldwide, including Tanglewood, Newport, Nevada Chamber Music Festival and KyivFest. Her recordings have been featured on NPR’s Performance Today and have placed in the top charts on iTunes and Spotify.

Since 2010, Dr Ivakhiv has served as artistic director of the Music at the Institute (MATI) Concert Series in New York City, where her primary focus is to introduce audiences to Ukrainian classical music. She is also artistic director of the Caspian Monday Music Festival in Greensboro, Vermont. She holds degrees from the Curtis Institute of Music and Stony Brook University, and is associate professor of violin and viola and head of strings at the University of Connecticut. In 2021, she was named Honoured (Merited) Artist of Ukraine, her native country’s highest cultural honour.


A graduate of The Juilliard School, pianist Steven Beck made his concerto debut with the National Symphony Orchestra. His annual Christmas Eve performance of Bach’s Goldberg Variations at Bargemusic has become a New York institution. As an orchestral musician he has appeared with the New York Philharmonic and Orpheus Chamber Orchestra. Beck is an experienced performer of new music, having worked with Elliott Carter, Pierre Boulez, Henri Dutilleux, Charles Wuorinen, George Crumb, George Perle and Fred Lerdahl. He is a member of The Knights, the Talea Ensemble, Quattro Mani and the Da Capo Chamber Players. His discography includes George Walker’s piano sonatas for Bridge Records, and Elliott Carter’s Double Concerto on Albany Records. He is a Steinway Artist, and is on the faculty of the University of Massachusetts, Amherst.

Cutting Edge Concerts returns March 12

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CUTTING EDGE CONCERTS
New Music Festival

Victoria Bond, Artistic Director

Cutting Edge Concerts New Music Festival's 27th season continues with March 12 concert at Symphony Space

Cassatt String Quartet and Ursula Oppens perform piano quintets by Joan Tower and Tania León

Also: Victoria Bond's Blue and Green Music and Wang Jie's Song for Mahler in the Absence of Words

"a gift to New Yorkers thirsty for new sounds"
Time Out New York

Composer Victoria Bond founded Cutting Edge Concerts New Music Festival to celebrate, support and promote the work of living composers. Its 27th season continues on March 12, 2024 at 7:30 pm with the internationally acclaimed Cassatt String Quartet and pianist Ursula Oppens at Symphony Space. The program features 21st century works for strings and piano by Tania León, Joan Tower, Victoria Bond and Wang Jie. For more on Oppens, read a profile of the pianist in this week's New York Times.

The highlight of the program is Victoria Bond’s Blue and Green Music, which the quartet recorded for Albany Records and is based on a Georgia O’Keefe painting of the same title. Tania León's Ethos, Joan Tower’s Dumbarton piano quintet and Wang Jie’s Songs for Mahler in the Absence of Words for piano quartet are also on the program. The concert will explore facets of contemporary music by living composers, all of whom will be present to discuss their works on stage with host and creator, Victoria Bond.

"I'm so delighted to invite the Cassatt String Quartet and Ursula Oppens back to the Cutting Edge Concerts' stage. The Cassatts are one of the finest ensembles of today, and it's been such a pleasure to hear them take my work Blue and Green Music on tour around the country this past season. I cannot wait to hear this program along with the audience," says Bond.

Program details for the March 12 concert are below. The performance is at Symphony Space's Leonard Nimoy Thalia Theater (2537 Broadway, Manhattan). Tickets are $25 in advance ($20 senior/student) and available at SymphonySpace.org.

Calendar Listing

CUTTING EDGE CONCERTS NEW MUSIC FESTIVAL

Cassatt String Quartet and Pianist Ursula Oppens

Tuesday, March 12, 2024 at 7:30 pm
Symphony Space (2537 Broadway, Manhattan)
Tickets: $25 in advance (at SymphonySpace.org)

PROGRAM

Victoria Bond: Blue and Green Music
Tania León: Ethos for Piano and String Quartet
Wang Jie: Song for Mahler in the Absence of Words
Joan Tower: Dumbarton Quintet for piano quintet

About Cutting Edge Concerts

Inspired by Pierre Boulez's series, "Perspective Encounters", the composer and conductor Victoria Bond founded Cutting Edge Concerts in 1998. With 26 years of concerts, Cutting Edge Concerts has presented over 300 new works by more than 200 composers. Each program highlights the music of living composers, all of whom attend the concert. Along with performances by world-class ensembles and soloists, each program features on-stage discussions between host Victoria Bond and the composers.

About Victoria Bond

A major force in 21st century music, composer Victoria Bond is known for her melodic gift and dramatic flair. Her works for orchestra, chamber ensemble and opera have been lauded by The New York Times as "powerful, stylistically varied and technically demanding." Her compositions have been performed by the New York City Opera, Shanghai, Dallas and Houston Symphonies, members of the Chicago Symphony and New York Philharmonic, American Ballet Theater and the Cassatt and Audubon Quartets.  Ms. Bond is also an acclaimed conductor, and is the principal guest conductor of Chamber Opera Chicago, and has held conducting positions with Pittsburgh Symphony, New York City Opera, Roanoke Symphony, and Bel Canto and Harrisburg Operas.

Sunday: Joan Tower at 85! with Da Capo Chamber Players

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Feb 25: Da Capo Chamber Players celebrates Joan Tower at 85

Performance at Tenri Cultural Institute honors one of the ensemble's founders

Concert is part of Da Capo's 52nd concert season which continues on May 19 with a program of music inspired by the Middle East

"[a] fantastic experience of musical beauty" - Seen and Heard International

The Da Capo Chamber Players honors composer Joan Tower at age 85 with a program spanning five decades of her chamber works. In addition to Tower’s music, the concert includes world premieres of works written by two of Tower’s associates, John Boggs and Erica Lindsay.

Tower (born September 6, 1938) was a founding member of the groundbreaking ensemble, served as its pianist from 1970 to 1985, and continues to have a close association with Da Capo. "Joan’s inspiration not only helped launch this amazing group, she has also written numerous major works for us which have become classics in the field,” said Patricia Spencer, curator of this concert and founding member of Da Capo.

Da Capo Chamber Players commissioned Erica Lindsay, recent winner of a Chamber Music America New Jazz Works award and a colleague of Tower’s at Bard College, to compose a new work for the occasion. Also receiving a premiere on this concert is a quintet written for Tower and Da Capo by John Boggs, former student of the composer, now a teacher of piano and voice in Colorado.

Da Capo Chamber Players concert, Joan Tower at 85!, is on Sunday, February 25 at 8 pm at Tenri Cultural Institute (43A West 13th Street in Manhattan). Tickets are $30 ($15 students/seniors), available online and at the door.

Da Capo's 52nd concert season continues on May 19 with a program of music inspired by the Middle East. Ugandan composer Shirish Korde's The Conference of the Birds 2 is based on medieval Persian mythology. Yotam Haber grew up in Israel, Netherlands, and the U.S. His composition Bloodsnow captures a harrowing experience where he nearly lost his finger taking care of a friend's sled dogs in Alaska. Iranian composer Ramin Heydarbeygi's Aramesh deals with the theme of exile.

Calendar Listing

Sunday, February 25, 2024 at 8 pm

Tenri Cultural Institute (43A West 13th Street, New York, NY)

Joan Tower at 85!

Da Capo Chamber Players
Curtis Macomber 
violin | Chris Gross cello
Marianne Gythfeldt clarinet | Steven Beck piano
Patricia Spencer curator 

GUEST ARTISTS
James Baker
 conductor 
Laura Cocks flute | Michael Lipsey percussion
Andrea Ábel flute | Isabel Lepanto Gleicher flute
Jessica Taskov flute | Mark Helias upright bass

Tickets are $30/$15 (students/seniors), available online or at the door

PROGRAM

Joan Tower Breakfast Rhythms I and II (1974)  
Joan Tower Fanfare for the Uncommon Woman No.5 (1993)  
Joan Tower Big Sky (2000)  
Joan Tower Into the Night (2022)
Erica Lindsay slowly, letting go (2024)* – World Premiere
Erica Lindsay Transmutation Variations 
John Boggs Descending the Catskills (2019)* – NY Premiere

*written for Joan Tower and Da Capo

Next up from Da Capo Chamber Players:
Sunday, May 19, 8 pm | Tenri Cultural Institute
Middle East Influences
A program of music by Shirish Korde, Yotam Haber, and Ramin Heydarbeygi.

About the Artists

The Da Capo Chamber Players has been hailed by The New Yorker as a "distinguished ensemble...at the center of the New York new-music scene”. Founded in 1970, the "Pierrot ensemble” (flute, clarinet, violin, cello and piano) won the Naumburg Chamber Music Award in 1973 and went on to commission and perform new American chamber music in an enormous spectrum of styles over more than a half century.

The Da Capo Chamber Players' long-running New York series has been praised for "superb" and "gripping" performances, including premieres by Elliott Carter, George Perle, Louis Karchin, Joan Tower, Shulamit Ran, Chinary Ung, and dozens of others. Da Capo also brings performances of American music around the world, and presents music of global cultures to American audiences. 

