“Jerilyn Jorgensen and Cullan Bryant provide insightful interpretations of all of Beethoven’s sonatas for piano and violin, using instruments that were built at the same time the compositions were written (and, mostly, in the same city): the turn of the 19th century. The liner notes include detailed information about the instruments, and while the quality of the performances is more than enough to recommend this set on its own, the information about the instruments used will be of particular interest to libraries supporting academic instruction in period performance. The recording suffers just a bit, in my view, from microphone placement — I wish we could hear the details of the violin’s tone more intimately.”