Press Release

Pianist Orli Shaham on Tonebase

Pianist Orli Shaham is featured on Tonebase, the popular online piano platform for pianists and students.

Beginning July 22, 2024, Tonebase subscribers can participate in a "Community Challenge" to learn new music through tutorials and performances created by Tonebase artist Orli Shaham. The pianists will learn selections from Karen Tanaka's recently published The Adventures of Anya and share their performances with fellow Tonebase members. At the end of the challenge, participants can attend a special live VIP Zoom event with pianist Orli Shaham and composer Karen Tanaka on August 24th, at 11am PT. Visit Tonebase online for more details.

The Adventures of Anya was written for Shaham, and is a 22-movement work for solo piano that accompanies a children's story with beautiful illustrations by Tiphanie Beek. In a video series highlighting the work, Shaham narrates the story, performs the works, and gives a tutorial on how to play each movement.

Previously on Tonebase, Shaham presented a series of masterclasses on Mozart's piano sonatas (her recordings of all 18 sonatas by Mozart are available now), and a lecture-performance about Clara Schumann.

Watch "Macrons" from The Adventures of Anya by Karen Tanaka performed by Orli Shaham

Orli Shaham with composer Karen Tanaka. Read an interview with Tanaka about Adventures of Anya.

A consummate musician recognized for her grace, subtlety, and brilliance, the pianist Orli Shaham has performed with many of the major orchestras around the world, and has appeared in recital internationally, from Carnegie Hall to the Sydney Opera House.

In 2024, Orli Shaham released the final volumes of the complete piano sonatas by Mozart to high critical acclaim. Her discography includes over a dozen titles on Deutsche Gramophone, Sony, Canary Classics and other labels.

Orli Shaham is on the piano and chamber music faculty at The Juilliard School. She is Artistic Director of Pacific Symphony’s chamber series Café Ludwig in California, and is a Co-Host and Creative for the national radio program From the Top.

Cleveland CMS Announces 75th Anniversary Season

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The Cleveland Chamber Music Society Celebrates 75th Anniversary

2024-25 season highlights include the complete Shostakovich string quartets played by Jerusalem Quartet - a rare performance of the entire cycle

Season also includes Grammy winners Imani Winds, Chanticleer, guitarist Jason Vieaux with Chamber Music Society of Lincoln Center and flutist Emmanuel Pahud

In 1949, a professor at Case Western Reserve University School of Medicine wanted to be able to experience the kind of first rate chamber ensembles he was used to hearing back home in New York. He, along with some of his medical school colleagues, persuaded the venerable Budapest Quartet to perform three concerts in Cleveland. The wildly enthusiastic audience response set the stage for the founding of the Cleveland Chamber Music Society the following year. 

The 2024-25 season marks Cleveland Chamber Music Society's 75th anniversary. "As one of the most established concert presenters in Cleveland we're so proud to be able to bring these world renowned artists from across the globe to our city. For three quarters of a century our audiences have enjoyed performances by artists like Chanticleer, guitarist Jason Vieux, and the Jerusalem Quartet," says CCMS board chair Fern Jennings. "I'm so thrilled for this upcoming season."

A rare performance of all 15 Shostakovich string quartets by the Jerusalem Quartet is the highlight of the season. It is likely the first time the complete cycle has been performed in Cleveland. Praised by BBC Magazine as "an absolute triumph," the world-renowned Jerusalem Quartet performs Shostakovich's string quartets at the Cleveland Museum of Art in five concerts April 21-30, 2025.

Cleveland CMS season also includes performances by Chanticleer (September 24), Imani Winds with Michelle Cann (October 14) Cuarteto Casals (November 12), flutist Emmanuel Pahud (January 21), and Chamber Music Society of Lincoln Center with guitarist Jason Vieaux (February 11). Complete programs and details are below.

Tickets are available online at ClevelandChamberMusic.org or by phone at (216) 291-2777. Subscriptions from $120, single tickets* are $40 for adults ($35 seniors, $5 students/anyone under 19 years old).

About Cleveland Chamber Music Society

The Cleveland Chamber Music Society brings the top performers from around the world to intimate venues in Cleveland since 1949. CCMS highlights its 75th anniversary in the 2024-2025 season with the internationally renowned Jerusalem Quartet’s complete cycle of Dmitri Shostakovich’s string quartets. Other highlights in this special season include the Grammy-award winning Imani Winds, vocal ensemble Chanticleer and guitarist Jason Vieaux with The Chamber Music Society of Lincoln Center.

Beyond the concert stage, the CCMS’s guest artists give master classes at conservatories in Northeast Ohio that are open to the public.

Violist Emily Brandenburg joins Cassatt String Quartet

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Cassatt String Quartet announces violist Emily Brandenburg to join in Fall 2024

Cassatt String Quartet celebrates 40th anniversary in 2024-25 season

"an extraordinary quartet" – The New York Times

The violist Emily Brandenburg joins the Cassatt String Quartet beginning in Fall 2024.

"Muneko, Jennifer, and I are overjoyed to welcome Emily Brandenburg to the Cassatt Quartet as our new violist, and to look forward to the years of shared adventures and music-making ahead! Emily brings to the CSQ her extraordinary experience as a lifelong chamber musician and an especially devoted quartet player; she balances a brilliant analytical mind with a rich, compelling, unusual voice that is deeply layered and beautiful," says CSQ cellist Gwen Krosnick.

Emily Brandenburg says “I am thrilled to be joining the Cassatt String Quartet as their new violist. I have admired the quartet for their artistry, and for their long standing commitment to new music, working hand-in-hand with a diverse array of composers. I look forward to beginning this chapter with them as they enter their 40th season and to all the years of memories and music making to come." 

Ms. Brandenburg holds degrees from Yale, New England Conservatory, and McDuffie Center for Strings at Mercer University. She was previously artist-in-residence at the University of Evansville in Indiana where she was principal viola of Evansville Philharmonic and a member of the Eykamp String Quartet. 

The announcement follows the departure of violist Rosemary Nelis, who joined the group in 2022, and is leaving to focus on other projects.

The Cassatt String Quartet celebrates its 40th anniversary in 2024-2025 with premieres by Joan Tower, Victoria Bond, Mari Kimura and Shirish Korde, all written for the group. The season includes a tour of Italy with guitarist Eliot Fisk, concerts across the United States, teaching residencies at major universities and conservatories, the CSQ's bi-annual Cassatt in the Basin residency in West Texas, and the Seal Bay Festival in Maine.

Cassatt String Quartet Biography

Hailed for its “mighty rapport and relentless commitment,” the New York City-based Cassatt String Quartet has performed throughout the world since 1985, with appearances at Alice Tully Hall and Weill Recital Hall; Tanglewood Music Center; the Kennedy Center; Théâtre des Champs-Élysées; Centro National de las Artes; Maeda Hall; and Beijing’s Central Conservatory. The Quartet’s prolific discography – featured three times in Alex Ross’s “10 Best Classical Recordings” column in The New Yorker – includes over forty recordings, for the Koch, Naxos, New World, Point, CRI, Tzadik, and Albany labels. The CSQ is named for the American Impressionist painter Mary Cassatt.

Pianist Şahan Arzruni records works by Armenian Women

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Pianist Şahan Arzruni’s new album celebrates Armenian women composers spanning 150 years

Album on AGBU/Positively Armenian released July 26, 2024

Includes world premiere recordings by eight composers, including Pulitzer Prize finalist Mary Kouyoumdjian

Two of the earliest women composers in the world were Armenian: Sahakdukht and Khosrovidukht in the 8th century. The Armenian pianist Şahan Arzruni has recorded an album celebrating women composers from the region. “By Women: piano works by Armenian women composers” is released on July 26, 2024 on AGBU/Positively Armenian. The album -– almost entirely world premiere recordings – continues Arzruni's exploration of music from his home country, including his 2021 recording of solo piano works by Alan Hovhaness. 

From Lucy (Lusine) Hazarabedian – the first Armenian woman to write specifically for the piano – to 2024 Pulitzer Prize finalist Mary Kouyoumdjian, the music on "By Women" spans 150 years. Hazarabedian composed “The Nightingale of Armenia” when she was 16 years old, and died tragically young six years later. Kouyoumdjian wrote “I Haven’t the Words” in 2020 during the racial reckoning of George Floyd's murder and subsequent protests. The composer describes the composition as a ‘sonic journal entry’.

The album includes music by Koharik Gazarossian, a Constantinople-born student of Paul Dukas. Gazarossian lived across from the founder of the Armenian National School of Music, Komitas. After Komitas’ exile in the Armenian genocide, Gazarossian copied many of his manuscripts of folk songs and used them as the basis of her own works, including the two preludes on this album. 

Alicia Terzian's “Ode to Vahan” was written for Arzruni on a commission by Mr. & Mrs. Vahakn Hovnanian. The work is based on a liturgical chant created by Khosrovidukht in the 8th century, which continues to be sung in the Armenian Church today.