Joan Tower was co-founder and pianist for the Da Capo Chamber Players from 1970-85, and is widely regarded as one of the most important American composers living today. During a career spanning more than sixty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by over one hundred major ensembles, soloists, and orchestras around the globe.

Tower was the first woman to win the prestigious Grawemeyer Award; she was named Composer of the Year by Musical America, and the League of American Orchestras awarded her the Gold Baton. The recording of Tower’s Made in America, a work commissioned by 65 American orchestras, earned the composer three Grammy awards. 

Pianist Inna Faliks premieres concerto by Clarice Assad

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Pianist Inna Faliks premieres piano concerto by Clarice Assad in Washington, D.C.

Program celebrating International Women's Day also features Clara Schumann's piano concerto

March 10 concert at National Gallery of Art features Faliks as soloist with Inscape Chamber Orchestra

On March 10 at the National Gallery of Art in Washington, D.C., the internationally renowned Ukrainian-American pianist and author Inna Faliks performs the world premiere of Lilith, a new piano concerto by Grammy-nominated composer Clarice Assad.

Written for Faliks, Lilith refers to the biblical character who was considered a primordial she-demon. Each of the movement titles (Spellbinder, Forbidden Charms, and Unchained) outline Lilith's iconic phases and sensuality. On the same program, Faliks plays the Piano Concerto by Clara Schumann.

The concert on March 10 at 3 pm falls within days of International Women's Day. Admission is free; details on the National Gallery of Art's website. Students from regional youth ensembles will join the Grammy-nominated Inscape Chamber Orchestra, led by Richard Scerbo, for this world premiere performance.

Faliks performs regional premieres of Lilith in Durango, CO (April 20) and Farmington, NM (April 21) with the San Juan Symphony and conductor Thomas Heuser.

Calendar Listing

National Gallery of Art presents

Sunday, March 10, 2024 at 3 pm

Inna Faliks with the Inscape Chamber Orchestra
World premiere of Lilith by Clarice Assad

Inna Faliks, piano
Robert Scerbo, conductor
Inscape Chamber Orchestra

with students from the DC Youth Orchestra Program and Washington Musical Pathways Initiative

National Gallery of Art 
(West Building, Main Floor - West Garden Court)
6th St and Constitution Ave NW
Washington, DC 20565

PROGRAM

Fanny Mendelssohn Overture in C Major
Clara Schumann Piano Concerto in A Minor
Clarice Assad A Retirada
Clarice Assad Lilith, Concerto for Piano and Orchestra (World Premiere)

Coming Up

“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Her discography includes Manuscripts Don't Burn (Sono Luminus, May 2024), which consists of world premiere recordings alongside 19th and 20th century works. Also in her catalogue: Reimagine: Beethoven and Ravel (Navona), and all-Beethoven and Rachmaninoff/Ravel/Pasternak discs on MSR Classics.

In addition to her other impressive accomplishments, she is is head of Piano Studies at UCLA and is a critically acclaimed writer. Her memoir, Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books) was published in October 2023, and her articles and essays have appeared in Los Angeles Times and The Washington Post. Inna Faliks is a Yamaha Artist.

Baruch PAC's 2024 spring season

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Baruch Performing Arts Center's Spring 2024 Performances

Pianist Maxim Lando, classical accordionist Hangzhi Wang and Chromic Duo's toy piano and electronics fill BPAC's intimate Engelman Recital Hall with compelling music

Plus Heartbeat Opera's new production of Eugene Onegin and a world-premiere by Daniel Schlosberg and Amanda Quaid

This spring, Baruch Performing Arts Center's "perfect hall for chamber music" (New York Times) is full of performances. From the sounds of award-winning pianist Maxim Lando to classical accordionist Hanzhi Wang to the ingenuity of the Chromic Duo on keyboards and electronics, audiences will experience the best chamber music anywhere.

Ticket offer (valid til Feb. 9): Purchase tickets to all three recitals for a special price of $68 with code ADVANCE at this link.

Also this spring: Heartbeat Opera returns with their annual spring festival, presenting a new arrangement of Eugene Onegin alongside the world premiere of Daniel Schlosberg & Amanda Quaid’s The Extinctionist.

Tickets to all shows available at bpac.baruch.cuny.edu

Downloadable images & bios available in the digital press kit

"Brilliance and infectious exuberance" Pianist Maxim Lando

February 9, 7:30 pm: Pianist Maxim Lando
Colorful classics by an award-winning performer

Award-winning pianist Maxim Lando performs Robert Schumann's Carnaval, Modest Mussorgsky’s evocative Pictures at an Exhibition, and the pianist’s own arrangement of Stephen Sondheim’s The Worst Pies in London from "Sweeney Todd." Schumann's Carnaval is a timely choice, as it depicts pre-Lenten festivities within a few days of Mardi Gras 2024.

Lando has been praised for his “brilliance and infectious exuberance” (The New York Times) and called a “dazzling fire-eater” by ARTS San Francisco. He is recipient of the prestigious Gilmore Young Artist Award, earned First Prize at the Young Concert Artists International Auditions and is winner of the New York Franz Liszt International Competition and The Vendome Prize.

Tickets $35 ($15 for students and Baruch staff).

"playful soundscapes” Chromic Duo

March 5, 7:30 pm: Chromic Duo
Multi-media duo plays toy pianos merged with electronics

Chromic Duo - Lucy Yao and Dorothy Chan - blends classical music, toy piano, and electronics into genre-fluid performances and installations. Inspired by the small wonders of the everyday, they compose sound worlds inspired by the multitudes as Third-Culture-Kids discovering their voices within the vast Asian-American diaspora.

Chromic Duo often blurs the lines between film, virtual reality, and augmented reality, but the heart of their work remains constant: to create an intimacy and sense of wonder in their music that unravels the story of self-discovery and passion, connecting the dots between grief and joy, belonging and displacement, and creating community in boundary-pushing performances and web-based experiences.

Tickets $35 ($15 for students and Baruch staff).

“staggering virtuosity” Classical Accordionist Hanzhi Wang

April 19, 7:30 pm: Classical accordionist Hanzhi Wang

Acclaimed for her “staggering virtuosity,” the classical accordionist Hanzhi Wang is praised for her captivating stage presence and performances that display passion and finesse. A groundbreaking artist, Hanzhi was the first accordionist to win Young Concert Artists International Auditions, the first to be named Musical America’s “New Artist of the Month,” and the first solo accordionist on WQXR Radio’s Young Artists Showcase.

Hanzhi made her Carnegie Hall and Kennedy Center debuts in 2017. Her awards include the Ruth Laredo Prize and Mortimer Levitt Career Development Award for Women Artists of YCA and First Prize in the 40th Castelfidardo International Accordion Competition in Italy. She inspires the next generation of accordionists with lectures, performances, and master classes at the Manhattan School of Music, Royal Danish Academy of Music, Tianjin Music Conservatory, and across Europe. 

Tickets $35 ($15 for students and Baruch staff).

Heartbeat Opera at Baruch PAC

On April 2-14, Heartbeat Opera returns to BPAC for their annual spring festival. Alternating nights, the critically-acclaimed company presents a new 100-minute adaptation of Tchaikovsky's exquisite masterpiece Eugene Onegin alongside the highly anticipated premiere of Daniel Schlosberg and Amanda Quaid's thrilling The Extinctionist.

Baruch Performing Arts Center

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times. 

Feb 9: Award-winning pianist Maxim Lando at BPAC

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Award-winning pianist Maxim Lando performs at Baruch PAC on February 9

Colorful program includes Robert Schumann's Carnaval, Mussorgsky’s Pictures at an Exhibition, and music by Sondheim

On Friday, February 9, the award-winning American pianist Maxim Lando performs at the intimate Engelman Recital Hall at Baruch Performing Arts Center. His program includes Robert Schumann's Carnaval, Modest Mussorgsky’s evocative Pictures at an Exhibition, and the pianist’s own arrangement of Stephen Sondheim’s The Worst Pies in London from "Sweeney Todd." Schumann's Carnaval is a timely choice, as it depicts pre-Lenten festivities within a few days of Mardi Gras 2024. Tickets are $35, available here.

Lando has been praised for his “brilliance and infectious exuberance” (The New York Times) and called a “dazzling fire-eater” by ARTS San Francisco. He is recipient of the prestigious Gilmore Young Artist Award, earned First Prize at the Young Concert Artists International Auditions and is winner of the New York Franz Liszt International Competition and The Vendome Prize.

Maxim made his Alice Tully Hall debut performing with the Juilliard Orchestra in 2021 and appeared with the Orchestra of St. Luke's at Carnegie Hall as First Prize Winner in the 2022 New York Franz Liszt International Piano Competition. Recent awards include "Best Chamber Music Album of the Year" at the 2023 International Classical Music Awards (ICMA) for his album “Into Madness” with German violinist Tassilo Probst.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times

Tickets are now on sale for all Spring 2024 performances. Details below, and tickets are available at bpac.baruch.cuny.edu.