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

Pianist Şahan Arzruni

BY WOMEN
piano works by Armenian women composers

Release date: July 26, 2024 | AGBU/Positively Armenian

TRACK LISTING
World premiere recordings (except as noted)

GEGHUNI CHITCHYAN (b. 1929)
Sonatina
[01] Allegro (2:10)
[02] Moderato cantabile (3:54)
[03] Presto (1:56)
[04] Prelude (4:04)

KOHARIK GAZAROSSIAN (1907-1967)
[05] Prelude: "My Child, Your Mother is Dead" * (3:19)
[06] Prelude: "Your Name is Shushan" (2:40)

MARY KOUYOUMDJIAN (b. 1983)
[07] "I Haven't the Words" (3:26)

SIRVART KARAMANUK (1912-2008)
[08] "Dance-Song" (3:43)

SIRVART KAZANDJIAN (1944-2020)
[09] “The Bells of Ani” (5:40)

GAYANE CHEBOTARYAN (1918-1998)
[10] Prelude in E-flat minor (3:56)
[11] Prelude in G minor (1:52)
[12] Prelude in B-flat minor * (2:35)
[13] Prelude in E-flat minor (1:48)
[14] Prelude in B-flat minor (4:18)
[15] Prelude in F-sharp minor (2:48)

ALICIA TERZIAN (b. 1934)
[16] “Ode to Vahan” (9:58)

LUCY HAZARABEDIAN (1863-1882)
[17] “The Nightingale of Armenia” (2:57)

* Previously recorded by Şahan Arzruni in the 1980s

Suggested tracks for classical radio
[1] - [3] Chitchyan: Sonatina
[6] Gazarossian: Prelude
[8] Karamanuk: Dance-Song
[12] [13] [15] Cheboaryan: Preludes
[17] Hazarabedian: The Nightingale of Armenia

Out today: Guitarist David Leisner's "Charms to Soothe"

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Guitarist David Leisner's "Charms to Soothe" is released on Azica Records on May 24, 2024

Album includes rare 19th century gems by Mertz, Sor, Guiliani, Schulz and Regondi

Over 45 years, the guitarist David Leisner has recorded 20 albums, from The Viennese Guitar in 1979 to Charms to Soothe, released on May 24, 2024 on Azica Records. This latest album includes early 19th century music by Mertz, Sor, Guiliani, Schulz and Regondi.

"Some of these gems are not played often, and I hope that this recording might call attention to them. In addition, it is my hope that these lovely compositions may offer some solace during a very challenging period in history – 'charms to soothe the savage breast'," writes Leisner in the liner notes.

One of the composers represented on the album is the Vienna-born Leonard Schulz, who spent most of his career in London. Only a few of his compositions were published in his lifetime. Leisner speculates the reason may have been due to "a lessening of interest in guitar music in England in his generation. Or perhaps because, as reported by his contemporary, Makaroff, he was reputed to be 'the worst drunkard in 'London'." Among the extant compositions are the 12 Studies, L’indispensable, op. 40, a beautifully inventive and harmonically rich collection, three of which are included on this album.

Mauro Giuliani’s Giulianate, op. 148, is a collection of some of his finest pieces. First in the set is La Risoluzione, a stand-alone sonata allegro movement. "I always felt it was a shame that Giuliani didn’t follow through with writing more movements to form a Sonata. So, to appease that personal desire of mine, I chose three other pieces from the same opus to go with it, to make an unofficial Sonata – a scherzo, a slow movement and a rondo."

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of this recording.

TRACK LISTING

Johann Kasper Mertz
Nocturne, op. 4, no. 2
[01] Andantino - Allegro con brio (4:24)

Leonard Schulz
Three Etudes (from op. 40)
[02] No. 6, in G major (3:22)
[03] No. 8, in D major (1:54)
[04] No. 9, in A major (1:38)

Fernando Sor
Two Etudes
[05] op. 31, no. 23, in E major (2:13)
[06] op. 6, no. 11, in e minor (3:58)

Mauro Giuliani
Four Pieces (from op. 148) [in the form of a Sonata]
[07] La Risoluzione, no. 1 (6:54)
[08] Scherzo, no. 4 (4:30)
[09] La Melanconia, no. 7 (4:12)
[10] Il Sentimentale, no. 6 (3:48)

Giulio Regondi
Two Etudes
[11] No. 6, in d minor (6:04)
[12] No. 8, in G major (5:40)

Johann Kaspar Mertz
Two Pieces (from Bardenklänge, op. 13)
[13] Lied ohne Worte, vol. 11, no. 1 (4:17)
[14] Mazurka, vol. 11, no. 2 (3:15)

ARTIST BIOGRAPHY

David Leisner is an extraordinarily versatile musician with a multi-faceted career as performing artist, composer and teacher. “Among the finest guitarists of all time” according to American Record Guide, he has an extensive discography on the Azica, Naxos, Telarc, Bright Shiny Things, Koch and Mel Bay labels. David Leisner has performed as a soloist throughout North America, Australasia and Europe. He is also a frequent guest at important chamber music festivals around the country.

Celebrated for expanding the guitar repertoire, David Leisner has premiered works by David Del Tredici, Virgil Thomson, Ned Rorem, Philip Glass, Richard Rodney Bennett, Peter Sculthorpe, Osvaldo Golijov and others. He was a pioneer in the rediscovery of 19th-century guitar composers, Johann Kaspar Mertz and Wenzeslaus Matiegka.

Mr. Leisner is a highly respected composer, whose music Fanfare magazine described as “rich in invention and melody, emotionally direct and beautiful”. His works are performed, recorded and published worldwide. In 2023, the legendary guitarist Pepe Romero premiered Wayfaring, a concerto for guitar and orchestra, at the Hamptons Festival in New York. The work was commissioned by Brian Hays. 

A distinguished teacher, Leisner has served on the faculty of the New England Conservatory, is on the faculty of the Manhattan School of Music, teaches master classes around the world, and is a frequent adjudicator of international guitar competitions. His popular book, Playing with Ease, is published by Oxford University Press.

Aug 3-6: Seal Bay Festival across Maine

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The Cassatt String Quartet gives performances across Maine at the Seal Bay Festival of American Chamber Music August 3-6

Programs in Vinalhaven, Portland, and Belfast

Works by Wang Jie, Shirish Korde, Vineet Shende, Daniel Strong Godfrey, and more

"an extraordinary quartet" – The New York Times

The world-renowned Cassatt String Quartet (Muneko Otani & Jennifer Leshnower, violins; Anna Griffis, guest viola; Gwen Krosnick, cello) performs in Maine as the longtime ensemble of the Seal Bay Festival of American Chamber Music. From the island of Vinalhaven to Portland, the quartet's itinerary includes public performances August 3-6, as well as numerous concerts in retirement homes and community centers across the state September 25-29. Details are in the calendar listing below.

The 2024 festival brings composers Wang Jie, Daniel Strong Godfrey, Shirish Korde, and Vineet Shende to Maine for concerts in Vinalhaven, Belfast, and Portland. Along with guest vocalist Dominique Eade and bassist Peter Weitzner, the Cassatts perform works by these composers throughout the festival.

Founded in 1994, the Seal Bay Festival fosters the relationship between American composers, performers, and audiences. At SBF’s annual Composer Institute, composers Wang Jie, Shirish Korde, and Daniel Strong Godfrey are mentors to composers who are at the beginning of their careers. Music by these Fellows is premiered by the Cassatts on August 5, after several days of workshop rehearsals.

Complete program and venue information is below.

Seal Bay Festival Calendar Listing and Program Details

August 3, 1 pm: Open Rehearsal with the Cassatt String Quartet
Vinalhaven Public Library (6 Carver St, Vinalhaven)
Free admission
Zexuan Ding
: String Quartet++
Zhang Chuqiao: String Quartet++

August 3, 7 pm: Partners in Island Education Fundraising Concert
with the Cassatt String Quartet, Dominique Eade, voice, Peter Weitzner, Bass & Wang Jie, piano
Smith Hokanson Memorial Auditorium at Vinalhaven School, 22 Arcola Ln, Vinalhaven
Suggested donation of $25, children attend free

Daniel Strong Godfrey: Amazing Grace (2020)
Wang Jie: Songs for Mahler in the Absence of Words+
Duke Ellington/Shirish Korde: Moods of Ellington (rev. 2024)++

August 4, 7 pm: Concert
with the Cassatt String Quartet, Dominique Eade, voice, Peter Weitzner, Bass & Wang Jie, piano
Smith Hokanson Memorial Auditorium at Vinalhaven School, 22 Arcola Ln, Vinalhaven
Free admission, donations are welcome

Daniel Strong Godfrey: Amazing Grace+
Vineet Shende: Solo for viola++
Wang Jie: Songs for Mahler in the Absence of Words+
Shirish Korde: God Bless the Child for voice and cello
after Billie Holiday and Eric Dolphy (2024)+
Duke Ellington/Shirish Korde: Moods of Ellington (rev. 2024)++

August 5, 7 pm: Emerging Composers Concert, presented by Composers Institute at Seal Bay Festival
with the Cassatt String Quartet
The Colonial Theatre, Dreamland, 163 High St, Belfast
Tickets are $10, available at door

Zexuan Ding: String Quartet++
Zhang Chuqiao: String Quartet++
Daniel Strong Godfrey: Amazing Grace+
Vineet Shende: Solo for viola++
Florence Price: String Quartet No. 1