Friday, February 9, 2023 at 7:30 pm

Baruch Performing Arts Center presents:

Pianist Maxim Lando

Engelman Recital Hall at Baruch Performing Arts Center

55 Lexington Ave., New York, NY (enter on 25th St. between 3rd and Lexington Aves)

Tickets are $35 available at bpac.baruch.cuny.edu

PROGRAM
Schumann
: Carnaval
Sondheim (arr. Lando): The Worst Pies in London from "Sweeney Todd"
Mussorgsky: Pictures at an Exhibition

Baruch PAC 2024 Spring Season

January 13: PUBLIQuartet and Harlem Quartet (double-bill)
February 9: Pianist Maxim Lando (Gilmore Young Artist)
March 5: Chromic Duo
April 2-14: Heartbeat Opera Spring Festival: Tchaikovsky's Eugene Onegin and The Extinctionist, a world premiere by Daniel Schlosberg
April 19: Classical accordionist Hanzhi Wang

Jan 29: Clarinetist Sam Boutris - Carnegie debut

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Musica Solis presents

Clarinetist Sam Boutris - Carnegie Hall debut on January 29, 2024

Program includes Mozart Quintet with Aizuri Quartet, a world premiere by Sheridan Seyfried, recital favorites by Schumann, Brahms, and more

“Boutris played with a natural articulation and lyricism." — Rutland Herald

The award-winning clarinetist Sam Boutris makes his Carnegie recital debut on January 29, 2024 at 7:30 pm at Weill Recital Hall (154 W 57th St, New York, NY). A highlight of the evening is Mozart’s Clarinet Quintet with the Aizuri Quartet and a world premiere by Philadelphia-based composer Sheridan Seyfried. Also on the program, works by Nielsen, Brahms, Cahuzac, and Schumann's evocative Fantasiestücke, with the pianist Sophiko Simsive. Tickets start at $35, and are at carnegiehall.org | CarnegieCharge 212-247-7800 | Box Office at 57th and Seventh.

The recital coincides with the release of Sam Boutris’ debut album Phases (Musica Solis MS202401, rel. January 26, 2024). More information about Phases is at this link.

“I’m excited to perform some of my favorite music at Carnegie Hall. It’s an honor and a career milestone to have this opportunity to perform in this iconic venue," says Boutris. "It's also a thrill to work with the fabulous Aizuri Quartet; and when it comes to collaborative pianists, none are better than Sophiko Simsive."

Winner of the grand prize at the 2019 Chamber Music Northwest International Clarinet Competition, clarinetist Sam Boutris regularly performs as a concerto soloist, recitalist and chamber musician across North America. Mr. Boutris holds degrees from Yale University and the Curtis Institute of Music, and an Artist Diploma from the Juilliard School.

Musica Solis presents

Sam Boutris, clarinet
Sophiko Simsive, piano

Monday, January 29 at 7:30 pm
Weill Recital Hall at Carnegie Hall

Tickets start at $35, and are at carnegiehall.org | CarnegieCharge 212-247-7800 | Box Office at 57th and Seventh

PROGRAM
Robert Schumann: Fantasiestücke, Op. 73 for clarinet and piano
Louis Cahuzac: Cantilène
Carl Nielsen: Fantasy for clarinet and piano in G minor
Sheridan Seyfried: Forest and Sky (world premiere, commissioned by Sam Boutris)
Johannes Brahms: Sonata No. 2 in E-flat major, Op. 120 for clarinet and piano
W.A. Mozart: Clarinet Quintet in A major, K. 581 (with Aizuri Quartet)

About the Artist

Clarinetist Sam Boutris leads a diverse career as concerto soloist, recitalist, and chamber musician. He is the recipient of the ‘Musica Solis’ Grand Prize Award at the 2019 Chamber Music Northwest International Clarinet Competition. Boutris has since released his debut album 'Phases' on the Musica Solis label and collaborated with the Rolston String Quartet, Attacca Quartet, and musicians at Chamber Music Northwest. He presented recitals on the Crypt Sessions series in New York City, The Violin Channel, the Dame Myra Hess Memorial Concerts in Chicago, Carnegie Hall, and performed live on WQXR (NYC), WFMT(Chicago), and WSMR (Sarasota). Boutris appeared as soloist with the New Jersey Festival Orchestra, Chamber Music Northwest, Vermont Mozart Festival Orchestra, and the Yale Undergraduate Chamber Orchestra. He also served as principal/guest clarinet with the Louisville Orchestra, The Knights, the Pacific Symphony, the New Haven Symphony Orchestra and the Princeton Symphony Orchestra. Boutris is a resident artist of Soundbox Ventures’ Suncoast Composer Fellowship Program, performing and advocating for clarinet chamber music in contemporary classical repertoire. Boutris holds an undergraduate degree from the Curtis Institute of Music, a graduate degree from the Yale School of Music, and an Artist Diploma from The Juilliard School.

Out Friday: "breath-taking virtuosity" from clarinetist Sam Boutris

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Clarinetist Sam Boutris' debut recording includes music by Robert Schumann, Debussy, Verdi and more

Released January 26, 2024 on Musica Solis

“breath-taking virtuosity." — EarRelevant

The award-winning clarinetist Sam Boutris’s first studio recording, Phases will be released on digital platforms on January 26, 2024. Boutris recorded works by Robert Schumann, Claude Debussy, Carl Nielsen and other recital favorites with the acclaimed pianist Sophiko Simsive. In celebration of the new album, Boutris makes his Carnegie Hall debut with Simsive and the Aizuri Quartet on January 29, 2024. Concert details at this link.

Phases (Musica Solis MS202401) is available for pre-order on Bandcamp and on the Musica Solis website.

Winner of the grand prize at the 2019 Chamber Music Northwest International Clarinet Competition, clarinetist Sam Boutris regularly performs as a concerto soloist, recitalist and chamber musician across North America. Mr. Boutris holds degrees from Yale University and the Curtis Institute of Music, and an Artist Diploma from the Juilliard School.

PHASES

Sam Boutris, clarinet
Sophiko Simsive, piano

Musica Solis
Catalog No: MS202401
UPC: 197999418463

Release date: January 26, 2024

TRACK LISTING
Louis Cahuzac
[01] Cantilène 4'50

Robert Schumann
Three Romances, Op. 94
[02] Nicht schnell 3'31
[03] Einfach, innig 3'58
[04] Nicht schnell 4'30

Luigi Bassi
[05] Fantasy on Themes from Verdi's "Rigoletto" 12'22

Claude Debussy (arr. by Sam Boutris)
[06] Suite Bergamasque, L. 75: III. Clair de Lune 4'36

Carl Nielsen
[07] Fantasy Piece for Clarinet and Piano in G minor 4'04

Carl Maria von Weber
[08] Andante e Rondo Ungarese, Op.35 9'16

Total Time [47'07]

About the Artist

Clarinetist Sam Boutris regularly performs as a concerto soloist, recitalist, and chamber musician. Boutris is the recipient of the ‘Musica Solis’ grand prize award at the 2019 Chamber Music Northwest international Clarinet Competition. His upcoming performances include solo and chamber recitals at the Sarasota Art Museum, Piano On Park, Van Vleck Museum, and Carnegie Hall. Recent season highlights include performances of the Mozart Clarinet Quintet (Rolston String Quartet) and Clarinet Concerto at Chamber Music Northwest.

A featured recital on the award-winning Crypt Sessions series in New York City, a live broadcast solo recital on WQXR’s Midday Master Series at the Greene Space; solo recitals at Dame Myra Hess (Chicago) Lincoln Centers’ Paul Hall and Wilson Theater, the Harvard Club of New York, La Maison Française at New York University, and a featured recital of the Mozart and Brahms Clarinet Quintets with the Attacca Quartet on the Rockerfeller Noon Series. Other significant performances include concerto appearances with the New Jersey Festival Orchestra, Chamber Music Northwest, Vermont Mozart Festival Orchestra and the Yale Undergraduate Chamber Orchestra.

As an orchestral musician Boutris has performed as guest principal clarinet with the Louisville Symphony Orchestra, the Knights Chamber Orchestra, and ‘Symphony in C.’ He has also appeared as guest clarinet with the New Haven and Princeton symphonies. Boutris has also had video performances featured on ClassicFM, and The Violin Channel.

Boutris holds degrees from the Curtis Institute of Music, Yale University, and recently held a position in the Artist Diploma Program at the Juilliard School.

Jan 20: "Anne Frank's Tree" by Victoria Bond

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World premiere of Anne Frank's Tree by Victoria Bond on January 20

Indianapolis Chamber Orchestra commissioned new work based on text from The Diary of Anne Frank

On January 20, 2024 at 7:30 pm, Indianapolis Chamber Orchestra performs the world premiere of Anne Frank's Tree by Victoria Bond. Passages from the journal kept by Anne Frank as a youngster hiding from the Nazis in 1940's Amsterdam are narrated by the award-winning teenage actor Sadie Cohen. Performance is conducted by Matthew Kraemer, ICO Music Director. Details are below.

"The Diary of Anne Frank has been an important book to me since I read it as a teenager," said composer Victoria Bond. "I was struck by the important role the tree that grew outside Anne’s window played in her emotional life: it represented nature, beauty, freedom and hope. When I learned that a sapling from the very same tree had been planted in the garden of the Indianapolis Children’s Museum, I resolved to write a piece of music about Anne Frank and this tree."

Victoria Bond and Indianapolis Chamber Orchestra have had a long history of collaboration. Over the past two decades, ICO commissioned Bond's piano concerto, “Ancient Keys,” and three works for storyteller and chamber ensemble.

The program also includes music by Felix Mendelssohn, Erich Korngold and Franz Schrecker. The concert is on January 20, 7:30 pm at the Schrott Center for the Arts at Butler University in Indianapolis (610 W 46th St). Tickets: Children/students free with reservation. Adults $20-$45; available at ICOMusic.org or by calling 317-940-9607.

Anne Frank's Tree
World premiere by Victoria Bond

Indianapolis Chamber Orchestra
Matthew Kraemer, conductor
Sadie Cohen, Narrator

January 20, 2024 at 7:30 pm

Schrott Center for the Arts at Butler University (610 W 46th St, Indianapolis, IN)

Tickets: Children/students free with reservation. Adults $20-$45

Available at ICOMusic.org

PROGRAM
Victoria Bond: Anne Frank’s Tree (with Sadie Cohen, narrator)*
Franz Schreker:
Kammersymphonie
Erich Wolfgang Korngold:
Straussiana
Felix Mendelssohn:
Violin Concerto (with Julian Rhee, violin)

*world premiere performance

Celebrating composer Chou Wen-chung's centennial

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Chou Wen-chung’s centennial and legacy is celebrated in a concert on March 21, 2024 at Miller Theatre

Influential Chinese-born composer's legacy includes the composers he helped bring to the US: Tan Dun, Zhou Long, Chen Yi, and Bright Sheng

Performed by Continuum, Joel Sachs conductor

The Chinese-born composer Chou Wen-chung (1923–2019) had an enormous influence on concert music in America and was responsible for bringing over the next generation of musicians from China, including Pulitzer Prize winner Zhou Long, Chen Yi and Bright Sheng. He studied with and worked closely with Edgar Varèse. On March 21, 2024 at 7:30 pm Continuum performs a special concert celebrating the composer's centennial and legacy at Columbia University's Miller Theatre. The concert is presented by Spiralis Music Trust in cooperation with the Music Department at Columbia University. Details and ticket links will be announced soon.

The program, performed by the contemporary ensemble Continuum led by Joel Sachs, displays Chou’s special ability to blend Eastern and Western styles, techniques and tropes in his compositions. A highlight of the concert is the American premiere of In the Mode of Shang for chamber orchestra. Program details are below.  

The event is part of an ongoing endeavor to maintain and extend Chou Wen-chung’s legacy. Other components include commissioned works in Chou's name in China and the United States, a lecture series at the 21st Century China Center at UCSD, the Center for US-China Arts Exchange at Columbia University, and more.

Spiralis Music Trust in cooperation with the Music Department at Columbia University present

March 21, 2024 at 7:30 pm

Celebrating Chou Wen-chung’s Centennial and his Legacy

Miller Theatre at Columbia University (2960 Broadway at W 116 St, New York, NY)

Ticket info TBA

CONTINUUM®
Joel Sachs, conductor and piano
Chamber orchestra featuring long-time Continuum players Renée Jolles, violin; Stephanie Griffin, viola; Kristina Reiko Cooper, cello; Emily Duncan, flute (Continuum debut); and Moran Katz, clarinet with additional instrumentalists

PROGRAM

All selections by Chou Wen-chung (1923 – 2019)

In the Mode of Shang (1956) (US Premiere) 
Chamber Orchestra 

The Willows are New (1957)
Piano 

Yu Ko (Fisherman’s Song) (1965)
Ensemble for Violin, Winds, Piano and Percussion 

Twilight Colors (2007)
Double trio for woodwinds and strings

Ode to Eternal Pine (2009)
Chamber Ensemble

About the Artists

The Chinese-born composer Chou Wen-chung (1923 - 2019) came to the United States in 1946. He studied with Nicholas Slonimsky at the New England Conservatory of Music, and later moved to New York City where Edgard Varèse became his teacher and mentor. In the early 1950’s, he did graduate work at Columbia University under Otto Luening, and studied with Bohuslav Martinu and musicologist Paul Henry Lang. This began a long career (1964 to 1991) at Columbia where he developed an internationally renowned composition program and, for 13 years, was in charge of academic affairs for all the creative arts.

In 1978, Chou founded the Center for United States-China Arts Exchange which has collaborated with specialists and institutions from East/Southeast Asia on projects, such as the Pacific Music Festival in Sapporo, Japan (1990); an arts education program in China spanning 15 years; and an ongoing project, begun in 1990, for cultural conservation and development in Yunnan, one of the most culturally diverse regions in the world. 

Chou was a member of the American Academy of Arts and Letters, an honorary member of the International Society for Contemporary Music and Asian Composers League, and recipient of the Officier des Arts et Lettres

Winner of the Siemens international prize and four ASCAP awards for Adventuresome Programming, New-York-based CONTINUUM® has been a major presence in the new music world since it was founded in 1966.

Continuum has performed across the United States, including at the Kennedy Center and the Library of Congress; toured Europe dozens of times, and made numerous trips to Asia and Latin America.

CBS-TV, National Public Radio, the Voice of America, and European networks have broadcast CONTINUUM® events. The ensemble has recorded nearly two dozen titles and in 2024 records music by Roberto Sierra and Ursula Mamlok. Its concert programs embrace the entire range of music from 20th-century classics such as Ives, Joplin and Webern, to today's composers from all over the world.

Continuum is a registered service mark of The Performers' Committee, Inc.

January 13: PUBLIQuartet & Harlem Qt at Baruch PAC

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Baruch Performing Arts Center presents PUBLIQuartet and Harlem Quartet on Saturday, January 13, 2024

Baruch PAC's concert series continues through the Spring with Gilmore Young Artist Maxim Lando, Heartbeat Opera's Spring Festival, and classical accordionist Hanzhi Wang

On Saturday, January 13, 2024 at 7 pm, Baruch Performing Arts Center presents a double-bill of two internationally-renowned ensembles: PUBLIQuartet and Harlem Quartet at Engelman Recital Hall. Tickets are $45, available on Baruch PAC's website.

Multi-Grammy nominated PUBLIQuartet has built a reputation for improvising, blending genres, and highlighting American multiculturalism. They are winners of Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music and the Concert Artists Guild New Music/New Places award.

Harlem Quartet has collaborated with a wide range of artists, from Chick Corea to Itzhak Perlman and Jeremy Denk. Harlem Quartet's album with Corea and Gary Burton won multiple Grammy Awards, and the group's mission to advance diversity in classical music has brought them around the world; including a performance at The White House and a South African tour.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times

CALENDAR LISTING

January 13, 2023 at 7 pm

Baruch Performing Arts Center presents:
PUBLIQuartet and Harlem Quartet

Engelman Recital Hall at Baruch Performing Arts Center
55 Lexington Ave., New York, NY (enter on 25th St. between 3rd and Lexington Aves)

Tickets are $45 available at bpac.baruch.cuny.edu

Coming up at Baruch PAC

January 13: PUBLIQuartet and Harlem Quartet (double-bill)
February 9: Pianist Maxim Lando (Gilmore Young Artist)
March: artist and date to be revealed soon
April 2-14: Heartbeat Opera Spring Festival: Tchaikovsky's Eugene Onegin and The Extinctionist, a world premiere by Daniel Schlosberg
April 19: Classical accordionist Hanzhi Wang

Watch this space for complete spring season details!

Artist Biographies

Applauded by The Washington Post as “a perfect encapsulation of today’s trends in chamber music,” and by The New Yorker as “independent-minded,” multi-GRAMMY®-nominated PUBLIQuartet is an improvising string quartet whose repertoire blends genres and highlights American multiculturalism. PUBLIQuartet rose on the music scene as winner of the 2013 Concert Artists Guild New Music/New Places award, and in 2019 garnered Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music. PQ’s genre-bending programs range from newly commissioned pieces to re-imaginations of classical works featuring open-form improvisations that expand the techniques and aesthetic of the traditional string quartet.

Harlem Quartet advances diversity in classical music while engaging new audiences with varied repertoire that includes works by minority composers. Their mission to share their passion with a wider audience has taken them around the world; from a 2009 performance at The White House for President Obama and First Lady, Michelle Obama, to a highly successful tour of South Africa in 2012, and numerous venues in between. The musically versatile ensemble has performed with such distinguished artists as Itzhak Perlman, Ida Kavafian, Carter Brey, Fred Sherry, Misha Dichter, Jeremy Denk, and Paquito D’Rivera. The quartet also collaborated with jazz masters Chick Corea and Gary Burton on the album Hot House, a 2013 multi-Grammy Award winning release.