August 6, 7:30 pm: Concert
with the Cassatt String Quartet, Dominique Eade, voice, Peter Weitzner, Bass & Wang Jie, piano
Portland Conservatory of Music, 28 Neal St, Portland
Tickets are $12-29, available at door and online (link coming soon)

Daniel Strong Godfrey: Amazing Grace+
Vineet Shende: Solo for viola++
Wang Jie: Songs for Mahler in the Absence of Words+
Shirish Korde: God Bless the Child for voice and cello
after Billie Holiday and Eric Dolphy (2024)+
Duke Ellington/Shirish Korde: Moods of Ellington (rev. 2024)++

+denotes Maine premiere
++denotes world premiere

Community Outreach Events September 25-29, 2024
Programs TBA

September 25

  • 1 pm: 75 State Street (Portland)

  • 3 pm: Atrium at the Cedars (Portland)

September 26

  • 11 am: House concert (Brunswick)

  • 1:30 pm: Thornton Oaks (Brunswick)

  • 3:15 pm: The Highlands (Topsham)

September 27

  • 11 am: Avita (Brunswick)

September 28

  • 11 am: Village Square (Kennebunkport)

  • 6 pm: House concert (Kennebunkport)

September 29

  • 3 pm: Wells Reserve at Laudhol (Wells)

Cassatt String Quartet Biography

Hailed for its “mighty rapport and relentless commitment,” the Cassatt String Quartet has performed to critical acclaim across the world since its founding in 1985, with appearances at Alice Tully Hall, Weill Recital Hall, Tanglewood Music Center, the Kennedy Center, Théâtre des Champs-Élysées, Centro National de las Artes, Maeda Hall, and Beijing’s Central Conservatory. The group’s discography includes over forty recordings, including three discs that were named “10 Best Classical Recordings” in The New Yorker. The CSQ is named for the American Impressionist painter Mary Cassatt. 

Seal Bay Festival is supported by The Gladys Krieble Delmas Foundation, The Aaron Copland Music Fund, Alice M. Ditson Fund, Davis Family Foundation, Maine Arts Commission, and Amphion Foundation

'Manuscripts Don't Burn' in LA and NYC

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Pianist Inna Faliks highlights new album and book in performances in LA and NYC

May 19: BroadStage (Santa Monica, CA) &
May 23: National Sawdust (Brooklyn, NY)

Recitals feature works written for Faliks by Clarice Assad, Maya Miro Johnson, and more

Pianist Inna Faliks highlights her forthcoming album Manuscripts Don't Burn (rel. May 17, 2024, Sono Luminus) and her new book with recitals in Southern California and New York City.  On May 19 at 2 pm, she performs at the BroadStage in Santa Monica, CA and on May 23 at 7:30 pm she performs at National Sawdust in Brooklyn. Tickets and program details below.

The program features many works featured on the new album, including the premiere of Mike Garson's "Psalm for Odesa" (written in tribute to the Ukrainian city in which she was raised), and works written for the pianist by Ljova, Veronika Krausas, and Maya Miro Johnson. Other program highlights include Beethoven's "Eroica" Variations alongside works by Rodoin Shchedrin, Chopin, Paganini, and Bach. 

The forthcoming album Mansucripts Don't Burn features five world premiere recordings alongside works by Schubert, Fanny Mendelssohn, and Fazil Say. Several of the selections on the album relate to a seminal novel of art censorship - Mikhail Bulgakov's "Master and Margarita"; and others speak to the pianists' homeland of Ukraine and her Jewish heritage.  

"I consider this very personal recording to be something of a mirror image to my memoir, as it intertwines the literal images from "Master and Margarita" with more autobiographical themes and layers," says the pianist who first read the book as a child growing up in Soviet Ukraine. "I took it with me when my parents and I immigrated to the U.S. Throughout the years, the book played a role in my life. My childhood best friend from Odesa reread the book in adulthood and decided to find me - we are now together for 20 years, with two kids."

The recitals also feature Inna Faliks reading excerpts from her recently published memoir The Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, October 2023). The memoir has been widely praised, most recently in the LA Review of Books. Anne Midgette (formerly of The Washington Post) writes "There are a lot of musician's memoirs out there; this one, about a piano prodigy turned professional, is a standout. Highly recommended."

Pianist Inna Faliks
Manuscripts Don't Burn in recital

MAY 19, 2024 at 2 PM
BroadStage (1310 11th St., Santa Monica, CA)
Tickets start at $30 and are available at 
BroadStage.org

MAY 23, 2024 at 7:30 PM
National Sawdust (8 North 6th St, Brooklyn, NY)
Tickets are $25 and are available at 
NationalSawdust.org

PROGRAM
Ljova Zhurbin: Sirota for piano and historical recording*      
Mike Garson:
Psalm for Odessa (world premiere)*
J.S. Bach: Prelude and Fugue in G-sharp minor, Book 1
Rodion Shchedrin: Basso Ostinato                                 
Veronika KrausasHave You Stopped Loving Me?*
Veronika Krausas: 14th on the Month of Nisan*
Maya Miro Johnson: Manuscripts Don't Burn*
Frederic Chopin: Polonaise-Fantasie
L.V. Beethoven: "Eroica" Variations and Fugue on an Original Theme
Paganini (arr. Liszt): La Campanella

*written for Inna Faliks

ARTIST BIOGRAPHY

“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Her discography includes Manuscripts Don't Burn (Sono Luminus, May 2024), which consists of world premiere recordings alongside 19th and 20th century works. Also in her catalogue: Reimagine: Beethoven and Ravel (Navona), and all-Beethoven and Rachmaninoff/Ravel/Pasternak discs on MSR Classics.

In addition to her other impressive accomplishments, she is is head of Piano Studies at UCLA and is a critically acclaimed writer. Her memoir, Weight in the Fingertips (Backbeat Books) was published in October 2023, and her articles and essays have appeared in Los Angeles Times and The Washington Post. Inna Faliks is a Yamaha Artist.

May 31: Sylvan Winds @ 45 at Merkin

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Sylvan Winds celebrates 45th anniversary season on May 31 at Merkin Hall

"Mighty Winds" program features music by Richard Strauss, Mozart, and Elizabeth Brown

On May 31, 2024 at 7 pm the Sylvan Winds, hailed by the New York Times for their "adventuresome programming and stylishness of performance," celebrates their 45th anniversary season at Kaufman Music Center's Merkin Hall (129 W 67th St., Manhattan). A ticketed reception will follow the concert. Details here.

The program features larger works for winds, including Mozart's Serenade in C minor for 8 players, and Richard Strauss's Suite in Bb Major for 13 players, alongside a contemporary work by Elizabeth Brown. The current members of the ensemble (Svjetlana Kabalin, flute; Kathy Halvorson, oboe; Nuno Antunes, clarinet; Gina Cuffari, bassoon; and Zohar Schondorf, horn) will be joined by former members and guest artists for this special performance.

Brown's "Pentalogue" was written for the quintet in 2021 in the shadow of the Black Lives Matter protests and COVID-19 pandemic. "I was trying to write something with beauty and hope, but the five movements contain all my anxiety about breath. Maybe that’s why three dark musical quotes insinuated themselves into my subconscious so many times that I gave up trying to get rid of them," says Brown. The work quotes from a Bach cantata, a Mahler symphony, and "Three Blind Mice."

Over 45 years ago, flutist Svjetlana Kabalin joined forces with her colleagues to form what would become one of the most long-lived wind quintets in the country. Since then, the Sylvan Winds have performed under the auspices of Carnegie Hall, Lincoln Center's Mostly Mozart Festival, Caramoor International Music Festival, and venues across the globe. They have recorded for Koch Classics, CRI/New World, North/South, and Albany record labels, enjoyed collaborations with such distinguished artists as Gerard Schwarz, Ransom Wilson and the Guarneri String Quartet, and commissioned dozens of works.

Calendar Listing

Friday, May 31 at 7 pm

Mighty Winds

Merkin Concert Hall at Kaufman Music Music Center
129 W 67 St, New York, NY

Tickets are $30 general admission
(Premium seating: $45; Seniors/Students: $25; Children $15)

Sylvan Winds
Svjetlana Kabalin, flute; Kathy Halvorson, oboe; Nuno Antunes, clarinet;
Gina Cuffari, bassoon; Zohar Schondorf, horn

Program to include:
Elizabeth Brown: Pentalogue
W.A. Mozart: Serenade in C minor, K.388
Richard Strauss: Suite Bb Major, Op. 4

Program subject to change, additional works TBA

These concerts are made possible, in part, with funding from the New York State Council on the Arts, with the support of the Office of the Governor and the New York State Legislature and by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council

New album from Inna Faliks: "Manuscripts Don't Burn"

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Pianist Inna Faliks releases new recording on May 17: Manuscripts Don't Burn

Features works written for Faliks by Clarice Assad, Ljova Zhurbin, Veronika Krausas, Maya Miro Johnson, and Mike Garson

Plus music by Fanny Mendelssohn, Fazil Say, and Schubert

Album is companion piece to Faliks' memoir Weight in the Fingertips (Backbeat Books, 2023)

"Inna Faliks is a superb concert pianist" – Berkshire Fine Arts

The pianist Inna Faliks’ new album, Manuscripts Don’t Burn, is released on May 17, 2024 on Sono Luminus. “It is my most personal album yet, with five premieres written for me in celebration of my favorite book, Mikhail Bulgakov's Master and Margarita, my Ukrainian-Jewish heritage, my hometown of Odesa, and so much more,” says Faliks. "This collection of music speaks to my love of dialogue between music and words. The connections between text and sound here are not just literal but emotional, based on memory, intuition, dreams and hopes."

Master and Margarita is a seminal Russian novel of art censorship and dictatorship. Several of the works on the album are directly related to this book: Maya Miro Johnson's theatrical and extended techniques-filled "Manuscripts Don't Burn" (the phrase is a crucial line in the book) and the elegant, understated "Master and Margarita Suite" by Veronika Krausas. Clarice Assad's "Godai" for speaking pianist features a poem by Steve Schroeder depicting the same imagery of the "manuscripts don't burn" line. The lieder of Schubert transcribed for solo piano by Liszt alludes to the mythical and Faustian lore that is also in Master and Margarita: "Gretchen [Margarita] at the Spinning Wheel," a mystical love story "By the Sea," a monstrous Elf King and the death of a child in "Erlkonig." The rarely heard "Notturno" by Fanny Mendelssohn* connects to the story through the dark, impassioned character of Margarita.

The other works tie into the pianist's experiences and memories growing up Jewish in Ukraine. Fasil Say's "Black Earth"* takes the listener on a journey from Odesa across the Black Sea, while Mike Garson's "Psalm to Odesa" pulls from a well-known Odesan song and features improvisatory elements. "Voices" by Ljova Zhurbin features historical recordings of Jewish cantorial and klezmer music alongside Faliks' piano.

The recording is a mirror image to Faliks's newly-published memoir, The Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, rel. October 2023), as it intertwines the literal images from Master and Margarita with more autobiographical themes and layers. The memoir has been widely praised, most recently in the LA Review of Books. Anne Midgette (formerly of The Washington Post) writes "There are a lot of musician's memoirs out there; this one, about a piano prodigy turned professional, is a standout. Highly recommended."

* the works by Fanny Mendelssohn and Fazil Say are only available on the digital album

Pianist Inna Faliks

Manuscripts Don't Burn

Release date: May 17, 2024 | Sono Luminus (DSL-92275)
Note: physical CD (DSL-92259) does not include Fanny Mendelssohn & Fazil Say tracks

TRACK LISTING

Veronika Krausas (words by Mikhail Bulgakov, trans. Inna Faliks)
Master and Margarita Suite for Speaking Pianist^
[01] I. Time to Go – a Sarabande 1:37
[02] II. 14th of the Month of Nisan 3:06
[03] III. Night Streets of Moscow – a Polonaise 2:00
[04] IV. Yellow Flower Waltz 2:40
[05] V. Fantasia, “Have you stopped loving me?” 2:30
[06] VI. Behemoth’s Somersaults into Cognac – a Bagatelle 2:08
[07] VII. Listen to the Silence – Epilogue 2:330

Franz Schubert (arr. Franz Liszt)
[08] Gretchen am Spinnrade (Gretchen at the Spinning Wheel) S. 558/8 4:30

Maya Miro Johnson (words by Mikhail Bulgakov, trans. Inna Faliks)
[09] Manuscripts Don’t Burn, for Speaking Pianist^ 6:59

Fanny Hensel-Mendelssohn (digital album only)
[10] Notturno in G minor, H337 4:23

Franz Schubert (arr. Franz Liszt) 
[11] Erlkonig (Erlking)  S.558/4 4:43

[12] Am Meer (By the Sea) S. 560/4 4:37

Fazil Say (digital album only)
[13] Black Earth 7:06

Mike Garson
[14] A Psalm for Odesa^ 4:36

Ljova Zhurbin
Voices, Suite in Three Movements for piano and historical recordings^
[15] I. Sirota 6:51
[16] II. Alter(ed) Zhok 5:16
[17] III. Freydele 6:05

Clarice Assad (words by Steve Schroeder)
Godai, the Five Elements, for Speaking Pianist^
[18]I. Dry Bones – Wind 2:30
[19] II. Absence – Fire and Water 3:07
[20] III. Earth 2:01
[21] IV. Ascension-Sky 2:19

[22] Hero for piano solo 2:22

Total Time = 84:10

^ – signifies world premiere recording

ARTIST BIO

“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Her discography includes Manuscripts Don't Burn (Sono Luminus, May 2024), which consists of world premiere recordings alongside 19th and 20th century works. Also in her catalogue: Reimagine: Beethoven and Ravel (Navona), and all-Beethoven and Rachmaninoff/Ravel/Pasternak discs on MSR Classics.

In addition to her other impressive accomplishments, she is is head of Piano Studies at UCLA and is a critically acclaimed writer. Her memoir, Weight in the Fingertips (Backbeat Books) was published in October 2023, and her articles and essays have appeared in Los Angeles Times and The Washington Post. Inna Faliks is a Yamaha Artist.

Classical accordionist Hanzhi Wang at Baruch PA

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Award-winning classical accordionist Hanzhi Wang in recital at Baruch PAC

April 19 program features music by Piazzolla, Bach, Boulanger, Gubaidulina and more!

“Staggering virtuosity that held the audience in a state of breathlessness, as thrilling to watch as to hear.”  – Oberon's Grove

On Friday, April 19 at 7:30 pm the award-winning classical accordionist Hanzhi Wang performs at the intimate Engelman Recital Hall at Baruch Performing Arts Center (55 Lexington Ave (entrance on 25th St), New York, NY). Tickets are $35, available here.

Highlights of Ms. Wang's program include selections from Bach's Goldberg Variations heard fresh in this arrangement for accordion, a work by Katherine Balch written for Ms. Wang, an original work by the accordionist, and music by Sofia Gubaidulina, Rebecca Clarke, Lili Boulanger, and Astor Piazzolla. Full program details below.

Acclaimed for her “staggering virtuosity,” Ms. Wang is praised for her captivating stage presence and performances that display passion and finesse. A groundbreaking artist, Hanzhi was the first accordionist to win Young Concert Artists International Auditions, the first to be named Musical America’s “New Artist of the Month,” and the first solo accordionist on WQXR Radio’s Young Artists Showcase. Ms. Wang earned her Bachelor’s degree at the China Central Conservatory of Music in Beijing. She completed her Master’s degree and Soloist Diploma at the Royal Danish Academy of Music in Copenhagen with the renowned accordion professor Geir Draugsvoll.


Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times. This spring Baruch PAC presentations include the PUBLIQuaret & Harlem Quartets; pianist Maxim Lando; toy-piano/electronic Chromic Duo; Heartbeat Opera's annual spring festival in a co-presentation; and classical accordionist Hanzhi Wang.


CALENDAR LISTING

Friday, April 19, 2023 at 7:30 pm
Baruch Performing Arts Center presents:

Accordionist Hanzhi Wang

Engelman Recital Hall at Baruch Performing Arts Center

55 Lexington Ave., New York, NY
(enter on 25th St. between 3rd and Lexington Aves)

Tickets are $35 available at bpac.baruch.cuny.edu

PROGRAM

J.S. Bach: selections from Goldberg Variations
Sofia Gubaidulina: De Profundis
Rebecca Clarke: Lullaby & Grotesque
Lili Boulanger: Cortège
Katherine Balch: Impromptu for Hanzhi
Hanzhi Wang: My Story
Astor Piazzolla: Chinquilin de Bachin, Milonga del Angel, and La Muerte del Angel

Program subject to change

(Photo credit: Matt Dine)

周文中誕生百週年音樂會 (2024年3月21日)

周文中誕生百週年音樂會
回顧其寶貴傳承
(2024年3月21日)

 

周文中是上世紀首位贏得國際聲譽的華人作曲家,畢生貢獻包括成就 

譚盾、周龍、陳怡、盛宗亮等中國作曲家於上世紀80年代赴美國留學 

 

音樂會由紐約著名Continuum樂團擔任演出,喬爾·薩克斯(Joel Sachs)負責指揮  

 

在中國出生的作曲家周文中(1923‒2019)為美國古典音樂界帶來重要貢獻,影響深遠。他曾輔助新生代一批卓越的年青中國音樂家於上世紀80年代赴美國留學。他們包括奧斯卡得主譚盾、普利策大獎得主周龍、古根海姆獎得主陳怡及麥亞瑟“天才”獎得主盛宗亮。周文中是聲明顯赫的現代作曲家埃德加·瓦雷兹(Edgard Varèse)的入室弟子,多年與大師緊密合作。 

音樂會由以演繹當代音樂馳名的Continuum樂團負責演出,喬爾·薩克斯執棒,展示周文中融合中國與西方風格、技巧與理念的獨特才華。曲目中特別亮點是《商調》的美國首演(1956年作品,為室内樂團而作)。中場休息后,周文中的兒子與合作夥伴將進行簡單對話。詳細演出曲目列於下頁。 

這場音樂會是延續周文中寶貴傳承的項目之一。其他紀念周文中誕生百週年活動包括在中美兩國以他的名義委約新作品、在加州大學聖地牙哥分校二十一世紀中國研究中心舉辦系列講座及哥倫比亞大學美中藝術交流中心項目等。 

 