Educational Programs from The Defiant Requiem Foundation

Education Programs at The Defiant Requiem Foundation

Over 100 programs offered since 2008

There’s a lot going on behind the scenes at The Defiant Requiem Foundation. In addition to its public-facing programs — the concert-drama Defiant Requiem: Verdi at Terezín, the Emmy-nominated documentary film Defiant Requiem, and other special programs presented online and in-person around the world — the Foundation also plays a major role in educational programs for teachers, students, and the general public.

On January 29 and February 28, 2024, DRF will present two workshops for teachers. The January event, in partnership with the Leo Baeck Institute at The Center for Jewish History will introduce NYC public school teachers to a new set of high school lesson plans about Terezín using the archival collections of the Leo Baeck Institute. The February event is co-presented by Centropa, an organization devoted to preserving Jewish memory. This online workshop introduces teachers to resources from both organizations that relate to Jewish life in Prague, the Terezín concentration camp, and cultural resistance.

These programs are part of Defiant Requiem’s educational mission to use the story of Terezín to introduce and deepen students' knowledge of the Holocaust and cultural resistance, past and present. The Foundation offers educational programming and materials for teachers of social students, English language arts, music and art to support the use of the 45-minute documentary film, Defiant Requiem in classrooms. The modules were developed through a rigorous process of conceptualization, critical review, and evaluation, and have been revised and refined based on feedback from dozens of highly experienced teachers from public, private, charter, and parochial schools.

Since its founding in 2008, The Defiant Requiem Foundation has offered over one hundred educational programs, including workshops for teachers and presentations for students in schools, across the United States. 

Curriculum details and additional information at education.defiantrequiem.org. Contact DRF Director of Education Alexandra Zapruder (azapruder@defiantrequiem.org) for inquiries about specific materials and programs.

Cassatt Quartet in Ossining, Hartford, and NYC

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Cassatt String Quartet November/December preview:

Concerts in Ossining, NYC, and West Hartford

Performances with Israeli-American trombonist Haim Avistur; pianists Doris Stevenson & Magdalena Baczewka

November 11 & 16 with Trombonist Haim Avistur

Fresh from the world premiere of Adolphus Hailstork's Monuments for trombone and string quartet in Texas, the Cassatt String Quartet brings the work to the Northeast for performances in Ossining, NY (November 11 at Bethany Arts Community) and the Mandell JCC in West Hartford, CT (November 16). Monuments is a profound tribute to 9/11, and features Israeli-American trombonist Haim Avistur. The work is performed alongside music by Victoria Bond, Beethoven, and Joan Tower.

While in Hartford, the Cassatts give a masterclass at the Hartt School of Music on November 17 at 10 am.

November 30: Columbia University Residency

The quartet returns to Columbia University for a residency that culminates in a performance on November 30 with pianist Magdalena Stern-Baczewska. The program, presented by The Italian Academy at Columbia University, features works by Beethoven, Pultizer-prize winner Zhou Long, and Shostakovich. Reserve free tickets here.

December 3: Bargemusic

On December 3, the Cassatt String Quartet performs the world premiere of a piano quintet by Allen Shawn. They are joined by pianist Doris Stevenson, performing the work in a program that also features music by Zhou Long and Dorothy Rudd Moore.

Cassatt String Quartet Fall 2023 Season at a Glance

October 29 at 3 pm, Wagner Noël PAC (Midland, TX): World premiere by Adolphus Hailstork, plus music by L.V. Beethoven, Joan Tower, Zhou Long, Burleigh, Candillari, and Fanny Mendelssohn with guest artists pianist Shari Santorelli and trombonist David Jackson. Part of the Cassatt in the Basin residency in West Texas.

November 11 at 5 pm, Bethany Arts Community (Ossining, NY): Trombonist Haim Avistur joins the quartet for works by Joan Tower and Adolphus Hailstork, plus string quartets by Beethoven and Victoria Bond.

November 16 at 7 pm, Mandell JCC (West Hartford, CT): Works by Victoria Bond and L.V. Beethoven, plus music for trombone and string quartet by Joan Tower and Adolphus Hailstork with guest artist Haim Avistur.

November 17 at 10 am, Hartt School of Music (West Hartford, CT): Masterclass with students from the Hartt School of Music, open to the public.

November 19 at 5 pm, Hudson View Gardens (New York, NY): Works by Victoria Bond, L.V. Beethoven, and Fanny Mendelssohn Hensel.

November 30 at 7 pm, Italian Academy at Columbia University (New York, NY): Culmination of residency at Columbia University. Works by Beethoven, Zhou Long, and Shostakovich's Piano Quintet with pianist Magdalena Stern-Baczewska.

December 3 at 4 pm, Bargemusic (Brooklyn, NY): World premiere of Allen Shawn's Piano Quintet with pianist Doris Stevenson, plus works by Dorothy Rudd Moore and Zhou Long. 

December 10 at 4:45 pm, Music at the Mansion (Ridgefield, CT): Works by Beethoven, Victoria Bond, and Fanny Mendelssohn. Preceded by a wine and cheese reception at 4pm.

Artist Biography

Hailed for its “mighty rapport and relentless commitment,” the New York City-based Cassatt String Quartet has performed throughout the world for nearly four decades, with appearances at Alice Tully Hall and Weill Recital Hall; Tanglewood Music Center; the Kennedy Center; Théâtre des Champs-Élysées; Centro National de las Artes; Maeda Hall; and Beijing’s Central Conservatory. The Quartet’s prolific discography – featured three times in Alex Ross’s “10 Best Classical Recordings” column in The New Yorker – includes over forty recordings, for the Koch, Naxos, New World, Point, CRI, Tzadik, and Albany labels.

The Cassatt Quartet’s 2023-2024 season includes performances and recordings of works by Tania León, Adolphus Hailstork, Chen Yi, Joan Tower, Zhou Long, and Daniel S. Godfrey; their annual residencies at the Seal Bay Festival in Maine and Cassatt in the Basin! in West Texas; hometown concerts in the New York area, including at Symphony Space and Bargemusic; and appearances at Treetops Chamber Music Society, Maverick Concerts, and Music Mountain.

The CSQ is named for the American Impressionist painter Mary Cassatt.

Empire Wild at Baruch PAC-"a rich and vibrant experience"

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October 25 at 7 pm
Baruch Performing Arts Center presents

Empire Wild
Genre-bending trio performs its own arrangements of music from Bach, Schubert and Debussy to Swedish folk, Chick Corea and more

Empire Wild is a genre-bending crossover trio featuring Juilliard-trained classical musicians embodying a shared love of musical exploration. On Wednesday, October 25 at 7 pm Baruch Performing Arts Center presents the trio at Engelman Recital Hall. Tickets are $40 ($25 with Baruch ID). available here. The concert is part of the Freda and Aaron Silberman Recital Series.

The eclectic program at Baruch PAC features the group's unique sound and instrumentation (two cellos, piano and vocals) blending its signature mix of original music, inventive covers, and twists on the classical canon. Music by Schubert, Debussy and Bach are side by side with Swedish folk music, Chick Corea and original compositions, all arranged by the members of Empire Wild (cellists Ken Kubota and Mitch Lyon and pianist Jiyong Kim). Program details are below.

Empire Wild's performance at BPAC is part of a two day residency by Empire Wild in which they will lead classes and workshops with students in the Baruch department of Fine and Performing Arts. The group has just completed a 20-performance US tour. In 2020 Empire Wild was awarded an Ambassador Prize in the Concert Artists Guild Victor Elmaleh Competition. The group’s debut EP Paper Seasons highlights the trio’s unique sound and instrumentation in original compositions. Hi-res photos are at this link.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times

CALENDAR LISTING

October 25, 2023 at 7 pm
Baruch Performing Arts Center presents:

Empire Wild
(Ken Kubota & Mitch Lyon, cellos; Jiyong Kim, piano)

Engelman Recital Hall at Baruch Performing Arts Center
55 Lexington Ave., New York, NY (enter on 25th St. between 3rd and Lexington Aves)

Tickets are $40 ($25 with Baruch ID) available at bpac.baruch.cuny.edu

This concert is part of the Freda and Aaron Silberman Recital Series.

Program

Taro Hakase: Jounetsu Tairiku
Franz Schubert: Impromptu No 3
Brandon Ilaw/Ethan Lewis: For Chiaki - North Beat
J.S. Bach: Courante in G Major
George Gershwin: ‘S Wonderful
Ji-Yong Kim: Piano Solo
Eugene Friesen: Shadowplay
Väsen: Bambodansarna
Chick Corea: Armando’s Rhumba
Empire Wild: Song for Claire
Jacob Collier: In Too Deep
Mark Summer: Julie-O (cello duo)
Claude Debussy: Children’s Corner I. Doctor Gradus ad Parnassum
Jeremy Kittel: The Boxing Reels

Program is subject to change

Bass-baritone Joseph Parrish at Baruch PAC

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December 2 at 7:30 pm
Baruch Performing Arts Center presents

Bass-baritone Joseph Parrish

Program features recital favorites by Mahler, Wolf, Ravel, and more paired with works by Margaret Bonds, Charles Brown, H. Leslie Adams, and Harry Burleigh

On Saturday, December 2 at 7:30 pm, Baruch Performing Arts Center presents bass-baritone Joseph Parrish at Engelman Recital Hall. Tickets are $40 ($25 with Baruch ID), available here. The concert is part of the Freda and Aaron Silberman Recital Series.

Parrish is a rising star, having won the 2022 Young Concert Artists Susan Wadsworth International Auditions. His program at Baruch PAC features Mahler's "Aus! Aus!", Ravel's "Don Quixote à Dulcinée", and Donizetti's "Sull'onda cheta e bruna". Concluding the program are works by four prominent Black American composers from the 20th century, Harry Burleigh, H. Leslie Adams, Charles Brown, and Margaret Bonds.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times. 

COMING UP AT BARUCH PAC: November 6, 7 pm

BPAC is the New York State host of a nationwide reading of “Enough! Plays to End Gun Violence”. Featured are six plays penned by high students from around the country addressing this vital topic, selected through a competition, to be read by students from New York City schools who participate in the CAT Youth Theatre program.

Presented by Baruch in partnership with Creative Arts Team. Proceeds benefit Center for Justice Innovation.

Pay what you wish tickets here.

CALENDAR LISTING

December 2, 2023 at 7:30 pm

Baruch Performing Arts Center presents:
Joseph Parish, bass-baritone

Engelman Recital Hall at Baruch Performing Arts Center
55 Lexington Ave., New York, NY (enter on 25th St. between 3rd and Lexington Aves)

Tickets are $40 ($25 with Baruch ID) available at bpac.baruch.cuny.edu

This concert is part of the Freda and Aaron Silberman Recital Series.

PROGRAM

Gaetano Donizetti: Sull’onda cheta e bruna
Stefano Donaudy: Come l’allodoletta
Gaetano Donizetti: Amore e morte
Enrique Granados: El majo olvidado
Hugo Wolf: Der Tambour
Hugo Wolf: Fußreise
Gustav Mahler: Aus! Aus!
Sergei Rachmaninov: Morning
Sergei Rachmaninov: Love’s Flame
Sergei Rachmaninov: The Lilacs
Maurice Ravel: Don Quichotte à Dulcinée
Harry Burleigh: Elysium
H. Leslie Adams: For You There Is No Song
Charles Brown: A Song Without Words
Margaret Bonds: Song to the Dark Virgin

Program is subject to change

About the Artist

Winner of the 2022 YCA Susan Wadsworth International Auditions, Joseph Parrish is a Baltimore native and holds degrees from the University of Cincinnati College-Conservatory of Music and The Juilliard School. Recent operatic credits include Dulcamara in Donizetti’s L’elisir d’amore, and Augure in Rossi’s L’Orfeo at Juilliard; Spinelloccio in Puccini’s Gianni Schicchi with Festival Napa Valley, Le Baron de Pictordu in the City Lyric Opera’s production of Viardot’s Cendrillon. Next season Joseph makes his Cincinnati Opera debut in Don Giovanni. In addition to opera, Mr. Parrish enjoys a robust concert career performing with orchestra and in recitals at such prestigious venues as The Cathedral Church of St. John the Divine, Alice Tully Hall, St. Boniface Church in Brooklyn, and both Weill Recital Hall and Zankel Hall at Carnegie Hall.

Recent and upcoming performances co-presented by WPA, Newport Classical, Bridgehampton Chamber Festival, New York’s American Classical Orchestra, Caramoor’s Schwab Vocal Rising Stars, Death of Classical, Usedome Music Festival, Carnegie Hall Citywide Concerts, The Kravis Center in West Palm Beach, Denison University in Granville, OH, Sleepy Hollow Friends of Chamber Music, NYFOS, and in concert with Bay Atlantic Symphony, Memphis Symphony, Aiken Symphony, Princeton Pro Music, and the Ann Arbor Symphony. 

As a current artist diploma candidate in opera studies at The Juilliard School, Mr. Parrish is passionate about giving back to the various communities that have nurtured him. He is a Music Advancement Program chorus teaching fellow, Gluck Community Service Fellow, and Morse Teaching Artist. Mr. Parrish is also a member of the inaugural cohort of Shared Voices, an initiative designed to address diversity, equity, and inclusion through collaboration between Historically Black Colleges and Universities, top conservatories, and schools of music in the United States with the Denyce Graves Foundation. 

New from Ulysses Quartet

Award-winning Ulysses Quartet releases SHADES OF ROMANI FOLKLORE on October 13, 2023

Album on Navona includes Janáček's "Intimate Letters," an early Beethoven quartet and Rhapsody by American composer Paul Frucht

"the kind of chemistry many quartets long for, but rarely achieve." — The Strad

The Ulysses Quartet fuses the power of Beethoven, the raw emotion of Janáček, and the exoticism of Paul Frucht into SHADES OF ROMANI FOLKLORE. The album is released on Navona Records (NV6567) on October 13, 2023.

The contrasting works on this album are connected by the influence of the rich and vibrant tradition of Romani music-making. Each composer drew on this wellspring of inspiration in a unique way, creating music that is deeply personal yet informed by Romani style and spirit.

String Quartet No. 2, “Intimate Letters” is one of Leoš Janáček’s most mature and powerful works. Its title refers to his tumultuous and mysterious relationship with a much younger woman and the hundreds of letters he wrote to her. Janáček’s tormented, obsessive passion and the full spectrum of his raw emotion permeates the piece.

Paul Frucht’s Rhapsody, written in 2018, was inspired by Maurice Ravel’s Tzigane, a masterpiece of musical exoticism of a century earlier. Frucht uses the inventiveness of Tzigane as a jumping-off point, incorporating elements of jazz and other popular American idioms.

One of Beethoven's early quartets, Op. 18 No. 4, lays the foundation for the profound breadth of his later works. The composition is at turns tempestuous, tender, and tongue-in-cheek, and culminates in a rip-roaring finale with a distinctly Romani flavor. 

Contact ClassicalCommunications@gmail.com to request a physical or digital copy of this recording.

"avid enthusiasm...[with] chops to back up their passion." — San Diego Story

SHADES OF ROMANI FOLKLORE

Ulysses Quartet

Christina Bouey & Rhiannon Banerdt, violins; 
Colin Brookes, viola; Grace Ho, cello

Navona Records NV6567
Release date: October 13, 2023

TRACK LISTING

Ludwig van Beethoven
String Quartet No. 4 in C minor, Op. 18, No. 4
[01] I. Allegro ma non tanto 8:21
[02] II. Andante scherzoso quasi allegretto 7:23
[03] III. Menuetto: Allegretto 3:23
[04] IV. Allegro – Prestissimo 4:18

Paul Frucht
[05] Rhapsody 11:17

Leoš Janáček
String Quartet No. 2 “Intimate Letters”
[06] I. Andante – Con moto – Allegro 6:12
[07] II. Adagio – Vivace 6:12
[08] III. Moderato – Andante – Adagio 5:19
[09] IV. Allegro – Andante – Adagio 7:45

ABOUT THE ARTIST

The Ulysses Quartet has been praised for their “textural versatility,” “grave beauty” and “the kind of chemistry many quartets long for, but rarely achieve” (The Strad). 

From 2019 to 2022, Ulysses was The Juilliard School's Graduate Resident String Quartet (Lisa Arnhold Fellows). The group won top prizes in the Fischoff National Chamber Music Competition, The American Prize, Schoenfeld International String Competition and the Osaka International Chamber Music Competition, and a career development grant at Banff International String Quartet Competition.

The Ulysses Quartet has performed at Carnegie Hall, Wigmore Hall, Jordan Hall, and the Taiwan National Recital Hall, and on the series at Chamber Music Society of Lincoln Center, Basel Kammermusik, Premiere Performances Hong Kong, National Arts Centre and Música UNAM in Mexico City among others.

The members of Ulysses hold degrees from the Juilliard School, Manhattan School of Music, New England Conservatory, Boston Conservatory and University of North Texas. They perform on instruments and bows graciously on loan from the Maestro Foundation and private donors. Ulysses Quartet is an ambassador for Shar Music's Young Strings of America.

At Baruch PAC: "The City Without Jews" silent film with live accompaniment

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October 3, 2023 at 7:30 pm

Baruch Performing Arts Center presents

The City Without Jews

1924 German-Jewish silent film newly restored

Featuring original music performed live by klezmer violinist Alicia Svigals and silent film pianist Donald Sosin

On October 3, 2023 at 7:30 pm Baruch Performing Arts Center presents the screening of a rare, rediscovered European film that imagined the impact of antisemitism a decade before its events became all too real. The silent film is accompanied by live music, composed and performed by the world-renowned klezmer violinist Alicia Svigals (founding member of the Klezmatics) and celebrated silent film pianist Donald Sosin.