“簡單地說,沒有任何一個紐約音樂機構可比Continuum樂團的演出 

更引人思考、或比他們的曲目編排更令人滿意。” 

——《紐約時報》 

 

***  

Spiralis 音樂基金聯同哥倫比亞大學音樂系呈獻 

 

紀念周文中誕生百週年音樂會暨回顧其寶貴傳承 

2024年3月21日(週四)晚上7時30分 

哥倫比亞大學米勒劇院 

(地址:紐約曼哈頓百老匯2960號,位於西116街) 

 

門票:20元(學生/長者10元優惠),可於米勒劇院官網購買 

Continuum樂團;喬爾·薩克斯(Joel Sachs,指揮兼鋼琴);主要成員包括Renée Jolles與Airi Yoshioka(小提琴);Stephanie Griffin (中提琴);Kristina Reiko Cooper (大提琴); Emily Duncan(長笛); Moran Katz(單簧管) 

 

演出曲目(全部周文中作品) 

《商調》(1956年)(美國首演) 
室内樂團  

《柳色新》(1957年) 
鋼琴獨奏  

《漁歌》(1965年) 
小提琴、管樂、鋼琴與打擊樂  

《霞光》(2007年) 
木管與弦樂六重奏  

《誦松》(2009年) 
室内樂團 

 

作曲家介紹 

在中國出生的作曲家周文中(1923‒2019)於1946年赴美國求學,在新英格蘭音樂學院師從尼古拉斯·斯洛尼姆斯基,往後移居紐約市,成為埃德加·瓦雷兹的入室弟子。上世紀50年代初在哥倫比亞研究院深造,導師是奧托·呂寧;曾跟隨作曲家博胡斯拉夫·馬爾蒂努及音樂學家保羅·亨利·朗學習。周文中自1964年至1991年在哥倫比亞大學任教。他致力發展哥大至今國際知名的作曲課程,期間有13年掌管哥大藝術學院的學術事務。 

周文中於1978年創辦中美藝術交流中心,與來自東亞及東南亞的專家與機構合作,共創項目包括在日本札幌創辦的太平洋音樂節(1990年);在中國舉辦藝術教育項目(長達15年);還有自1990年開始,致力在世界上最多元化的地區之一——雲南——策劃文化保護與發展項目。 

周文中是美國藝術暨文學學會會員、國際現代音樂協會及亞洲作曲家聯盟榮譽會員,2001年獲法國藝術及文學勛章(軍官勛位)。 

 

樂團介紹 

紐約Continuum樂團曾獲西門子國際大獎、四度榮獲美國作曲家作詞家協會“冒險性節目”大獎。自1966年創辦以來,在新音樂界舉足輕重。 

Continuum在美國各地亮相,包括肯尼迪中心及國會圖書館;曾遠赴歐洲巡演十數次,也多次到訪亞洲及拉丁美洲。 

樂團的演出及活動曾在美國CBS電台、國家公共電台、美國之音以及歐洲廣播網絡播出。Continuum已錄製過20多張唱片,即將發行Roberto Sierra作品專輯(NAXOS唱片公司)。演出曲目涵蓋20世紀經典(如埃夫斯、喬普林、魏本等作曲家)以及全球各地當代作曲家的作品。 

Pianist Orli Shaham: "insightful and perspicacious"

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Pianist Orli Shaham releases final volumes of
"Mozart: The Complete Piano Sonatas"

Volumes 5 & 6 include Sonatas K.309, K.311, K.330, K.457 and K.533/494

Digital release: February 9, 2024
Physical release: February 23, 2024
on Canary Classics

"insightful and perspicacious playing" 
— Classical Music Sentinel

The internationally-renowned concert pianist Orli Shaham is wrapping up her multi-year endeavor of recording all of Mozart’s piano sonatas. Volumes 5/6 of Orli Shaham's "Mozart: The Complete Piano Sonatas" (Canary Classics CC24) is released on CD February 23, 2024. The digital album is currently available for download and streaming. The complete box set with all six volumes will be released this spring.

Preparing to record the sonatas inspired Shaham to keep in mind where Mozart was when he wrote each of them. Whether it was Munich or Paris or Salzburg, she said in the album's liner notes written by Donald Rosenberg, “Was he trying out that piano? Was he writing for someone’s daughters? I want that something from every single one of them.”

"Mozart is both subtle and daring in his distinctive handling of materials," writes Rosenberg. "And to Shaham, there’s more. 'He’s also experimenting with audience manipulation—with the things he sets up beautifully and fulfills, how he thwarts your expectations. I do see through these sonatas that you the listener or amateur pianist—you were on his mind. In his letters, ‘you’ means whatever your level of musical training.'"

Critics call Shaham "an intelligent and sensitive guide" for this music. For a digital or physical copy of Volumes 5/6 or any of the previously released discs, contact ClassicalCommunications@gmail.com.

“A top-tier and consistently satisfying Mozart cycle.”
International Piano


Pianist Orli Shaham
Mozart Piano Sonatas
Volumes 5 & 6

K.309 ● K.311 ● K.330
K.457 ● K.533/494

Canary Classics CC24
Digital release: February 9, 2024
Physical release: February 23, 2024
UPC: 5 060133 300144

TRACK LIST

Volume 5 (Total time 65:11)
1–3 Piano Sonata in C Major, No. 7, K.309
4–6 Piano Sonata in D Major, No. 8, K.311
7–9 Piano Sonata in C Major, No. 10, K.330

Volume 6 (Total time 53:05)
1–3 Piano Sonata in C minor, No. 14, K.457
4–6 Piano Sonata in F Major, No. 15, K.533/494


Hailed as “a first-rate Mozartean” by Chicago Tribune, Orli Shaham has established an international reputation as one of today's most gifted pianists.

Orli Shaham has performed with many of the major orchestras around the world, and has appeared in recital from Carnegie Hall to the Sydney Opera House. She is Artistic Director of Pacific Symphony’s chamber series Café Ludwig in Costa Mesa, California and Artistic Director of the interactive children's concert series, Orli Shaham’s Bach Yard, which she founded in 2010. She has served on the juries of both the Cliburn and Honens International Piano Competitions.

In 2024, Ms. Shaham releases Volumes 5 and 6, the final volumes of "Mozart: The Complete Piano Sonatas". Her Mozart recording project also includes Piano Concertos with St. Louis Symphony, all of which are part of her discography of over a dozen titles on Canary Classics, Deutsche Gramophone, Albany Records, SFS Media and more.

Orli Shaham is a Co-Host and Creative for the national radio program From the Top. She is on the piano and chamber music faculty at The Juilliard School and is chair of the board of trustees at Kaufman Music Center in New York. 

March 16: Sylvan Winds perform Debussy, Bach and more

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Sylvan Winds continues 45th anniversary season with two concerts

March 16: "World Winds: Traditions Reimagined" features works by Debussy, Bach, and more

May 31: Season finale at Merkin Hall

"a superb group of musicians" – Fanfare

The Sylvan Winds is in the midst of their 45th anniversary season. On March 16, 2024 the quintet performs a program of some of their favorite compositions, including music by Bach, Debussy, Irving Fine, and José-Luis Hurtado.

"It's a delight to return to this repertoire that we know so well," says founding member and flutist Svjetlana Kabalin. "Each time we present the works in a new context, we find different aspects of the music to bring out. This particular program 'World Winds: Traditions Reimagined' highlights the longstanding tradition of composers pulling inspiration from older styles. Mordechai Rechtman created a brilliant arrangement of a Bach concerto (which itself was an arrangement of a Vivaldi concerto) and Gordon Davies’ transcription of Debussy’s Petite Suite is a longtime concert favorite.”

Tickets to the March 16 concert at 2 pm at Good Shepherd Presbyterian Church (152 W 66th St, Manhattan) are $25, with discounts available for students, seniors, and children, available at SylvanWinds.com.

On May 31, the 45th anniversary season concludes with a special performance at Kaufman Music Center's Merkin Hall (129 W 67th St., Manhattan). The grand finale features larger works for winds, including Mozart's Serenade in C minor, and Richard Strauss's Suite in Bb Major, alongside contemporary works by Elizabeth Brown and Valerie Coleman. A ticketed reception will follow the concert. Details here.

Hailed by The New York Times for "…its adventuresome programming and stylishness of performance," Sylvan Winds was founded in 1982. Founding member and flutist Svjetlana Kabalin is joined by oboist Kathy Halvorson, clarinetist Nuno Antunes, Gina Cuffari on bassoon, and horn player Zohar Schondorf, completing the traditional woodwind quintet instrumentation. The quintet has appeared under the auspices of Carnegie Hall, Lincoln Center’s Mostly Mozart Festival and the Caramoor International Music Festival.