Based on the controversial and best-selling novel by Hugo Bettauer, H.K. Breslauer’s 1924 film adaptation of The City Without Jews (Die Stadt ohne Juden) is darkly comedic in tone, and stylistically influenced by German Expressionism. The film contains ominous and eerily realistic sequences, such as the shots of freight trains transporting Jews out of the city.

“In the 1920s, when The City Without Jews was released, it was a satire of something unimaginable,” said Howard Sherman, managing director of the Baruch Performing Arts Center. “Now, the film stands as a reminder of how, without vigilance, social imagination can become harrowing reality. We’re very pleased to welcome Alicia and Donald to perform their evocative and emotional score with this film, connecting the past with the present.”

This screening of The City Without Jews is presented with live original music by Alicia Svigals, violinist and Donald Sosin, pianist at 7:30 PM on October 3, 2023 at Baruch PAC. This program is made possible thanks the support of The Sunrise Foundation for Education and the Arts. Tickets are $22.50 general admission ($12.50 for students with Baruch ID), and are available at bpac.baruch.cuny.edu.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times

CALENDAR LISTING

October 3, 2023 at 7:30 pm
Baruch Performing Arts Center presents:

The City Without Jews (1924)

With original music performed live by klezmer violinist Alicia Svigals and silent film pianist Donald Sosin

Composers & performers: Donald Sosin, piano; Alicia Svigals, violin
Director: H. K. Breslauer
Screenplay: H.K. Breslauer and Ida Jenbach, from the novel by Hugo Bettauer

Baruch Performing Arts Center (55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues) in Manhattan

Tickets are $22.50 for general admission ($12.50 for students with Baruch ID) and are available here

Artist Bios

Alicia Svigals and Donald Sosin have been bringing audiences to their feet throughout the US and Europe with their unique and stirring violin and piano scores for Jewish-themed silent films.

Violinist/composer Alicia Svigals is the world's leading klezmer fiddler and a founder of the Grammy award-winning Klezmatics. She has performed with and written for violinist Itzhak Perlman, and has worked with the the Kronos Quartet, playwrights Tony Kushner and Eve Ensler, poet Allen Ginsburg, Robert Plant and Jimmy Page of Led Zeppelin, Debbie Friedman and Chava Albershteyn. In May 2023, Svigals was awarded the honorary degree of Doctor of Humane Letters by the Jewish Theological Seminary for “extraordinary contributions to the arts and Jewish life.” Svigals was awarded a Foundation for Jewish Culture commission for her original score to the 1918 film The Yellow Ticket, and is a MacDowell fellow. Her CD Fidl (1996) reawakened klezmer fiddle tradition. Her newest CD is Beregovski Suite: Klezmer Reimagined, with jazz pianist Uli Geissendoerfer—an original take on long-lost Jewish music from Ukraine.

Pianist/composer Donald Sosin received the Lifetime Achievement Award from the Denver Silent Film Festival, and the Best Original Film Score award by the 2022 Mystic Film Festival. He has performed his scores for silent films, often with his wife, singer/percussionist Joanna Seaton, at Lincoln Center, MoMA, BAM, the National Gallery, and at dozens of film festivals and colleges around the world. He records for Criterion, Kino, Milestone, Flicker Alley and European labels, and has had commissions from MoMA, Deutsche Kinemathek, the Chicago Symphony Chorus and the Jerusalem Symphony Orchestra, among others.

Coming Up at Baruch PAC

Here are a few unmissable events coming up at Baruch Performing Arts Center this fall. Announcements about additional performances coming soon.

Sept. 22: Cassatt SQ in Boston and more

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Cassatt String Quartet performs world premiere in Boston on Sept. 22

Concert at Northeastern University includes Daniel S. Godfrey’s Toward Light with guitarist Eliot Fisk and the world premiere of Passion's Continuum by Anthony Paul De Ritis

"an extraordinary quartet" – New York Times

On September 22 at 7:30 pm the Cassatt String Quartet performs in recital at Northeastern University in Boston. The concert features Toward Light with guitarist Eliot Fisk by Daniel S. Godfrey and the world premiere of Passion's Continuum by Anthony Paul De Ritis. The performance is at Fenway Hall (77 Saint Stephen Street in Boston). Admission is free and tickets are not required.

The following week, the CSQ and Eliot Fisk head to Mechanics Hall in Worcester, MA to record Godfrey’s Quintet, produced by multi-GRAMMY award-winning producer Judith Sherman.

This is one of several appearances of the Cassatt String Quartet in New England this year. On November 16, the quartet is joined by trombonist Haim Avistur for a program of music by Joan Tower, Victoria Bond, Adolphus Hailstork, and Beethoven in West Hartford, CT, and on December 10 they appear in Ridgefield, CT performing music by Beethoven, Victoria Bond, and Fanny Mendelssohn. Details are below.

Hailed for its “mighty rapport and relentless commitment,” the New York City-based Cassatt String Quartet has performed throughout the world for nearly four decades, with appearances at Alice Tully Hall and Weill Recital Hall; Tanglewood Music Center; the Kennedy Center; Théâtre des Champs-Élysées; Centro National de las Artes; Maeda Hall; and Beijing’s Central Conservatory. The Quartet’s prolific discography – featured three times in Alex Ross’s “10 Best Classical Recordings” column in The New Yorker – includes over forty recordings, for the Koch, Naxos, New World, Point, CRI, Tzadik, and Albany labels.

The Cassatt Quartet’s 2023-2024 season includes performances and recordings of works by Tania León, Adolphus Hailstork, Chen Yi, Joan Tower, Zhou Long, and Daniel S. Godfrey; their annual residencies at the Seal Bay Festival in Maine and Cassatt in the Basin! in West Texas; hometown concerts in the New York area, including at Symphony Space and Bargemusic; and appearances at Treetops Chamber Music Society, Maverick Concerts, and Music Mountain.

The CSQ is named for the American Impressionist painter Mary Cassatt.

Cassatt String Quartet: Upcoming Concerts in New England

September 22 at 7:30 pm: Northeastern University with guitarist Eliot Fisk

Fenway Center at Northeastern University (77 St Stephen St, Boston, MA)

Program:
Zhou Long: Song of the Ch’in
Anthony Paul De Ritis: Passion's Continuum for String Quartet World Premiere
Heitor Villa-Lobos: Cadenza from the concerto for Guitar and Orchestra
Heitor Villa-Lobos: Prelude # 5 In D major
Daniel Strong Godfrey: Toward Light

November 16 at 7 pm: West Hartford, CT

Mandell JCC (335 Bloomfield Ave, West Hartford, CT)

Program:
Joan Tower : Elegy for Trombone Quintet 
Victoria Bond: Blue & Green Music
Adolphus Hailstork: Monuments for Trombone and String Quartet 
Ludwig van Beethoven: String Quartet Op. 18, no. 1

with trombonist Haim Avitsur

November 17: Masterclass at Hartt School of Music

Hartt School of Music (200 Bloomfield Avenue West Hartford, CT)

Following their November 16 performance in West Hartford, the Cassatt String Quartet gives a masterclass to students of the Hartt School of Music. The event if free and open to the public.

December 10 at 4:45 pm: Music at the Mansion (Ridgefield, CT)

Lounsbury House (316 Main St, Ridgefield, CT)
Program:
Beethoven: String Quartet in F major, Op. 18, No. 1
Bond: Blue and Green Music
Fanny Mendelssohn: String Quartet in E-flat major

Concert preceded by a wine and cheese reception at 4 pm

Funding for programs that include contemporary music are made possible in part by: The Aaron Copland Music Fund, Alice M. Ditson Fund, and Amphion Foundation

Defiant Requiem performance in Bismarck, ND

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"We were hungry, we were tired, we were sick. But we had something to live for." *

October 20 & 21 in Bismarck, ND
at Belle Mehus Auditorium,
presented by Bismarck-Mandan Symphony Orchestra

Defiant Requiem: Verdi at Terezín

Complete live performance of Verdi's Requiem (arranged for chamber ensemble), interspersed with historic film, testimony from survivors and narration tells the moving story of courageous performances by prisoners in a WWII concentration camp

* Quote at top by Edgar Krasa, Terezin survivor and chorus member

Praised by The New York Times as "Poignant...a monument to the courage of one man to foster hope among prisoners with little other solace," Defiant Requiem: Verdi at Terezín will be performed in Bismarck, ND at the Belle Mehus Auditorium (201 N 6th St, Bismarck, ND) on Friday, October 20 & Saturday, October 21, 2023 at 7:30 pm. Complete details below.