Calendar Listing

Saturday, March 16 at 2 pm
World Winds: Traditions Reimagined

Good Shepherd Presbyterian Church
(152 West 66th Street, New York, NY)

Tickets are $25 general admission
(Seniors/Students: $20; Children $10)

Sylvan Winds

Svjetlana Kabalin, flute; Kathy Halvorson, oboe;
Nuno Antunes, clarinet; Gina Cuffari, bassoon;
Zohar Schondorf, horn

PROGRAM

Claude Debussy: Petite Suite
 José-Luis Hurtado: Son de la Bruja
J.S. Bach (arr. Rechtman): Concerto No. 2 after Vivaldi, S.593
Irving Fine: Partita

Program subject to change

These concerts are made possible, in part, with funding from the New York State Council on the Arts, with the support of the Office of the Governor and the New York State Legislature and by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council

March 12: Cassatt String Quartet at Symphony Space

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March 12: Cassatt String Quartet and Ursula Oppens perform piano quintets by Joan Tower and Tania León at Symphony Space

Part of Cutting Edge Concerts New Music Festival's 27th season

Also: Victoria Bond's Blue and Green Music and Wang Jie's Song for Mahler in the Absence of Words

On March 12, 2024 at 7:30 pm, the internationally acclaimed Cassatt String Quartet and pianist Ursula Oppens perform at Symphony Space. The program is part of Cutting Edge Concerts New Music Festival and features 21st century works for strings and piano by Tania León, Joan Tower, Victoria Bond and Wang Jie. For more on Oppens, read a profile of the pianist in the New York Times.

The highlight of the program is Victoria Bond’s Blue and Green Music, which the quartet recorded for Albany Records and is based on a Georgia O’Keefe painting of the same title. Tania León's Ethos, Joan Tower’s Dumbarton piano quintet and Wang Jie’s Songs for Mahler in the Absence of Words for piano quartet are also on the program. The concert will explore facets of contemporary music by living composers, all of whom will be present to discuss their works on stage with host and creator, Victoria Bond.

"I'm so delighted to invite the Cassatt String Quartet and Ursula Oppens back to the Cutting Edge Concerts' stage. The Cassatts are one of the finest ensembles of today, and it's been such a pleasure to hear them take my work Blue and Green Music on tour around the country this past season. I cannot wait to hear this program along with the audience," says Bond.

Program details for the March 12 concert are below. The performance is at Symphony Space's Leonard Nimoy Thalia Theater (2537 Broadway, Manhattan). Tickets are $25 in advance ($20 senior/student) and available at SymphonySpace.org.

Calendar Listing

CUTTING EDGE CONCERTS NEW MUSIC FESTIVAL

Cassatt String Quartet and Pianist Ursula Oppens

Tuesday, March 12, 2024 at 7:30 pm
Symphony Space (2537 Broadway, Manhattan)
Tickets: $25 in advance (at SymphonySpace.org)

PROGRAM

Victoria Bond: Blue and Green Music
Tania León: Ethos for Piano and String Quartet
Wang Jie: Song for Mahler in the Absence of Words
Joan Tower: Dumbarton Quintet for piano quintet

About Cassatt String Quartet

Hailed for its “mighty rapport and relentless commitment,” the New York City-based Cassatt String Quartet has performed throughout the world for nearly four decades, with appearances at Alice Tully Hall and Weill Recital Hall; Tanglewood Music Center; the Kennedy Center; Théâtre des Champs-Élysées; Centro National de las Artes; Maeda Hall; and Beijing’s Central Conservatory. The Quartet’s prolific discography – featured three times in Alex Ross’s “10 Best Classical Recordings” column in The New Yorker – includes over forty recordings, for the Koch, Naxos, New World, Point, CRI, Tzadik, and Albany labels.

The Cassatt Quartet’s 2023-2024 season includes performances and recordings of works by Tania León, Adolphus Hailstork, Chen Yi, Joan Tower, Zhou Long, Victoria Bond and Daniel S. Godfrey; their annual residencies at the Seal Bay Festival in Maine and Cassatt in the Basin! in West Texas; hometown concerts in the New York area, including at Symphony Space and Bargemusic; and appearances at Treetops Chamber Music Society, Maverick Concerts, and Music Mountain.

The CSQ is named for the American Impressionist painter Mary Cassatt.

Out February 23: Solomiya Ivakhiv's "Ukrainian Masters"

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Violinist Solomiya Ivakhiv releases “Ukrainian Masters: Sonatas for Violin and Piano by Bortkiewicz, Kosenko and Skoryk”

Album features sonatas spanning the 20th century with pianist Steven Beck

Featuring a world premiere recording; released February 23 on Naxos

“a fabulous tone and virtuoso panache that feels just right.” — Gapplegate Classical

The Ukrainian-American violinist Solomiya Ivakhiv has made it her mission to share the music of her home country. Her latest release, “Ukrainian Masters” (Naxos 8.579146, rel. February 23, 2024) includes violin sonatas spanning 1922 to 1991 by three seminal Ukrainian composers, including a world premiere recording of Viktor Kosenko's Sonata in A minor, Op. 18. Ivakhiv is joined by the renowned pianist Steven Beck who frequently performs with the New York Philharmonic.

Each of the three composers on the new album are major figures in Ukrainian classical music and in Ivakhiv's own musical life. "I knew Kosenko's piano music growing up, but it was not popular to play Ukrainian music, as the Soviet government only promoted Russian composers. Therefore his music was not professionally recorded. I discovered the sonata after I moved to the U.S. when I was studying at Curtis and planning my recitals."

Bortkiewicz's music on the other hand was completely banned in the Soviet Union as he was a refugee and fled Ukraine via Istanbul, Belgrade, Sofia, Serbia and Vienna when Russians occupied Eastern Ukraine. "He was declared an enemy of the people as a result, and I only discovered his music with the war in Ukraine," continues the violinist. "Skoryk I did know personally, and had the opportunity to play his music for him before he passed away in 2020."

In addition to Ukrainian Masters, Ivakhiv has highlighted works from Ukrainian composers on her recordings Poems and Rhapsodies with the National Symphony of Ukraine (Centaur, 2022) and Ukraine - Journey to Freedom (NAXOS, 2016). Other album releases include Haydn + Hummel Concertos (Centaur, 2020) and Mendelssohn Concertos (Brilliant Classics, 2019).

Contact ClassicalCommunications@gmail.com to request a physical CD or digital copy of Ukrainian Masters.


February 9: Album release performance and panel discussion in NYC

To celebrate the release of Ukrainian Masters, Ivakhiv and Beck will perform selections from the album at the Ukrainian Institute of America in NYC on February 9 at 7 pm. The evening will feature a conversation on "Ukrainian Composers and their Words" with Maria Sonevytsky, Professor of Music, Bard College and Peter Schmelz, Professor of Music, Johns Hopkins University. Admission includes a copy of the CD. Ticket information coming soon.

"There is absolutely no stuffiness about this playing, just a constant outpouring of joy.”
Classical Candor

Ukrainian Masters: Sonatas for Violin and Piano by Bortkiewicz, Kosenko and Skoryk

Solomiya Ivakhiv, violin
Steven Beck
, piano

Naxos 8.579146

Release date: February 23, 2024

TRACKS

Viktor Kosenko: Violin Sonata in A minor, Op. 18 (1927)* 17:42
[01] I. Allegro 9:24
[02] II. Andantino semplice 8:06

Myroslav Skoryk: Violin Sonata No. 2 (1991) 14:58
[03] I. The Word: Moderato con moto 5:15
[04] II. Aria: Andante con moto 5:56
[05] III. Burlesque: Vivo 3:40

Sergei Bortkiewicz: Violin Sonata in G minor, Op. 26 (1922) 25:21
[06] I. Sostenuto – Allegro drammatico 10:22
[07] II. Andante 7:24
[08] III. Allegro vivace e con brio 7:30

*world premiere recording


Ukrainian born violinist Solomiya Ivakhiv is a highly celebrated soloist, chamber musician and educator. She has made solo appearances with the Istanbul State Symphony Orchestra, National Symphony Orchestra of Ukraine, Lviv National Philharmonic of Ukraine, Charleston Symphony in the United States and Hunan Symphony Orchestra in China, and has performed at chamber music festivals worldwide, including Tanglewood, Newport, Nevada Chamber Music Festival and KyivFest. Her recordings have been featured on NPR’s Performance Today and have placed in the top charts on iTunes and Spotify.

Since 2010, Dr Ivakhiv has served as artistic director of the Music at the Institute (MATI) Concert Series in New York City, where her primary focus is to introduce audiences to Ukrainian classical music. She is also artistic director of the Caspian Monday Music Festival in Greensboro, Vermont. She holds degrees from the Curtis Institute of Music and Stony Brook University, and is associate professor of violin and viola and head of strings at the University of Connecticut. In 2021, she was named Honoured (Merited) Artist of Ukraine, her native country’s highest cultural honour.


A graduate of The Juilliard School, pianist Steven Beck made his concerto debut with the National Symphony Orchestra. His annual Christmas Eve performance of Bach’s Goldberg Variations at Bargemusic has become a New York institution. As an orchestral musician he has appeared with the New York Philharmonic and Orpheus Chamber Orchestra. Beck is an experienced performer of new music, having worked with Elliott Carter, Pierre Boulez, Henri Dutilleux, Charles Wuorinen, George Crumb, George Perle and Fred Lerdahl. He is a member of The Knights, the Talea Ensemble, Quattro Mani and the Da Capo Chamber Players. His discography includes George Walker’s piano sonatas for Bridge Records, and Elliott Carter’s Double Concerto on Albany Records. He is a Steinway Artist, and is on the faculty of the University of Massachusetts, Amherst.