The "extraordinarily beautiful and moving" concert/drama commemorates the courageous Jewish prisoners in the Theresienstadt Concentration Camp during World War II who performed Verdi's Requiem 16 times, as an act of defiance and resistance to their Nazi captors. Defiant Requiem is a complete live performance of Verdi's Requiem interspersed with historic film, testimony from survivors and narration that tells this tale of audacious bravery. This is the first time Defiant Requiem is being performed in North Dakota.

Note: The performances on October 20 and 21 are of a specially-created chamber arrangement.

Defiant Requiem: Verdi at Terezín was created by Murry Sidlin who will lead the performance in a special chamber arrangement. It features soprano Korliss Uecker, mezzo-soprano Tammy Hensrud, tenor Emerson Eads, and bass Jason Thoms; the Bismarck-Mandan Civic Chorus led by Tom Porter; pianist Arlene Shrut, violinist Maureen Murchie, and cellist Abbie Eads; and actors Dan Bielinski and Beverley Everett.

Ticketing information and more for Defiant Requiem: Verdi at Terezín is available in the calendar listing below.

The Defiant Requiem Foundation also produced an Emmy-nominated documentary film narrated by Bebe Neuwirth that has been praised as a "gripping documentary" (Examiner.com), with "a very powerful message" (CNN). On October 17, the Bismark-Mandan Symphony Orchestra presents a screening of the film at the Belle Mehus Auditorium (201 N 6th St Bismarck, ND), followed by a Q & A. Admission is free thanks to sponsorship from Humanities North Dakota.

CALENDAR LISTING
Defiant Requiem: Verdi at Terezín

October 20 & 21 at 7:30 pm

Belle Mehus Auditorium
201 N 6th St, Bismarck, ND 58501

Tickets are $29-$44 ($18 students; $24-$34 seniors) and available at this link:
bismarckmandansymphony.org/events/DefiantRequiemVerdiatTerezin

Murry Sidlin, creator & conductor

Korliss Uecker, soprano
Tammy Hensrud, mezzo-soprano
Emerson Eads, tenor
Jason Thoms, bass

Arlene Shrut, piano
Maureen Murchie, violin
Abbie Eads, cello

Dan Bielinski & Beverley Everett, narrators
Bismarck-Mandan Civic Chorus
Dr. Tom Porter, choir director

Presented by the Bismarck-Mandan Symphony Orchestra

Defiant Requiem Foundation: Fall 2023 Performances and Events

Live-streamed ~ conversation with the author

October 1, 2023: Washington, DC | Rescue and Resistance: The Remarkable Village of Le Chambon

Join author Maggie Paxson as she speaks with Holocaust survivor Peter Feigl, who was rescued from the Nazis as a young boy in France. From 1940 to 1944, the citizens of the small French village of Le Chambon-sur-Lignon provided refuge for an estimated 5,000 people. Maggie Paxson, author of The Plateau delves into the fascinating question of why and how the villagers of Le Chambon resisted the Nazis.

Washington Hebrew Congregation in Washington, D.C. In person and livestreamed. REGISTER

First performance in North Dakota

October 20-21, 2023: Bismarck, ND | Defiant Requiem: Verdi at Terezín (chamber version)

The "extraordinarily beautiful and moving" concert/drama commemorates the courageous Jewish prisoners in the Theresienstadt Concentration Camp during World War II who performed Verdi's Requiem 16 times, as an act of defiance and resistance to their Nazi captors. Defiant Requiem is a complete live performance of Verdi's Requiem interspersed with historic film, testimony from survivors and narration that tells this tale of audacious bravery.

Belle Mehus Auditorium, Bismarck, ND. TICKETS

Live-streamed ~ world premiere

October 25, 2023: New York City | they burn, the fires of the night: lamentations from the ashes

Ghosts of the past weave their way into our present and future in Menachem Z. Rosensaft's book Poems Born in Bergen-Belsen. Composer Gerald Cohen has brought Rosensaft's words to the concert stage in his settings of these poems. Mezzo soprano Leah Wool and baritone David Kravitz are featured performers in the world premiere of Cohen's song cycle, they burn, the fires of the night: lamentations from the ashes. 

The program also includes selections from Messiaen’s Quartet for the End of Time and music by composers who were imprisoned at the concentration camp at Terezín during WWII.

Hebrew Union College, Manhattan. Admission is free; reservations are required. In person and live-streamed. REGISTER

Sept 30-Oct 5: Momenta Festival VIII

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Momenta Quartet presents:

Momenta Festival VIII
September 30 - October 5

Concerts curated by each member of Momenta Quartet

Momenta Quartet presents its annual Momenta Festival September 30 and October 1 at Broadway Presbyterian Church (601 West 114th St) and October 4 and 5 at Americas Society (680 Park Ave). Admission to all concerts is free.

The eighth edition of the festival features four diverse chamber music programs each curated by a member of the quartet. With programs that blend the old and new, the "intriguing programming" (The New York Times) and "striking originality" (I Care If You Listen) of the Momenta Festival have been acclaimed by critics and fans alike.

Highlights include a diverse range of composers from Haydn to Han Lash, a world premiere, New York premieres and a performance with guest artist, pianist Amy Yang. Details are below.

"We founded this festival in 2015 as an artistic outlet for each of our individual musical interests," says Momenta violist Stephanie Griffin. "I continue to be surprised to discover new pieces and composers that my Momenta colleagues introduce me to through this festival."

Admission to all concerts is free. Programs are subject to change.

Momenta Quartet's 2023 Momenta Festival

Saturday, September 30, 7 pm & Sunday, October 1, 7 pm
Broadway Presbyterian Church
601 West 114th Street, Manhattan
Admission Free; no reservations needed
Donations to Music for Food benefit Broadway Community

Wednesday, October 4, 7 pm & Thursday, October 5, 7 pm
Americas Society
680 Park Ave, Manhattan
Admission Free, reservations required  

SEPTEMBER 30 / Broadway Presbyterian Church: Looking Back — curated by Michael Haas, cello

Works spanning three centuries in which each composer was inspired by musical traditions of the past
Guest artist: Amy Yang, piano

Program:
Han Lash: Suite Remembered and Imagined
Matthew Greenbaum: More Venerable Canons
Franz Joseph Haydn: String Quartet in F minor, Op. 20 No. 5
Robert Schumann: Piano Quintet in E-flat major, Op. 44

OCTOBER 1 / Broadway Presbyterian Church: Earth and Ether — curated by Emilie-Anne Gendron, violin

Music that articulates the joy and pain of the human experience while also contemplating what lies beyond

Program:
Elizabeth Brown: Firmament for solo violin ^
Jeffrey Mumford: …amid still and floating depths for string quartet
Julian Anderson: Another Prayer for solo violin*
Julián Carrillo: String Quartet No. 2

^world premiere, written for Emilie-Anne Gendron
*NY premiere

OCTOBER 4 / Americas Society: Momenta à la Mode — curated by Stephanie Griffin, viola

Celebrating composers for whom modes are a veritable obsession, moving beyond building blocks to be the actual subject matter of their compositions.

Program:
Pietro Cerone: Enigma de la escala (transcribed by Sebastian Zubieta)
Julián Carrillo: String Quartet no. 12
Julián Carrillo: Capricho Para Viola
Robert Morris: Carnatic String Quartet

OCTOBER 5 / Americas Society: Szene am Bach — curated by Alex Shiozaki, violin

A nature-themed program, ”Scene by the Brook”

Program:
Eugène Ysaÿe: Sonata No. 2
Ileana Perez Velázquez: River of Life
Somei Satoh: A White Heron
Ludwig van Beethoven: String Quartet Op. 18 No. 6

Momenta Quartet
Emilie-Anne Gendron, violin
Alex Shiozaki, violin
Stephanie Griffin, viola
Michael Haas, cello

Momenta: the plural of momentum – four individuals in motion towards a common goal. This is the idea behind the Momenta Quartet, whose eclectic vision encompasses contemporary music of all aesthetic backgrounds alongside great music from the recent and distant past. The New York City-based quartet has premiered over 150 works, collaborated with over 200 living composers and was praised by The New York Times for its “diligence, curiosity and excellence.” In the words of The New Yorker’s Alex Ross, “few American players assume Haydn’s idiom with such ease.”

Momenta has appeared at such prestigious venues as the Library of Congress, National Gallery of Art, the Smithsonian's Freer Gallery, Rubin Museum, Miller Theatre at Columbia University, the Princeton Institute for Advanced Study, Philadelphia Chamber Music Society, Washington University in St. Louis, Ostrava Days in the Czech Republic, and at the internationally renowned Cervantino Festival in Mexico. Momenta has recorded for Centaur Records, Furious Artisans, PARMA, New World Records, and Albany Records; and has been broadcast on WQXR, Q2 Music, Austria's Oe1, and Vermont Public Radio.

The Momenta Quartet’s 2023-2024 season is made possible through the generous support of the Aaron Copland Fund for Music, the Amphion Foundation, the Alice M. Ditson Fund, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. The 2023 Momenta Festival is supported by The Adele and John Gray Endowment Fund and through the generosity of many individual donors.