Cutting Edge Concerts returns March 12

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CUTTING EDGE CONCERTS
New Music Festival

Victoria Bond, Artistic Director

Cutting Edge Concerts New Music Festival's 27th season continues with March 12 concert at Symphony Space

Cassatt String Quartet and Ursula Oppens perform piano quintets by Joan Tower and Tania León

Also: Victoria Bond's Blue and Green Music and Wang Jie's Song for Mahler in the Absence of Words

"a gift to New Yorkers thirsty for new sounds"
Time Out New York

Composer Victoria Bond founded Cutting Edge Concerts New Music Festival to celebrate, support and promote the work of living composers. Its 27th season continues on March 12, 2024 at 7:30 pm with the internationally acclaimed Cassatt String Quartet and pianist Ursula Oppens at Symphony Space. The program features 21st century works for strings and piano by Tania León, Joan Tower, Victoria Bond and Wang Jie. For more on Oppens, read a profile of the pianist in this week's New York Times.

The highlight of the program is Victoria Bond’s Blue and Green Music, which the quartet recorded for Albany Records and is based on a Georgia O’Keefe painting of the same title. Tania León's Ethos, Joan Tower’s Dumbarton piano quintet and Wang Jie’s Songs for Mahler in the Absence of Words for piano quartet are also on the program. The concert will explore facets of contemporary music by living composers, all of whom will be present to discuss their works on stage with host and creator, Victoria Bond.

"I'm so delighted to invite the Cassatt String Quartet and Ursula Oppens back to the Cutting Edge Concerts' stage. The Cassatts are one of the finest ensembles of today, and it's been such a pleasure to hear them take my work Blue and Green Music on tour around the country this past season. I cannot wait to hear this program along with the audience," says Bond.

Program details for the March 12 concert are below. The performance is at Symphony Space's Leonard Nimoy Thalia Theater (2537 Broadway, Manhattan). Tickets are $25 in advance ($20 senior/student) and available at SymphonySpace.org.

Calendar Listing

CUTTING EDGE CONCERTS NEW MUSIC FESTIVAL

Cassatt String Quartet and Pianist Ursula Oppens

Tuesday, March 12, 2024 at 7:30 pm
Symphony Space (2537 Broadway, Manhattan)
Tickets: $25 in advance (at SymphonySpace.org)

PROGRAM

Victoria Bond: Blue and Green Music
Tania León: Ethos for Piano and String Quartet
Wang Jie: Song for Mahler in the Absence of Words
Joan Tower: Dumbarton Quintet for piano quintet

About Cutting Edge Concerts

Inspired by Pierre Boulez's series, "Perspective Encounters", the composer and conductor Victoria Bond founded Cutting Edge Concerts in 1998. With 26 years of concerts, Cutting Edge Concerts has presented over 300 new works by more than 200 composers. Each program highlights the music of living composers, all of whom attend the concert. Along with performances by world-class ensembles and soloists, each program features on-stage discussions between host Victoria Bond and the composers.

About Victoria Bond

A major force in 21st century music, composer Victoria Bond is known for her melodic gift and dramatic flair. Her works for orchestra, chamber ensemble and opera have been lauded by The New York Times as "powerful, stylistically varied and technically demanding." Her compositions have been performed by the New York City Opera, Shanghai, Dallas and Houston Symphonies, members of the Chicago Symphony and New York Philharmonic, American Ballet Theater and the Cassatt and Audubon Quartets.  Ms. Bond is also an acclaimed conductor, and is the principal guest conductor of Chamber Opera Chicago, and has held conducting positions with Pittsburgh Symphony, New York City Opera, Roanoke Symphony, and Bel Canto and Harrisburg Operas.

Sunday: Joan Tower at 85! with Da Capo Chamber Players

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Feb 25: Da Capo Chamber Players celebrates Joan Tower at 85

Performance at Tenri Cultural Institute honors one of the ensemble's founders

Concert is part of Da Capo's 52nd concert season which continues on May 19 with a program of music inspired by the Middle East

"[a] fantastic experience of musical beauty" - Seen and Heard International

The Da Capo Chamber Players honors composer Joan Tower at age 85 with a program spanning five decades of her chamber works. In addition to Tower’s music, the concert includes world premieres of works written by two of Tower’s associates, John Boggs and Erica Lindsay.

Tower (born September 6, 1938) was a founding member of the groundbreaking ensemble, served as its pianist from 1970 to 1985, and continues to have a close association with Da Capo. "Joan’s inspiration not only helped launch this amazing group, she has also written numerous major works for us which have become classics in the field,” said Patricia Spencer, curator of this concert and founding member of Da Capo.

Da Capo Chamber Players commissioned Erica Lindsay, recent winner of a Chamber Music America New Jazz Works award and a colleague of Tower’s at Bard College, to compose a new work for the occasion. Also receiving a premiere on this concert is a quintet written for Tower and Da Capo by John Boggs, former student of the composer, now a teacher of piano and voice in Colorado.

Da Capo Chamber Players concert, Joan Tower at 85!, is on Sunday, February 25 at 8 pm at Tenri Cultural Institute (43A West 13th Street in Manhattan). Tickets are $30 ($15 students/seniors), available online and at the door.

Da Capo's 52nd concert season continues on May 19 with a program of music inspired by the Middle East. Ugandan composer Shirish Korde's The Conference of the Birds 2 is based on medieval Persian mythology. Yotam Haber grew up in Israel, Netherlands, and the U.S. His composition Bloodsnow captures a harrowing experience where he nearly lost his finger taking care of a friend's sled dogs in Alaska. Iranian composer Ramin Heydarbeygi's Aramesh deals with the theme of exile.

Calendar Listing

Sunday, February 25, 2024 at 8 pm

Tenri Cultural Institute (43A West 13th Street, New York, NY)

Joan Tower at 85!

Da Capo Chamber Players
Curtis Macomber 
violin | Chris Gross cello
Marianne Gythfeldt clarinet | Steven Beck piano
Patricia Spencer curator 

GUEST ARTISTS
James Baker
 conductor 
Laura Cocks flute | Michael Lipsey percussion
Andrea Ábel flute | Isabel Lepanto Gleicher flute
Jessica Taskov flute | Mark Helias upright bass

Tickets are $30/$15 (students/seniors), available online or at the door

PROGRAM

Joan Tower Breakfast Rhythms I and II (1974)  
Joan Tower Fanfare for the Uncommon Woman No.5 (1993)  
Joan Tower Big Sky (2000)  
Joan Tower Into the Night (2022)
Erica Lindsay slowly, letting go (2024)* – World Premiere
Erica Lindsay Transmutation Variations 
John Boggs Descending the Catskills (2019)* – NY Premiere

*written for Joan Tower and Da Capo

Next up from Da Capo Chamber Players:
Sunday, May 19, 8 pm | Tenri Cultural Institute
Middle East Influences
A program of music by Shirish Korde, Yotam Haber, and Ramin Heydarbeygi.

About the Artists

The Da Capo Chamber Players has been hailed by The New Yorker as a "distinguished ensemble...at the center of the New York new-music scene”. Founded in 1970, the "Pierrot ensemble” (flute, clarinet, violin, cello and piano) won the Naumburg Chamber Music Award in 1973 and went on to commission and perform new American chamber music in an enormous spectrum of styles over more than a half century.

The Da Capo Chamber Players' long-running New York series has been praised for "superb" and "gripping" performances, including premieres by Elliott Carter, George Perle, Louis Karchin, Joan Tower, Shulamit Ran, Chinary Ung, and dozens of others. Da Capo also brings performances of American music around the world, and presents music of global cultures to American audiences. 

Joan Tower was co-founder and pianist for the Da Capo Chamber Players from 1970-85, and is widely regarded as one of the most important American composers living today. During a career spanning more than sixty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by over one hundred major ensembles, soloists, and orchestras around the globe.

Tower was the first woman to win the prestigious Grawemeyer Award; she was named Composer of the Year by Musical America, and the League of American Orchestras awarded her the Gold Baton. The recording of Tower’s Made in America, a work commissioned by 65 American orchestras, earned the composer three Grammy awards. 

Pianist Inna Faliks premieres concerto by Clarice Assad

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Pianist Inna Faliks premieres piano concerto by Clarice Assad in Washington, D.C.

Program celebrating International Women's Day also features Clara Schumann's piano concerto

March 10 concert at National Gallery of Art features Faliks as soloist with Inscape Chamber Orchestra

On March 10 at the National Gallery of Art in Washington, D.C., the internationally renowned Ukrainian-American pianist and author Inna Faliks performs the world premiere of Lilith, a new piano concerto by Grammy-nominated composer Clarice Assad.

Written for Faliks, Lilith refers to the biblical character who was considered a primordial she-demon. Each of the movement titles (Spellbinder, Forbidden Charms, and Unchained) outline Lilith's iconic phases and sensuality. On the same program, Faliks plays the Piano Concerto by Clara Schumann.

The concert on March 10 at 3 pm falls within days of International Women's Day. Admission is free; details on the National Gallery of Art's website. Students from regional youth ensembles will join the Grammy-nominated Inscape Chamber Orchestra, led by Richard Scerbo, for this world premiere performance.

Faliks performs regional premieres of Lilith in Durango, CO (April 20) and Farmington, NM (April 21) with the San Juan Symphony and conductor Thomas Heuser.

Calendar Listing

National Gallery of Art presents

Sunday, March 10, 2024 at 3 pm

Inna Faliks with the Inscape Chamber Orchestra
World premiere of Lilith by Clarice Assad

Inna Faliks, piano
Robert Scerbo, conductor
Inscape Chamber Orchestra

with students from the DC Youth Orchestra Program and Washington Musical Pathways Initiative

National Gallery of Art 
(West Building, Main Floor - West Garden Court)
6th St and Constitution Ave NW
Washington, DC 20565

PROGRAM

Fanny Mendelssohn Overture in C Major
Clara Schumann Piano Concerto in A Minor
Clarice Assad A Retirada
Clarice Assad Lilith, Concerto for Piano and Orchestra (World Premiere)

Coming Up

“Adventurous and passionate” (The New Yorker) Ukrainian-born American pianist Inna Faliks has made a name for herself through her commanding performances of standard piano repertoire, as well genre-bending interdisciplinary projects, and inquisitive work with contemporary composers. After her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages in recital and with many major orchestras, performing with conductors Leonard Slatkin, Keith Lockhart and many others.

Ms. Faliks collaborates with and premieres music by some of today’s most significant composers, including Billy Childs, Richard Danielpour, Timo Andres and Clarice Assad. She is known for her poetry-music series Music/Words, and has worked with a number of prominent poets. She regularly tours her monologue-recital Polonaise-Fantasie, the Story of a Pianist, which tells the story of her immigration to the United States from Odessa (recorded on Delos). Her discography includes Manuscripts Don't Burn (Sono Luminus, May 2024), which consists of world premiere recordings alongside 19th and 20th century works. Also in her catalogue: Reimagine: Beethoven and Ravel (Navona), and all-Beethoven and Rachmaninoff/Ravel/Pasternak discs on MSR Classics.

In addition to her other impressive accomplishments, she is is head of Piano Studies at UCLA and is a critically acclaimed writer. Her memoir, Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books) was published in October 2023, and her articles and essays have appeared in Los Angeles Times and The Washington Post. Inna Faliks is a Yamaha Artist.

Baruch PAC's 2024 spring season

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Baruch Performing Arts Center's Spring 2024 Performances

Pianist Maxim Lando, classical accordionist Hangzhi Wang and Chromic Duo's toy piano and electronics fill BPAC's intimate Engelman Recital Hall with compelling music

Plus Heartbeat Opera's new production of Eugene Onegin and a world-premiere by Daniel Schlosberg and Amanda Quaid

This spring, Baruch Performing Arts Center's "perfect hall for chamber music" (New York Times) is full of performances. From the sounds of award-winning pianist Maxim Lando to classical accordionist Hanzhi Wang to the ingenuity of the Chromic Duo on keyboards and electronics, audiences will experience the best chamber music anywhere.

Ticket offer (valid til Feb. 9): Purchase tickets to all three recitals for a special price of $68 with code ADVANCE at this link.

Also this spring: Heartbeat Opera returns with their annual spring festival, presenting a new arrangement of Eugene Onegin alongside the world premiere of Daniel Schlosberg & Amanda Quaid’s The Extinctionist.

Tickets to all shows available at bpac.baruch.cuny.edu

Downloadable images & bios available in the digital press kit

"Brilliance and infectious exuberance" Pianist Maxim Lando

February 9, 7:30 pm: Pianist Maxim Lando
Colorful classics by an award-winning performer

Award-winning pianist Maxim Lando performs Robert Schumann's Carnaval, Modest Mussorgsky’s evocative Pictures at an Exhibition, and the pianist’s own arrangement of Stephen Sondheim’s The Worst Pies in London from "Sweeney Todd." Schumann's Carnaval is a timely choice, as it depicts pre-Lenten festivities within a few days of Mardi Gras 2024.

Lando has been praised for his “brilliance and infectious exuberance” (The New York Times) and called a “dazzling fire-eater” by ARTS San Francisco. He is recipient of the prestigious Gilmore Young Artist Award, earned First Prize at the Young Concert Artists International Auditions and is winner of the New York Franz Liszt International Competition and The Vendome Prize.

Tickets $35 ($15 for students and Baruch staff).

"playful soundscapes” Chromic Duo

March 5, 7:30 pm: Chromic Duo
Multi-media duo plays toy pianos merged with electronics

Chromic Duo - Lucy Yao and Dorothy Chan - blends classical music, toy piano, and electronics into genre-fluid performances and installations. Inspired by the small wonders of the everyday, they compose sound worlds inspired by the multitudes as Third-Culture-Kids discovering their voices within the vast Asian-American diaspora.

Chromic Duo often blurs the lines between film, virtual reality, and augmented reality, but the heart of their work remains constant: to create an intimacy and sense of wonder in their music that unravels the story of self-discovery and passion, connecting the dots between grief and joy, belonging and displacement, and creating community in boundary-pushing performances and web-based experiences.

Tickets $35 ($15 for students and Baruch staff).

“staggering virtuosity” Classical Accordionist Hanzhi Wang

April 19, 7:30 pm: Classical accordionist Hanzhi Wang

Acclaimed for her “staggering virtuosity,” the classical accordionist Hanzhi Wang is praised for her captivating stage presence and performances that display passion and finesse. A groundbreaking artist, Hanzhi was the first accordionist to win Young Concert Artists International Auditions, the first to be named Musical America’s “New Artist of the Month,” and the first solo accordionist on WQXR Radio’s Young Artists Showcase.

Hanzhi made her Carnegie Hall and Kennedy Center debuts in 2017. Her awards include the Ruth Laredo Prize and Mortimer Levitt Career Development Award for Women Artists of YCA and First Prize in the 40th Castelfidardo International Accordion Competition in Italy. She inspires the next generation of accordionists with lectures, performances, and master classes at the Manhattan School of Music, Royal Danish Academy of Music, Tianjin Music Conservatory, and across Europe. 

Tickets $35 ($15 for students and Baruch staff).

Heartbeat Opera at Baruch PAC

On April 2-14, Heartbeat Opera returns to BPAC for their annual spring festival. Alternating nights, the critically-acclaimed company presents a new 100-minute adaptation of Tchaikovsky's exquisite masterpiece Eugene Onegin alongside the highly anticipated premiere of Daniel Schlosberg and Amanda Quaid's thrilling The Extinctionist.

Baruch Performing Arts Center

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times. 

Feb 9: Award-winning pianist Maxim Lando at BPAC

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Award-winning pianist Maxim Lando performs at Baruch PAC on February 9

Colorful program includes Robert Schumann's Carnaval, Mussorgsky’s Pictures at an Exhibition, and music by Sondheim

On Friday, February 9, the award-winning American pianist Maxim Lando performs at the intimate Engelman Recital Hall at Baruch Performing Arts Center. His program includes Robert Schumann's Carnaval, Modest Mussorgsky’s evocative Pictures at an Exhibition, and the pianist’s own arrangement of Stephen Sondheim’s The Worst Pies in London from "Sweeney Todd." Schumann's Carnaval is a timely choice, as it depicts pre-Lenten festivities within a few days of Mardi Gras 2024. Tickets are $35, available here.

Lando has been praised for his “brilliance and infectious exuberance” (The New York Times) and called a “dazzling fire-eater” by ARTS San Francisco. He is recipient of the prestigious Gilmore Young Artist Award, earned First Prize at the Young Concert Artists International Auditions and is winner of the New York Franz Liszt International Competition and The Vendome Prize.

Maxim made his Alice Tully Hall debut performing with the Juilliard Orchestra in 2021 and appeared with the Orchestra of St. Luke's at Carnegie Hall as First Prize Winner in the 2022 New York Franz Liszt International Piano Competition. Recent awards include "Best Chamber Music Album of the Year" at the 2023 International Classical Music Awards (ICMA) for his album “Into Madness” with German violinist Tassilo Probst.

Baruch Performing Arts Center is at 55 Lexington Avenue (enter on 25th Street between Third and Lexington Avenues, on the south side of the street) in the heart of Manhattan. Praised for its superb acoustics, the Rosalyn and Irwin Engelman Recital Hall has been called "a perfect hall for chamber music" by Anthony Tommasini of The New York Times

Tickets are now on sale for all Spring 2024 performances. Details below, and tickets are available at bpac.baruch.cuny.edu.

Friday, February 9, 2023 at 7:30 pm

Baruch Performing Arts Center presents:

Pianist Maxim Lando

Engelman Recital Hall at Baruch Performing Arts Center

55 Lexington Ave., New York, NY (enter on 25th St. between 3rd and Lexington Aves)

Tickets are $35 available at bpac.baruch.cuny.edu

PROGRAM
Schumann
: Carnaval
Sondheim (arr. Lando): The Worst Pies in London from "Sweeney Todd"
Mussorgsky: Pictures at an Exhibition

Baruch PAC 2024 Spring Season

January 13: PUBLIQuartet and Harlem Quartet (double-bill)
February 9: Pianist Maxim Lando (Gilmore Young Artist)
March 5: Chromic Duo
April 2-14: Heartbeat Opera Spring Festival: Tchaikovsky's Eugene Onegin and The Extinctionist, a world premiere by Daniel Schlosberg
April 19: Classical accordionist Hanzhi Wang